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Stars indicate the most critically-acclaimed movies.

67
$9.99
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66
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Valentino: The Last Emperor
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What Goes Up
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Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Chop Shop
Film Forum
 |
|
FILM:
MPAA RATING: Not Rated
Starring
Alejandro Polanco,
and
Isamar Gonzales
Alejandro spends his days in an adult world, running errands and convincing customers to come to his boss's garage instead of a competitor's garage. He's also learning how to paint and repair cars. Although conditions are harsh, his life is sprinkled with moments of happiness as he carves out a life for himself in the wasteland of the Iron Triangle. The brightest of these moments is the arrival of his sister Isamar, who moves in with him in the tiny room that he has found for them perched in the back of the shop where he works. Knowing that creating a better life for the two of them is their best bet at staying together, Alejandro finds her a job in a food van cooking and selling meals to the workers in the Iron Triangle. With a mixture of childlike naiveté and adult ambition, Alejandro begins obsessively saving his money to buy a mobile food van. The two dream about owning and running a small business of their own. But when their dream--as well as their loving relationship--is threatened by the hard truths of life, work, and one another, the children find themselves forced to make the kinds of difficult decisions that most adults never have to face. (Koch Lorber)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Ramin Bahrani
|
| DIRECTED BY: |
Ramin Bahrani
|
| RELEASE DATE: |
DVD: July 8, 2008
Theatrical: February 27, 2008
|
| RUNNING TIME: |
84 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Chicago Sun-Times
Roger Ebert
Now we have an American film with the raw power of “City of God” or “Pixote,” a film that does something unexpected, and inspired, and brave.

100
TV Guide
Ken Fox
Bahrani's willingness to expose the shameful reality of third-world conditions in the Land of Plenty while telling a crackling good story marks him as a filmmaker as important as he is accessible.

100
Philadelphia Inquirer
Steven Rea
Beautifully observed, and beautifully acted by the novice thespian Polanco (culled from a New York City public school), Chop Shop is at once a heartbreaker and a story of hope and the American Dream.

90
Washington Post
John Anderson
The director has created a not-to-miss gem for the discriminating viewer.

90
Salon.com
Andrew O'Hehir
Announces the arrival of a director radically out of step with the dominant conventions of American moviemaking, one who blends a social-realist vision and a passion for cinematic poetry.

88
New York Daily News
Jack Mathews
Ale's community is like a band of pirates - collegial, bickering, larcenous and supportive - and his life within it is both heartening and heartbreaking.

88
Chicago Tribune
Michael Phillips
Small but sure, the film is like Alejandro himself: quick on its feet, attuned to a harsh life’s hardships and possibilities.

88
Boston Globe
Wesley Morris
Everything about Chop Shop is modest - the movie's scale, the characters' ambitions. Another director might have tried to nudge the film's grim detours toward tragedy. And that might have worked, too. But Bahrani is a refreshingly deceptive director in that sense.

83
Baltimore Sun
Michael Sragow
It's like a New York City equivalent of a Third World bazaar: It hums with nerviness and cunning. And this movie presents a tingling vision of a working neighborhood after hours. Night falls in Chop Shop like a comfort, a cloak or a shroud.

83
The Onion (A.V. Club)
Scott Tobias
Though Chop Shop is an American film, it feels more like an Iranian movie or the Dardenne Brothers’ "Rosetta"; Bahrani introduces something like a plot point in the late-going, but he mostly focuses, to riveting effect, on how his young hero hustles and claws through everyday life.

80
The Hollywood Reporter
Michael Rechtshaffen
Iranian-American filmmaker Ramin Bahrani has followed up his well-received Man Push Cart with another penetrating portrait of life on the outskirts of New York.

80
New York Magazine
David Edelstein
Bahrani’s concentration is close to supernatural as he tracks the young, prepubescent Ale (Alejandro Polanco) from job to soul-numbing job, some legal, some extralegal, to the point where you’re forced to suspend altogether your moral judgments and watch with a mixture of pain and awe.

80
Village Voice
Nathan Lee
Authentic as all this feels (and smells, and tastes), Chop Shop gives off a heightened sense of reality, a faintly idealized atmosphere akin to the Lower East Side milieu of "Raising Victor Vargas," a close relative in the New York branch of neo-neorealism.

80
The New York Times
A.O. Scott
There is nonetheless a lyricism at its heart, an unsentimental, soulful appreciation of the grace that resides in even the meanest struggle for survival.

80
Chicago Reader
J.R. Jones
In this littered environment there's no such thing as trash, only salvage, and the biggest threat to the siblings' humanity is a creeping tendency to think of themselves as commodities as well.

80
Los Angeles Times
Kevin Thomas
Chop Shop"exudes a sense of joyousness amid harshness. Bahrani celebrates those who never give up, no matter how badly their dreams are shattered.

75
New York Post
Lou Lumenick
Bahrani's unsentimental film is perhaps most interesting as a look at a colorful, little-known world that has recently been targeted for urban renewal.

70
Variety
Todd McCarthy
Ultimately, the pic will be noted and remembered not for any inherent drama or analysis but for its simply having so thoroughly documented a strange place most people have never seen and never knew existed.

67
Entertainment Weekly
Lisa Schwarzbaum
As he did in his striking 2005 first feature film, "Man Push Cart," about a Pakistani street vendor in New York, perceptive indie filmmaker Ramin Bahrani looks at what others overlook and finds drama in everyday details.

67
Seattle Post-Intelligencer
Bill White
It is ironic that the core audience for Chop Shop is that very crowd that has recently taken steps to redevelop the Iron Triangle into something more Manhattan-friendly.


The average user rating for this movie is 7.4 (out of 10) based on 12 User Votes
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