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Stars indicate the most critically-acclaimed movies.
67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Charlotte Gray
Warner Bros.
FILM:
MPAA RATING: PG-13 for some war related violence, sensuality and brief strong language
Starring
Cate Blanchett,
Billy Crudup,
Michael Gambon,
John Pierce Jones,
and
Rupert Penry-Jones
Set in Nazi-occupied France at the height of World War II, Charlotte Gray tells the compelling story of a young Scottish woman (Blanchett) working with the French Resistance in the hope of rescuing her lover, a missing RAF pilot. (Warner Bros.)
| GENRE(S): |
Romance
|
| WRITTEN BY: |
Jeremy Brock
Sebastian Faulks (novel)
|
| DIRECTED BY: |
Gillian Armstrong
|
| RELEASE DATE: |
DVD: July 9, 2002
Video: July 9, 2002
Theatrical: December 28, 2001
|
| RUNNING TIME: |
121 minutes, Color |
| ORIGIN: |
Germany / UK / Australia |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
80
Washington Post
Desson Thomson
Has an intoxicating, old-fashioned feel about it. We are instantly lost in the period, thanks to cinematographer Dion Beebe's almost haloed images and Joseph Bennett's authentic, restrained production design.
80
LA Weekly
Ella Taylor
Charlotte Gray is not a subtle movie, but it is an honorable and surprisingly gripping one.
80
Salon.com
Charles Taylor
Lush, even juicy entertainment.
75
San Francisco Chronicle
Mick LaSalle
Cate Blanchett has the title role, and she does wonders with it, bringing a degree of passion but also suggesting something essentially unevolved in Charlotte's character.
75
USA Today
Claudia Puig
Displays so much promise with its beautiful cinematography and superb portrayal by Cate Blanchett that you scarcely notice (or even care) that the story is a bit thin.
75
Portland Oregonian
Shawn Levy
An old-fashioned romantic adventure film strongly acted, ably directed and written with stolid sobriety, the film feels, save for a few moments of verbal or physical intensity, as if it could have been made 60 years ago with Ingrid Bergman in the lead.
63
Chicago Tribune
Michael Wilmington
This is a movie that, for all its often high intelligence and skill, seems emotionally underdone, bogged down in tony literary and cinematic cliches.
63
ReelViews
James Berardinelli
From a purely technical perspective, Charlotte Gray is expertly made -- the cinematography and music are evocative, and lead actress Cate Blanchett has no problem holding our attention. But, while Armstrong gets the notes right, she fails to play them with inspiration.
60
Film Threat
Michael Dequina
The radiant Blanchett makes Charlotte's individual journey from lovelorn lady to independent woman believable and involving, and that's ultimately what counts the most -- even if the destination is less than ideal.
50
Philadelphia Inquirer
Carrie Rickey
Not a movie, it's a museum catalog of gorgeously rendered portraits and landscapes. What a crashing disappointment.
50
Entertainment Weekly
Lisa Schwarzbaum
A frustratingly inert story, a bookend to last year's wooden ''Captain Corelli's Mandolin.''
50
TV Guide
Ken Fox
Armstrong is fortunate to have the luminous Blanchett, who, along with her equally fine supporting cast, helps compensate for what the film lacks.
50
Christian Science Monitor
David Sterritt
The story has inherent emotional power, but Jeremy Brock's formula-bound screenplay rarely soars beyond cliches.
50
Seattle Post-Intelligencer
Sean Axmaker
It's ultimately just numb, a sober wartime romance roused only by Blanchett's intensity and Crudup's passionate swings between righteous anger and moral zeal. The rest is just tired melodrama.
50
Chicago Sun-Times
Roger Ebert
Blanchett, Crudup and Gambon stand above and somehow apart from the absurdities of the screenplay.
50
Baltimore Sun
Michael Sragow
Director Gillian Armstrong drains all the emotional energy out of the people who dot her movie's lovely landscape.
50
Village Voice
Jessica Winter
The narrative is unexpectedly sleepy, excepting the occasional flashy set piece.
50
New York Daily News
Jack Mathews
The setting and circumstances of the war overwhelm the personal story and diminish the dilemma of the title character's love life.
50
Boston Globe
Jay Carr
Rarely has a movie that looked so good on paper fallen so flat as the aptly named Charlotte Gray. It's not a bad movie. Bad movies have more flavor.
50
Washington Post
Rita Kempley
Those who do go with the fantasy are probably hopeless romantics.
40
Los Angeles Times
Kevin Thomas
Charlotte Gray, for all Blanchett's radiance and intelligence in the title role, is a bore.
40
Austin Chronicle
Kimberley Jones
Undone by Blanchett's dull, wooden delivery. She's the pap that kills the pulp the rest of the film is bellowing out to be.
40
New Times (L.A.)
Jean Oppenheimer
Never rises above the level of a 1950s-era adolescent romance novel.
40
Variety
Todd McCarthy
A bland and dour screen version of Sebastian Faulks' highly engrossing bestseller.
40
Chicago Reader
Jonathan Rosenbaum
I never thought that a thoughtful director like Gillian Armstrong would get trapped in such Euro-nonsense, but I guess there's a first time for everything.
38
New York Post
Lou Lumenick
It isn't as ridiculous as this year's other version of a local best seller set during WWII ("Captain Corelli's Mandolin"), but it's arguably even less entertaining.
30
The New York Times
Stephen Holden
The movie works so diligently to convey a spirit of heroic uplift and fails so completely that it feels like a tragic misfire.
20
Rolling Stone
Peter Travers
Director Gillian Armstrong turns Sebastian Faulks' pungent novel about World War II into a soporific.
 The average user rating for this movie is 8.7 (out of 10) based on 4 User Votes
Note: User votes are NOT included in the Metascore calculation.
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