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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Cellular
New Line Cinema
FILM:
MPAA RATING: PG-13 for violence, terror situations, language and some sexual references
Starring
Kim Basinger,
Chris Evans,
Jason Statham,
William H. Macy,
Noah Emmerich,
and
Jessica Biel
A random wrong number on his cell phone sends a young man into a high-stakes race against time to save a woman's life. (New Line Cinema)
| GENRE(S): |
Action
|
Crime
|
Drama
|
Mystery
|
Suspense/Thriller
|
| WRITTEN BY: |
Chris Morgan
Larry Cohen (story)
|
| DIRECTED BY: |
David R. Ellis
|
| RELEASE DATE: |
DVD: January 18, 2005
Video: January 18, 2005
Theatrical: September 10, 2004
|
| RUNNING TIME: |
94 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
88
Chicago Sun-Times
Roger Ebert
By occupying their roles believably, by acting as we think their characters probably would, they save the movie from feeling like basic Hollywood action (even when it probably is). This is one of the year's best thrillers.

80
Washington Post
Stephen Hunter
This unpretentious little bit of superior craftsmanship will be utterly mesmerizing to two kinds of people in particular: those who love cell phones and those who hate them.

80
Slate
David Edelstein
A thriller that isn't kinky isn't much of a thriller. And Cellular has the best kinky phone gimmick since "Sorry, Wrong Number" (1948).

75
Charlotte Observer
Lawrence Toppman
The 23-year-old Evans has been acting just four years, and his near-anonymity makes him well-cast: He's an Everyslacker breezing through life in Santa Monica, the kind of guy who could turn into a hero under the right circumstances or remain a zero the rest of his life.

75
Seattle Post-Intelligencer
William Arnold
Very slick, very compelling and not nearly as predictable as it sounds.

70
Salon.com
Stephanie Zacharek
Basinger's debasement in the early part of the film is unpleasant to watch, and it's an unsettling bump in the context of the entertaining sheen of the rest of the picture. So much of Cellular is right on the button. If only it hadn't gotten its wires crossed.

70
Washington Post
Desson Thomson
Its adroit use of suspense makes you overlook the silliness.

70
The New York Times
Dana Stevens
It's an honest, unpretentious, well-made B picture with a clever, silly premise, a handful of sly, unassuming performances and enough car chases, decent jokes and swervy plot complications to make the price of the ticket seem like a decent bargain.

70
The Onion (A.V. Club)
Keith Phipps
The film works by putting the accelerator to the floor and never looking in the rear-view mirror.

67
Entertainment Weekly
Owen Gleiberman
Chris Evans is blithely likable despite a few faux-Cruise mannerisms, Basinger makes a vividly frightened yet resourceful woman in peril, and William H. Macy scores as a mild L.A. cop who lets out his inner macho.

67
Austin Chronicle
Marc Savlov
It's mad, bad nonsense of the summer, popcorn variety, disposable but oh-so-much fun to endure, a roller coaster on a wobbly cinematic track.

63
Boston Globe
Wesley Morris
A ludicrous little abduction thriller that boasts an entertaining cocktail of gunpowder, suspense, adrenaline, and cheese. I just couldn't hate this movie, and I really, really tried. It's tightly made and well written in deceptive ways that don't reveal themselves until past the halfway point.

63
USA Today
Claudia Puig
A well-paced action film in the vein of "Speed."

60
Village Voice
Michael Atkinson
Basinger takes her shuddery Stanwyckness very seriously, but everyone else has a ball.

60
Dallas Observer
Luke Y. Thompson
If you can cast all semblance of logic aside, it's sort of fun.

60
LA Weekly
Amy Nicholson
The whole thing skims along on suspension of disbelief.

60
Variety
Robert Koehler
Because plot is the sum total here, the alarming holes, inconsistencies and impossibilities in Chris Morgan's script corrode this drama of distress.

50
The Hollywood Reporter
Kirk Honeycutt
Macy once again brightens an otherwise mundane character.

50
Chicago Tribune
Michael Wilmington
Slickly produced, well cast and very excitingly made, it's based on plot hooks so silly, most of them blow up in your face.

50
Chicago Reader
Hank Sartin
Cohen and a crew of script doctors have thrown in some of the oldest cliches in the book.

50
New York Post
Megan Lehmann
Basinger appears to be literally phoning in from another movie in the highly improbable, maniacally action-packed thriller-cum-comedy Cellular.

50
TV Guide
Maitland McDonagh
That's not to say it isn't entertaining, only that the scenes which rely entirely on the fragile interplay between Jessica and Ryan suggest a more compelling movie that got lost in the welter of high-speed highway recklessness.

50
Los Angeles Times
Kevin Thomas
Illustrates what happens when a viable premise is spoiled by sheer preposterousness.

50
Miami Herald
Connie Ogle
Entertaining in spite of itself.

50
Portland Oregonian
Karen Karbo
What's truly disheartening about Cellular is that just as logic has become a luxury in a thriller, so has anything resembling tension.

50
New York Daily News
Jami Bernard
As Ryan, Evans attempts to graduate from "Not Another Teen Movie"-type fare to more adult stuff. He holds his own, but he has no edge.

50
San Francisco Chronicle
Ruthe Stein
Distressingly predictable and not a tad scary. But as a parody of the genre, it's a scream, like the "Scream'' franchise, only funnier. It's as if all the ingredients for a thriller coagulated into Silly Putty.

50
Film Threat
Rick Kisonak
The movie crosses the line between offering mindless entertainment and insulting our intelligence.

25
The Globe and Mail (Toronto)
Rick Groen
Using a kidnapping plot to call up some old-fashioned suspense, it doesn't even get a dial tone.


The average user rating for this movie is 6.5 (out of 10) based on 30 User Votes
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