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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Catch Me If You Can
DreamWorks Distribution LLC
FILM:
MPAA RATING: PG-13 for some sexual content and brief language
Starring
Leonardo DiCaprio,
Tom Hanks,
Christopher Walken,
Jennifer Garner,
Amy Adams,
Martin Sheen,
Frank John Hughes,
and
Brian Howe
Frank W. Abagnale (DiCaprio) worked as a doctor, a lawyer and as a co-pilot for a major airline -- all before his 21st birthday. A master of deception, he was also a brilliant forger, whose skill at check fraud had netted him millions of dollars in stolen funds. FBI agent Carl Hanratty (Hanks) has made it his prime mission to capture Frank and bring him to justice, but Frank is always one step ahead of him, baiting him to continue the chase. (DreamWorks)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Jeff Nathanson
Frank Abagnale Jr. and Stan Redding (book Catch Me If You Can)
|
| DIRECTED BY: |
Steven Spielberg
|
| RELEASE DATE: |
DVD: May 6, 2003
Video: May 6, 2003
Theatrical: December 25, 2002
|
| RUNNING TIME: |
140 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
The Onion (A.V. Club)
Nathan Rabin
Part of Spielberg's skill as a filmmaker comes in choosing the right collaborators. Janusz Kaminski's gorgeous cinematography, Michael Kahn's graceful editing, Jeff Nathanson's clever script, and John Williams' score all work well in unison, but the film's masterstroke is the casting of Walken as DiCaprio's utterly decent father.

100
Washington Post
Stephen Hunter
It's brilliantly acted. But best of all, it's brilliantly made.

91
Portland Oregonian
Shawn Levy
It's the most charming and buoyant film Spielberg's ever made.

90
The New York Times
Stephen Holden
Supremely entertaining.

90
Time
Richard Schickel
Results in about the nicest movie you could ask for at the holidays: a gently funny, sweetly adventurous film that makes you feel genuinely good, that is to say, entirely unconned by false sentiment or sharp, overmanipulative Hollywood practices.

90
Newsweek
David Ansen
Never less than engaging; all thats missing is a proper crescendo. The picture moves along briskly, even at two and a half hours, but it seems to be running on cruise control.

89
Austin Chronicle
Marc Savlov
Everything about this swift and gorgeous and tremendously enjoyable film is played out in a rush of staccato edits, crisp performances, and charmingly giddy subplots that coalesce into Spielberg's most purely entertaining movie in years.

88
Boston Globe
Ty Burr
Nothing if not a celebration of our willingness to be gulled by life's charming strangers.

80
Dallas Observer
Robert Wilonsky
Breezy and easy to swallow. Its maker, Steven Spielberg, hasn't had so much fun in two decades.

80
The New Yorker
David Denby
Spielberg must have sensed that he owed us some fun, and the movie has a sleek and carefree look -- the lightness of a sixties comedy, made with the extraordinary speed and panache of our most fluent director. This is a true holiday film, a gift from some genuine pros who know how to entertain without sweat. [23 & 30 December 2002, p. 166]
80
Variety
Todd McCarthy
Like a trot around the track for the thoroughbreds involved, and one of the results is that it takes them far too long to get to the finish line.

80
LA Weekly
John Powers
As an actor DiCaprio has long been known for his ardor, not to mention his tiresome self-seriousness, but working for Spielberg, he plays his scenes with a comic deftness I thought he didn't have in him.

80
Chicago Reader
Jonathan Rosenbaum
Based on the real-life exploits of Frank W. Abagnale but played more for myth than believability.

80
The New Republic
Stanley Kauffmann
Spielberg directs so fluently that it takes a while to perceive how well made the film is.

80
Slate
David Edelstein
Feels more like The Bill Clinton Story than "Primary Colors" (1998). It's a paean to naughty boys who dream of potency and become enraptured by their own scams -- a great American archetype.

75
Seattle Post-Intelligencer
William Arnold
DiCaprio could hardly be better. He brings this outrageous character and his demons to life with skill, sympathy and a symphony of small, telling touches.

75
The Globe and Mail (Toronto)
Rick Groen
The movie could have used a further dose of the resonance Walken gives it, and a more intellectually adventurous director might have brought the theme close to home.

75
Chicago Tribune
Michael Wilmington
Brilliant performances by DiCaprio as Frank Jr. and Christopher Walken as his fallen father - and an enjoyable one by Tom Hanks.

75
Entertainment Weekly
Owen Gleiberman
The film's charm ends up worn out by the very perfection of Frank's con. We look at this teen wizard of rotating identity, and we realize we know everything about him except who he is.

75
Miami Herald
Rene Rodriguez
Even in its somewhat unwieldy form, Catch Me If You Can is charming, sparkling entertainment.

75
San Francisco Chronicle
Mick LaSalle
What lingers in the memory is the impression of having experienced a frolic, a ride through the park on a bright winter day.

75
Philadelphia Inquirer
Steven Rea
In the end (and it's a happy end, to be sure), Catch Me if You Can is as crisp and trim as a new suit. Well, a new old suit - say, circa the 1960s.

75
New York Daily News
Jami Bernard
A pleasant romp through the land of Truth Is Stranger Than Fiction.

75
Christian Science Monitor
David Sterritt
Spielberg's directing is a tad less tricky than usual, but he doesn't have much talent for psychological suspense, which is the heart of the story. DiCaprio underplays nicely and Walken is superb as the con artist's downtrodden dad.

75
Chicago Sun-Times
Roger Ebert
This is not a major Spielberg film, although it is an effortlessly watchable one.

75
ReelViews
James Berardinelli
An enjoyable, although not ambitious, holiday outing.

75
Charlotte Observer
Lawrence Toppman
Slight, enjoyable comedy.

75
New York Post
Lou Lumenick
You won't find a movie that's more fun this season -- but at 2-1/2 hours, it's probably too much of a good thing.

70
Los Angeles Times
Manohla Dargis
For all his genre-hopping and shape-shifting Spielberg seems to have become too big to tell small stories, which is one reason why the film sputters on one too many false endings.

70
Film Threat
Rick Kisonak
We aren't talking Oscar here. We're talking truly fine performances and an unexpectedly hep John Williams score. We are talking a story that rollicks with the most rollicking of them. Not great cinema; just a great time at the movies and certainly a film well worth catching if you can.

70
Wall Street Journal
Joe Morgenstern
Finally seems like a bit of a con in its own right, but a marvelously smooth one.
70
New York Magazine
Peter Rainer
Breezily enjoyable but thin.

63
Baltimore Sun
Michael Sragow
Spielberg's inchoate attempts at cultural observation stretch the movie out and dilute the giddiness instead of adding a pleasurable spike. When the movie doesn't feel inflated, it feels soggy.

63
USA Today
Mike Clark
Catch offers mild fun but never as much as its animated '60s-retro opening credits portend. They're the cutest of the year.

60
Salon.com
Charles Taylor
Well-enough made and highly watchable, but it lacks the one thing that would put some swing in its step and some swagger in its attitude: a sense of jazz.

60
TV Guide
Ken Fox
The whole lighter-than-air lark whizzes by like a brisk, kandy-kolored dream of the 1960s, flavored by a Saul Bass inspired credit sequence; a slinky, Henry Mancini-esque score; and a stunning array of period sets and evocative locales.

50
Village Voice
J. Hoberman
DiCaprio is far more successfully cast here than in Gangs of New York: His performance is all about acting; it's a mild kick to see how he'll manage to talk his way out of nearly every scrape.

50
Rolling Stone
Peter Travers
What begins brightly gets bogged down over 140 minutes. A film that took off like a hare on speed ends like a winded tortoise.


The average user rating for this movie is 7.5 (out of 10) based on 64 User Votes
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