Movies
Weekend Box Office
Film Awards & Top 10s By Year
All-Time High Scores
All-Time Low Scores
Best / Worst of the Decade
Wide Releases
Now In Theaters
49
2012
41
Alvin and the Chipmunks: The Squeakquel
84
Avatar![]()
69
Bad Lieutenant: Port of Call New Orleans
53
Blind Side
53
Book of Eli, The
55
Christmas Carol, A
57
Daybreakers
43
Dear John
27
Did You Hear About the Morgans?
55
Edge of Darkness
45
Extraordinary Measures
83
Fantastic Mr. Fox![]()
42
From Paris with Love
65
Imaginarium of Doctor Parnassus, The
74
Invictus
57
It's Complicated
34
Law Abiding Citizen
33
Leap Year
33
Legion
42
Lovely Bones, The
54
Men Who Stare At Goats, The
34
Ninja Assassin
19
Old Dogs
xx
Percy Jackson & The Olympians: The Lightning Thief
39
Planet 51
79
Precious: Based on the Novel by Sapphire
73
Princess & the Frog, The
64
Road, The
57
Sherlock Holmes
27
Spy Next Door, The
36
Tooth Fairy
44
Twilight Saga: New Moon, The
83
Up in the Air![]()
43
Valentine's Day
25
When in Rome
71
Where the Wild Things Are
xx
WolfMan, The
63
Youth in Revolt
Stars indicate the most critically-acclaimed movies.
Limited Releases
Now In Theaters
46
44 Inch Chest
83
Ajami![]()
73
Amreeka
xx
Barefoot to Timbuktu
19
Bitch Slap
24
Boondock Saints II: All Saints Day, The
76
Broken Embraces
64
Cloud 9
65
Coco Before Chanel
84
Cove, The![]()
84
Crazy Heart![]()
21
Crazy on the Outside
48
Creation
xx
Daddy Long Legs
81
Damned United, The![]()
68
Departures
62
District 13: Ultimatum
85
Education, An![]()
71
Eyes Wide Open
24
Falling Awake
81
Fish Tank![]()
56
For My Father
xx
From Mexico with Love
43
Frozen
68
Girl on the Train, The
52
Killing Kasztner
74
Last Station, The
43
Little Traitor, The
51
Loss of a Teardrop Diamond, The
73
Me and Orson Welles
76
Messenger, The
57
Missing Person, The
67
Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, The
xx
My Name is Khan
49
Nine
63
North Face
59
October Country
67
Off and Running
52
Paranoids, The
49
Pop Star on Ice
49
Private Lives of Pippa Lee, The
xx
Promised Lands (Re-release)
69
Red Riding Trilogy, The
29
Saint John of Las Vegas
69
September Issue, The
36
Serious Moonlight
63
Shinjuku Incident, The
77
Single Man, A
xx
Still Bill
76
Terribly Happy
74
That Evening Sun
19
To Save a Life
68
Town Called Panic, A
59
Until the Light Takes Us
57
Videocracy
65
Waiting for Armageddon
82
White Ribbon![]()
43
Women in Trouble
xx
Word is Out
64
Young Victoria, The
Stars indicate the most critically-acclaimed movies.
Changing Lanes

Generally favorable reviews
Based on 36 critic reviews
How did we calculate this?
Based on 35 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Suspense/Thriller
Written by:
Chap Taylor (also story)
Michael Tolkin
Directed by: Roger Michell
Release Date:
Theatrical: April 12, 2002
DVD: September 10, 2002
Running Time: 99 minutes, Color
Origin: USA
Summary
RATING: R for language
Starring Ben Affleck, Samuel L. Jackson, Toni Collette, Amanda Peet, William Hurt, Sydney Pollack, Bradley Cooper, and Jennifer Dundas
A rush hour fender-bender on New York City's crowded FDR Drive turns two complete strangers into vicious adversaries. (Paramount Pictures)
Also On Metacritic
FILM: Enduring Love Notting Hill The Mother Titanic Town Venus
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
New York Post Lou Lumenick
Glossy, big-budget thriller that qualifies as the season's biggest and most rewarding surprise.
Read Full Review >Slate David Edelstein
It's an elegant, civilized, and deeply liberal piece of craftsmanship, with the sort of social conscience you rarely encounter in a modern American thriller.
Read Full Review >Chicago Reader Sergio Mims
Jackson's portrait of impotent rage is tremendous, and Affleck, who drops his usual smugness, is surprisingly good.
Read Full Review >The New Yorker David Denby
The plot, with its matched, escalating acts of revenge, may be a contrivance, but within that contrivance Changing Lanes plays earnest and well. [6 May 2002, p. 138]
The Onion (A.V. Club) Keith Phipps
Out of that clever setup, Changing Lanes pulls both the promised taut suspense and a much deeper film: an ethics thriller.
Read Full Review >Los Angeles Times Kenneth Turan
Frustrating yet deeply watchable melodrama that makes you think it's a tougher picture than it is.
Read Full Review >Austin Chronicle Marc Savlov
Rarely have I seen a film so willing to champion the fallibility of the human heart.
Read Full Review >Miami Herald Rene Rodriguez
Loses its nerve in the final minutes, relying on a series of contrivances to arrive at an unconvincingly pat, happy ending. The story begged for a darker, more biting resolution.
Read Full Review >Chicago Tribune Michael Wilmington
A thrilling ride but also a thoughtful one, it's a movie that does manage to do more good than bad by the end of the day.
Read Full Review >San Francisco Chronicle Mick LaSalle
Modern film noir done with flair and commitment.
Read Full Review >Entertainment Weekly Lisa Schwarzbaum
Teasing drama whose relentless good-deed/bad-deed reversals are just interesting enough to make a sinner like me pray for an even more interesting, less symmetrical, less obviously cross-shaped creation.
Read Full Review >USA Today Mike Clark
If it's not conventionally speedy, it is almost always gripping.
Read Full Review >ReelViews James Berardinelli
While Changing Lanes isn't a perfect movie, it's watchable and compelling, and works on more than one level.
Read Full Review >LA Weekly Manohla Dargis
Although what ensues is generally unsurprising and as pro forma down-and-dirty as the genre dictates, it's also on occasion rather affecting.
Read Full Review >Film Threat Michael Dequina
As it stands Changing Lanes already exceeds expectations, provoking serious thought while skillfully telling a compelling, character-driven story.
Read Full Review >New York Magazine Peter Rainer
More entertaining than it has a right to be. It's pulpy and preposterous, and yet it gets at a real truth.
Read Full Review >Seattle Post-Intelligencer William Arnold
The movie just seems like one more Hollywood cop-out, and a waste of our original emotional investment.
Read Full Review >Boston Globe Renee Graham
Banek is one of the more complex characters Affleck has attempted, but the performance comes off flat and uninvolving.
Read Full Review >Baltimore Sun Michael Sragow
For all its pretensions, Changing Lanes, ultimately, is about nothing more profound than one foul day.
Read Full Review >Charlotte Observer Lawrence Toppman
It's watchable from start to finish, despite lapses in common sense, and it boasts a terrific cast of over-40 actors.
Read Full Review >Rolling Stone Peter Travers
What these guys do for revenge during one hellish day in the Big Apple makes the panic room look like Barney's toy box. The film itself goes off the deep end way before the end credits.
Read Full Review >Village Voice Dennis Lim
Smitten by the symmetry of his parable, director Roger Michell crosscuts emphatically between the preening leads -- a strategy that only draws attention to the numerous lapses in logic and unpersuasive changes of heart while sidelining the lively supporting cast
Read Full Review >Salon.com Damien Cave
Despite some solid acting and cinematography -- mistakenly turns what should have been a fast-paced thriller into a cerebral sermon about the slippery slope of corporate law.
Read Full Review >Wall Street Journal Joe Morgenstern
A curious combination of strident preachment and smartly farcical thriller; it's heavy-handed and light-footed at the same time.
The New York Times A.O. Scott
It is so dishonest that the title Changing Lanes can just as well refer to the cheaply contrived turns in the film.
Read Full Review >The Globe and Mail (Toronto) Rick Groen
Definitely erratic, this thing -- all in all, it's the sort of commercial vehicle you might want to stay well back of.
Read Full Review >New Times (L.A.) Luke Y. Thompson
If you can roll with these moments, the rest of the film pays off, but even with a relatively happy ending (one that, given the characters in question, may not last), it's a heck of a downer for date night.
Read Full Review >New York Daily News Jack Mathews
Gets too caught up in its escalating violence and strained-to-bursting moral subtexts. It's the blood of souls drenching the screen, and it's a hideous sight to behold.
What Our Users Said
The average user rating for this movie is 7.0 (out of 10) based on 35 User Votes
Note: User votes are NOT included in the Metascore calculation.
Corentin H. gave it a9:
Very good movie. I love the music and ambiance ...
JW gave it a7:
Pretty darn good, given the wild leaps it sometimes makes. Both leads play against type; Jackson by looking frumpy and helpless, Affleck by doing a decent acting job in a worthwhile film. What's with Pollack and boats these days?
Frank O. gave it an8:
Cast and director did good job of escalating the consequences of the characters actions, nice plot twists; Jackson was better than Affleck; Pollack was good as lawyer; ending was contrite.
Tony B. gave it a5:
It has a point to make and succeeds in making it. A number of contrivances, the worst being having a NYC public school open on Good Friday, could have been avoided.
Kevin K. gave it a 10:
Amazing movie! Very suspenseful, with a greater underlyign theme of ethics. Heartpounding intensity throughout the whole film.
James K. gave it an 8:
This movie had great acting, the story was great, and got some ideas across that really made you think.
Adam E. gave it a 7:
A good film with 2 great performances from 2 good actors. It lacks a bit of action and suspence but it is very enjoyable anyway.
