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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
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74
Afghan Star
48
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56
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82
Anvil! The Story of Anvil
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Beaches of Agnes, The
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Boys: The Sherman Brothers' Story, The
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Brothers Bloom, The
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Burma VJ: Reporting from a Closed Country
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Cherry Blossoms
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Easy Virtue
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End of the Line, The
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Every Little Step
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Examined Life
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Food, Inc.
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Gigantic
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Girl from Monaco, The
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Girlfriend Experience, The
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Great Buck Howard, The
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Harvard Beats Yale 29-29
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Paris 36
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Pontypool
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Pressure Cooker
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Rudo y Cursi
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Seraphine
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Sex Positive
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Sin Nombre
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Song of Sparrows, The
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Valentino: The Last Emperor
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What Goes Up
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Youssou Ndour: I Bring What I Love
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Hurt Locker, The
89
Goodbye Solo
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Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Bukowski: Born into This
Magnolia Pictures
MPAA RATING: Not Rated
Starring
Charles Bukowski,
Bono,
Sean Penn,
and
Harry Dean Stanton
The first comprehensive documentary on author Charles Bukowski, one of those rare writers whose work created a myth of epic proportions around its creator. (Magnolia Pictures)
| GENRE(S): |
Documentary
|
| DIRECTED BY: |
John Dullaghan
|
| RELEASE DATE: |
DVD: March 21, 2006
Theatrical: May 28, 2004
|
| RUNNING TIME: |
130 minutes, Color |
| ORIGIN: |
USA |
Nominated, Grand Jury Prize (Documentary), 2003 Sundance Film Festival

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Film Threat
Eric Campos
Bukowski is one of my all time favorite writers and now I have an all new respect for the man thanks to John Dullaghans phenomenal film. Ill be breaking out Post Office, Ham On Rye, and Notes of a Dirty Old Man again very soon.

100
Entertainment Weekly
Owen Gleiberman
It reveals Bukowski to be a far grander artist than his bum's armor would suggest.

91
Portland Oregonian
M. E. Russell
Often-brilliant, often-reverent documentary deconstructs Bukowski's bad-boy literary persona, finds a fascinatingly messed-up guy behind the words.

90
Washington Post
Michael O'Sullivan
A portrait of a sometimes surly, often foulmouthed, always brilliant artist that is at once humane, horrific, hilarious and deeply moving.

90
Washington Post
Stephen Hunter
About as good a picture of a writer's real life as we are likely to get. It is wide-ranging, it is fair, it is thorough, and although it admires, it is also tough enough to condemn.

90
Village Voice
Mark Holcomb
Charles Bukowski, the bard of post-war L.A.'s working-class underbelly, was no ordinary cult writer, and John Dullaghan's thorough, compelling doc Bukowski: Born Into This does a credible job of showing why.

89
Austin Chronicle
Marc Savlov
The bulk, the heft, and the girth of Bukowski: Born Into This arrives in the form of the author himself, giving beery readings to Berkeley audiences clearly enjoying a contact high or sitting, ill-kempt but quiet, pensive, Heineken in one yellowy paw, in his apartment.

88
Chicago Sun-Times
Roger Ebert
How much was legend, how much was pose, how much was real? I think it was all real, and the documentary suggests as much.

88
Boston Globe
Ty Burr
Wants to claim Bukowski (1920-1994) as a 20th-century West Coast Walt Whitman -- a people's poet of modern degradation. Through a selective presentation of his writing and a reverently crass treatment of his life, it makes a funny, often intensely moving case, and you're having such a good time that you're glad to let it.

80
Variety
Dennis Harvey
Makes a compelling case for raising him (Bukowski) from cult status to the top rank of 20th century U.S. literary figures -- while providing ample evidence of a very colorful life and times.

80
The New York Times
Stephen Holden
Definitive and engrossing documentary.

80
Dallas Observer
Robert Wilonsky
A remarkable movie, because, like "Crumb" or even "American Splendor," it adores the very people most of us might ignore if they passed us on the street. It's a love letter to someone who desperately needs one, even 10 years after his death.

80
Chicago Reader
J.R. Jones
This documentary profile of poet and novelist Charles Bukowski exploits the writer's counterculture persona but also works to dispel it, revealing a gifted and extremely complicated man.

75
Christian Science Monitor
David Sterritt
Excerpts from Schroeder's long video documentary about him, and from the flawed melodrama "Barfly" they made together, add more variety.

75
Baltimore Sun
Stephen Kiehl
Some of the most affecting moments in the film show Bukowski walking the streets of his Los Angeles, a barren suburban hell, as he reads his poems and the words appear on and then fade from the screen.

75
New York Post
Megan Lehmann
The dirty old man who became a cult poet and author was a true original, and every minute he's on screen, whether it's reading from his brutally honest work or musing on a hard-lived life for the cameras, it's hard to look away.

75
New York Daily News
Jack Mathews
He's not someone you may wish you'd known, but he's a fascinating street character.

75
Chicago Tribune
Allison Benedikt
Raw and defining documentary about the man--and the myth.

75
San Francisco Chronicle
Walter Addiego
It's the portrait of an artist who had neither time nor respect for literary niceties -- he was, in the words of publisher John Martin, a "man of the street writing for the man of the street."

70
Los Angeles Times
Kevin Thomas
Accomplishes beautifully what it sets out to do, which is to reveal the man behind the crusty, hard-drinking, tough-talking persona Charles Bukowski so artfully crafted.

63
Premiere
Aaron Hillis
Dullaghan's film is a bit too straightforward and introductory to be declared a definitive portraiture. The gold nuggets worth sifting for lie in the anecdotal minutiae.

60
TV Guide
Maitland McDonagh
By turns profane, vulgar, unpredictable, scabrous and perpetually somewhere between buzzed and three sheets to the wind, Bukowski opened a window onto a fringe world of blue-collar drudgery and alcoholic self-obliteration with his blistering, bleakly comic dispatches from the gutter.

50
The Onion (A.V. Club)
Nathan Rabin
Goes to great lengths to show the man-child behind the barfly, but in its rush to deify its subject, it lacks critical voices and context.

50
LA Weekly
Scott Foundas
As factoids do-si-do with testimonials from the likes of drinking buddy Sean Penn and fan-boy Bono, the movie all but becomes the very A&E Hagiography for which Bukowski would have had little or no patience.

50
The Hollywood Reporter
Richard James Havis
Despite the fact there's no lack of raw material, Bukowski fails to place its subject's actions and statements in any psychological or literary context. It's simply a celebration of Bukowski's misogyny and self-abuse.


The average user rating for this movie is 8.7 (out of 10) based on 12 User Votes
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