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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Brothers Grimm, The
Dimension Films
FILM:
MPAA RATING: PG-13 for violence, frightening sequences and brief suggestive material
Starring
Matt Damon,
Heath Ledger,
Monica Bellucci,
Jonathan Pryce,
Lena Headey,
Peter Stormare,
and
Roger Ashton-Griffiths
The adventures of legendary fairytale scribes Will and Jake Grimm, two brothers who travel around the Napoleonic countryside vanquishing monsters and demons in exchange for quick money. But when the French authorities figure out their scheme, the con men are forced to contend with a real magical curse when they enter an enchanted forest where young maidens keep disappearing under mysterious circumstances. (Miramax)
| GENRE(S): |
Adventure
|
Comedy
|
Fantasy
|
Horror
|
Suspense/Thriller
|
| WRITTEN BY: |
Ehren Kruger
|
| DIRECTED BY: |
Terry Gilliam
|
| RELEASE DATE: |
DVD: December 20, 2005
Theatrical: August 26, 2005
|
| RUNNING TIME: |
120 minutes, Color |
| ORIGIN: |
Czech Republic / USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Christian Science Monitor
David Sterritt
Gilliam has rarely been more inventive, energetic, or just plain funny.

80
Village Voice
Michael Atkinson
Just as fabulously cartoon-Gothic as "Sleepy Hollow."

80
Wall Street Journal
Jim Fusilli
A wildly wondrous reinvention of the story of the chroniclers of dark, occasionally horrific, child-pleasing fairy tales.
80
Chicago Reader
Jonathan Rosenbaum
This brisk, free-falling fantasy about the famous collators of German fairy tales, played here as a kind of comedy act by Matt Damon and Heath Ledger, is Terry Gilliam's most entertaining work since the glory days of "Time Bandits," "Brazil," "The Adventures of Baron Munchausen," and "The Fisher King."

75
Seattle Post-Intelligencer
William Arnold
It's a barrage of visual stimulation so excessive that it's hard to sort it all out. But it's often funny, its texture can be breathtaking and its pleasures likely will grow with repeated viewings.

75
Portland Oregonian
Shawn Levy
The result is minor Gilliam: still more engaging than most moviemaking, but nonetheless a letdown after such a long wait.

75
Rolling Stone
Peter Travers
If you're a Gilliam junkie, as I am, you go with it, even when the script by Ehren Kruger (The Skeleton Key) loses its shaky hold on coherence.

75
Premiere
Glenn Kenny
In the end it's still Gilliam Lite, but Gilliam Lite is better than no Gilliam at all.

70
TV Guide
Ken Fox
Damon, an underrated comic actor, is particularly good as an ultra-rationalist who'll scream like a girl and run from anything he can't immediately explain.

63
New York Daily News
Jami Bernard
The result is a bit of a mess: sometimes delightful, sometimes tedious, always creative.

63
The Globe and Mail (Toronto)
Rick Groen
Sorry, but the real Grimms did a whole lot more with a great deal less.

63
Boston Globe
Ty Burr
An absurd mess that's more entertaining than it has any right to be.

63
Philadelphia Inquirer
Steven Rea
If The Brothers Grimm flies apart like a badly designed airplane (and it does), it still has more going for it than most of the movie fare this summer.

60
The Hollywood Reporter
Kirk Honeycutt
Hugely ambitious but often failing to live up to those ambitions, Terry Gilliam's long-awaited The Brothers Grimm emerges as a folkloric adventure that intermittently entertains.

60
Empire
Dan Jolin
Gilliam at his best and his worst.

58
Entertainment Weekly
Owen Gleiberman
Strenous yet flat, The Brothers Grimm is a let's-see-what-sticks spectacle that, coming from Terry Gilliam, is more grim than "Grimm."

50
The Onion (A.V. Club)
Nathan Rabin
The Brothers Grimm reeks of compromise, of a brilliant fantasist losing his footing and nerve and getting hopelessly gummed up in the cruel machinery of big-budget blockbuster filmmaking.

50
Variety
Robert Koehler
The tilt here toward a hyperactive, buddy-movie action-adventure with loud comic archetypes is a poor fit for a film that relies on fairy tale icons and themes.

50
The New York Times
Manohla Dargis
Kitted out in period garb and dubious British accents, the actors throw themselves into this flimsy contrivance with energy, but are badly served by a director focused on flipping switches and twirling knobs. Despite a few early sparks of promise The Brothers Grimm sputters and coughs along like an unoiled machine, grinding gears and nerves in equal measure.

50
Chicago Sun-Times
Roger Ebert
A work of limitless invention, but it is invention without pattern, chasing itself around the screen without finding a plot.

50
Austin Chronicle
Marjorie Baumgarten
Although Gilliam's bright color palette and weird camera angles lift the film, it has an overall sense of darkness, as if shot among people who have yet to see the Age of Enlightenment.

50
Chicago Tribune
Michael Phillips
Never calms down for a second. It's the visual equivalent of the "Sabre Dance," and its only oxygen comes from the actors, who are quite good.

50
Miami Herald
Rene Rodriguez
The Brothers Grimm gives you plenty to look at, but it's not much to see.

50
New York Post
Lou Lumenick
Seriously lost in the woods. This aimless epic about a pair of charlatan brothers sinks under the weight of a problematic script, questionable star casting, hamfisted editing -- and penny-pinching by Gilliam’s latest patrons, the Brothers Weinstein.

50
Baltimore Sun
Chris Kaltenbach
Neither Grimm comes across as especially interesting to watch, and neither does anything in the movie offer much to get excited about.

50
Salon.com
Stephanie Zacharek
Although The Brothers Grimm is partly an inventive fantasy, it's also a cluttered, jangly action picture, and there's too much noise and commotion for Gilliam's subtler ideas to really resonate.

50
USA Today
Mike Clark
Brothers never catches fire the way Gilliam's "The Adventures of Baron Munchausen" did. And you almost feel during subpar special effects that sweaty stagehands are pushing the trees around.

50
Los Angeles Times
Kenneth Turan
Unfortunately, although Gilliam has always had a taste for the outre, he has allowed it to get out of hand here and swallow the picture whole. There's an excessiveness, an unwelcome too-muchness to "Grimm's" creepy moments.

50
Slate
David Edelstein
Like a lot of Gilliam's movies it's too overloaded--antic, indulgent, overdesigned--to get off the ground for more than a minute or two at a stretch.

40
LA Weekly
Scott Foundas
This is one of the most visually off-putting films ever made by a director who supposedly makes beautiful pictures.

40
Film Threat
Pete Vonder Haar
On the whole, The Brothers Grimm is a mess; a formerly daring director’s attempt to cash in on big studio backing even after the rug has been pulled out from under him.

38
Charlotte Observer
Lawrence Toppman
The film seems almost intentionally bad in most ways, as if Gilliam were expressing a suicide wish for his directing career.

30
Washington Post
Michael O'Sullivan
Not terrible so much as terminally silly.

30
Dallas Observer
Robert Wilonsky
It's easily the ugliest film Gilliam's ever made, a movie shot with a lens someone forgot to wipe. It's also his loudest: Every scene is amped up to 11, and every line of dialogue is delivered as though it's a cry for help from the bottom of the well.

25
San Francisco Chronicle
Mick LaSalle
It's the cinematic equivalent of an all-dessert meal: After the initial jolt, the lack of any real nourishment is apparent, and it becomes a struggle to stay awake.

20
Washington Post
Stephen Hunter
Gilliam does two things well: mud and trees.


The average user rating for this movie is 5.4 (out of 10) based on 48 User Votes
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