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Catch Me If You Can
DreamWorks Distribution LLC

Catch Me If You Can reviews
Critic Score
Metascore: 76 Metascore out of 100
User Score  
7.5 out of 10
based on 38 reviews
Read critic reviews
How did we calculate this?
based on 60 votes
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Rate this movie

MPAA RATING: PG-13 for some sexual content and brief language

Starring Leonardo DiCaprio, Tom Hanks, Christopher Walken, Jennifer Garner, Amy Adams, Martin Sheen, Frank John Hughes, and Brian Howe

Frank W. Abagnale (DiCaprio) worked as a doctor, a lawyer and as a co-pilot for a major airline -- all before his 21st birthday. A master of deception, he was also a brilliant forger, whose skill at check fraud had netted him millions of dollars in stolen funds. FBI agent Carl Hanratty (Hanks) has made it his prime mission to capture Frank and bring him to justice, but Frank is always one step ahead of him, baiting him to continue the chase. (DreamWorks)


GENRE(S): Drama  
WRITTEN BY: Jeff Nathanson
Frank Abagnale Jr. and Stan Redding (book Catch Me If You Can)
 
DIRECTED BY: Steven Spielberg  
RELEASE DATE: DVD: May 6, 2003 
Video: May 6, 2003 
Theatrical: December 25, 2002 
RUNNING TIME: 140 minutes, Color 
ORIGIN: USA 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
The Onion (A.V. Club) Nathan Rabin
Part of Spielberg's skill as a filmmaker comes in choosing the right collaborators. Janusz Kaminski's gorgeous cinematography, Michael Kahn's graceful editing, Jeff Nathanson's clever script, and John Williams' score all work well in unison, but the film's masterstroke is the casting of Walken as DiCaprio's utterly decent father.
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100
Washington Post Stephen Hunter
It's brilliantly acted. But best of all, it's brilliantly made.
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91
Portland Oregonian Shawn Levy
It's the most charming and buoyant film Spielberg's ever made.
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90
The New York Times Stephen Holden
Supremely entertaining.
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90
Time Richard Schickel
Results in about the nicest movie you could ask for at the holidays: a gently funny, sweetly adventurous film that makes you feel genuinely good, that is to say, entirely unconned by false sentiment or sharp, overmanipulative Hollywood practices.
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90
Newsweek David Ansen
Never less than engaging; all that’s missing is a proper crescendo. The picture moves along briskly, even at two and a half hours, but it seems to be running on cruise control.
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89
Austin Chronicle Marc Savlov
Everything about this swift and gorgeous and tremendously enjoyable film is played out in a rush of staccato edits, crisp performances, and charmingly giddy subplots that coalesce into Spielberg's most purely entertaining movie in years.
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88
Boston Globe Ty Burr
Nothing if not a celebration of our willingness to be gulled by life's charming strangers.
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80
Dallas Observer Robert Wilonsky
Breezy and easy to swallow. Its maker, Steven Spielberg, hasn't had so much fun in two decades.
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80
The New Yorker David Denby
Spielberg must have sensed that he owed us some fun, and the movie has a sleek and carefree look -- the lightness of a sixties comedy, made with the extraordinary speed and panache of our most fluent director. This is a true holiday film, a gift from some genuine pros who know how to entertain without sweat. [23 & 30 December 2002, p. 166]
80
Variety Todd McCarthy
Like a trot around the track for the thoroughbreds involved, and one of the results is that it takes them far too long to get to the finish line.
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80
LA Weekly John Powers
As an actor DiCaprio has long been known for his ardor, not to mention his tiresome self-seriousness, but working for Spielberg, he plays his scenes with a comic deftness I thought he didn't have in him.
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80
Chicago Reader Jonathan Rosenbaum
Based on the real-life exploits of Frank W. Abagnale but played more for myth than believability.
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80
The New Republic Stanley Kauffmann
Spielberg directs so fluently that it takes a while to perceive how well made the film is.
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80
Slate David Edelstein
Feels more like The Bill Clinton Story than "Primary Colors" (1998). It's a paean to naughty boys who dream of potency and become enraptured by their own scams -- a great American archetype.
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75
Seattle Post-Intelligencer William Arnold
DiCaprio could hardly be better. He brings this outrageous character and his demons to life with skill, sympathy and a symphony of small, telling touches.
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75
The Globe and Mail (Toronto) Rick Groen
The movie could have used a further dose of the resonance Walken gives it, and a more intellectually adventurous director might have brought the theme close to home.
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75
Chicago Tribune Michael Wilmington
Brilliant performances by DiCaprio as Frank Jr. and Christopher Walken as his fallen father - and an enjoyable one by Tom Hanks.
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75
Entertainment Weekly Owen Gleiberman
The film's charm ends up worn out by the very perfection of Frank's con. We look at this teen wizard of rotating identity, and we realize we know everything about him except who he is.
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75
Miami Herald Rene Rodriguez
Even in its somewhat unwieldy form, Catch Me If You Can is charming, sparkling entertainment.
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75
San Francisco Chronicle Mick LaSalle
What lingers in the memory is the impression of having experienced a frolic, a ride through the park on a bright winter day.
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75
Philadelphia Inquirer Steven Rea
In the end (and it's a happy end, to be sure), Catch Me if You Can is as crisp and trim as a new suit. Well, a new old suit - say, circa the 1960s.
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75
New York Daily News Jami Bernard
A pleasant romp through the land of Truth Is Stranger Than Fiction.
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75
Christian Science Monitor David Sterritt
Spielberg's directing is a tad less tricky than usual, but he doesn't have much talent for psychological suspense, which is the heart of the story. DiCaprio underplays nicely and Walken is superb as the con artist's downtrodden dad.
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75
Chicago Sun-Times Roger Ebert
This is not a major Spielberg film, although it is an effortlessly watchable one.
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75
ReelViews James Berardinelli
An enjoyable, although not ambitious, holiday outing.
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75
Charlotte Observer Lawrence Toppman
Slight, enjoyable comedy.
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75
New York Post Lou Lumenick
You won't find a movie that's more fun this season -- but at 2-1/2 hours, it's probably too much of a good thing.
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70
Los Angeles Times Manohla Dargis
For all his genre-hopping and shape-shifting Spielberg seems to have become too big to tell small stories, which is one reason why the film sputters on one too many false endings.
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70
Film Threat Rick Kisonak
We aren't talking Oscar here. We're talking truly fine performances and an unexpectedly hep John Williams score. We are talking a story that rollicks with the most rollicking of them. Not great cinema; just a great time at the movies and certainly a film well worth catching if you can.
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70
Wall Street Journal Joe Morgenstern
Finally seems like a bit of a con in its own right, but a marvelously smooth one.
70
New York Magazine Peter Rainer
Breezily enjoyable but thin.
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63
Baltimore Sun Michael Sragow
Spielberg's inchoate attempts at cultural observation stretch the movie out and dilute the giddiness instead of adding a pleasurable spike. When the movie doesn't feel inflated, it feels soggy.
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63
USA Today Mike Clark
Catch offers mild fun but never as much as its animated '60s-retro opening credits portend. They're the cutest of the year.
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60
Salon.com Charles Taylor
Well-enough made and highly watchable, but it lacks the one thing that would put some swing in its step and some swagger in its attitude: a sense of jazz.
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60
TV Guide Ken Fox
The whole lighter-than-air lark whizzes by like a brisk, kandy-kolored dream of the 1960s, flavored by a Saul Bass inspired credit sequence; a slinky, Henry Mancini-esque score; and a stunning array of period sets and evocative locales.
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50
Village Voice J. Hoberman
DiCaprio is far more successfully cast here than in Gangs of New York: His performance is all about acting; it's a mild kick to see how he'll manage to talk his way out of nearly every scrape.
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50
Rolling Stone Peter Travers
What begins brightly gets bogged down over 140 minutes. A film that took off like a hare on speed ends like a winded tortoise.
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What Our Users Said

Vote Now!The average user rating for this movie is 7.5 (out of 10) based on 60 User Votes
Note: User votes are NOT included in the Metascore calculation.

Ilir C. gave it a9:
Great movie which keeps you in it until the very last second.

[Anonymous] gave it a0:
Worst movie ever, i didnt sleep just because my seat wasnt comfortable enough, i wanted my money back!

Alex Z. gave it a7:
I liked the movie overall. It had its funny moments like his first case at the court after he watched TV. The acting was great too from both Tom Hanks and Leonardo DiCaprio. Though overall it was pretty repetitive and thus became a little bit boring the more it moved to the end. After the first hour I'd have probably given it a 10 but it was a tad too long in my opinion. It's still an entertaining movie and surely one of the better ones I've seen these days.

James M gave it a7:
Not particularly impressive, but an entertaining film nonetheless.

[Anonymous] gave it an8:
I like the style of the movie. Who knew stealing cash could be so fun? Unfortunately, Abagnale closed the book on that later (you'll know what i mean when you see the ending).

J. Ryan G. gave it a4:
This film tries to be several things it is not: A comedy, a tragedy, an adventure, a mystery. When it actually becomes any of the above, it is only momentary, and by incidental contact. Not incidentally, as with most Spielberg films, we are obliged to make this film out to be something it never is, not even for a moment: Entertainment.

Radley A. gave it a 10:
A very good and inspiring film.

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