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Circle, The
Winstar Cinema

Circle, The reviews
Critic Score
Metascore: 85 Metascore out of 100
User Score  
9.2 out of 10
based on 28 reviews
Read critic reviews
How did we calculate this?
based on 4 votes
Read user comments
Rate this movie

MPAA RATING: Not Rated

Starring Maryiam Palvin Almani, Nargess Mamizadeh, Fereshteh Sadr Orfani, Monir Arab, Elham Saboktakin, Fatemeh Naghavi, and Mojgan Faramarzi

This film tells the intertwining stories of a group of seven Iranian women, each of whom has a criminal past due to societal prejudices and oppressive laws.


GENRE(S): Drama  
WRITTEN BY: Kambuzia Partovi  
DIRECTED BY: Jafar Panahi  
RELEASE DATE: DVD: December 18, 2001 
Video: December 18, 2001 
Theatrical: April 13, 2001 
RUNNING TIME: 90 minutes, Color 
ORIGIN: Iran / Italy 
LANGUAGE(S): Farsi (with English subtitles) 

Also known as "Dayereh"

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Mr. Showbiz Michael Atkinson
Naturalistic, gritty, and unrelenting.
100
Philadelphia Inquirer Steven Rea
Quiet, rageful indictment of a two-tiered Islamic society.
100
Christian Science Monitor David Sterritt
Suspenseful and ingeniously directed.
Read Full Review
100
Entertainment Weekly Lisa Schwarzbaum
Circles the heart of noisy, modern Tehran with an informal, documentary-like freedom that is thrilling in its naturalism.
Read Full Review
90
The New York Times Dana Stevens
The political implications of the film are manifest, as is the quiet courage of making it.
Read Full Review
90
Los Angeles Times Kenneth Turan
Restrained yet powerful, devastating in its emotional effects.
Read Full Review
90
Wall Street Journal Joe Morgenstern
A stunning drama about the desperate state of women in Iran.
90
LA Weekly David Chute
A triumph of invisible craftsmanship that embraces so much specific detail that none of the women ever comes across as an emblem or an abstraction.
Read Full Review
90
Variety Deborah Young
Both fascinates and horrifies with its bold assertions about what it means to be a woman under a cruel, institutionalized patriarchy.
Read Full Review
90
Washington Post Desson Thomson
A memorable and devastating indictment of the oppression facing many women in Iran.
Read Full Review
90
Film.com Peter Brunette
The fact that this film, so sensitive to woman's plight, was made by a man is perhaps cause for a little hope.
Read Full Review
88
Chicago Sun-Times Roger Ebert
The Circle is all the more depressing when we consider that Iran is relatively liberal compared to, say, Afghanistan under the Taliban.
Read Full Review
88
Boston Globe Jay Carr
Such moral outrage, apart from the artistry in which it is embedded, tells us that the forces of change are stirring in Iran.
88
Chicago Tribune Michael Wilmington
Panahi's simplicity accentuates the movie's power: its sense of life caught unobserved.
Read Full Review
83
Seattle Post-Intelligencer Sean Axmaker
A mix of the poetic and the polemic, the film is oddly abstract and untethered.
Read Full Review
80
TV Guide Ken Fox
This tightly structured, often exciting film is among the boldest in a series of increasingly explicit movies.
Read Full Review
80
New Times (L.A.) Jean Oppenheimer
An extraordinary film from a born filmmaker.
Read Full Review
80
Salon.com Stephanie Zacharek
The picture is so dramatically textured that you feel something's happening every minute.
Read Full Review
80
Village Voice J. Hoberman
Panahi is a maestro of anxiety. Whatever its political significance, this is a dark, sustained, and wrenching film.
Read Full Review
80
Rolling Stone Peter Travers
Panahi creates a raw, riveting film.
Read Full Review
80
Washington Post Stephen Hunter
In its brisk way, it's a devastating piece of work, and very brave too.
Read Full Review
78
Austin Chronicle Marc Savlov
There's no denying it's a tragic film from start to finish, but equally undeniable is the endless stoicism displayed by the women, and Panahi's crisp, meandering direction.
Read Full Review
75
San Francisco Chronicle Wesley Morris
It's a startling, speedy, gracefully executed indictment.
Read Full Review
75
Charlotte Observer Lawrence Toppman
A Kafkaesque series of interwoven stories that depict the hopeless lives half the populace there (Iran) must lead.
Read Full Review
75
New York Daily News Jami Bernard
How dangerous it is to be a woman in Iran, especially one going against the wishes of her menfolk, is brought home time after time in these related vignettes.
Read Full Review
75
Baltimore Sun Michael Sragow
A terrific social drama, the work of an artist, not a pleader.
Read Full Review
70
New York Magazine Peter Rainer
In The Circle, which is banned in Iran, the enforced society of women is, in effect, a community of adults treated as children.
Read Full Review
63
New York Post Jonathan Foreman
This film is fighting the good fight, albeit in a rather heavy-handed way.

What Our Users Said

Vote Now!The average user rating for this movie is 9.2 (out of 10) based on 4 User Votes
Note: User votes are NOT included in the Metascore calculation.

Karen H. gave it a 9:
This movie was sit on the edge of your seat, squirm with discomfort, from beginning to end. The full horror of being a female in the society is forshadowed in the mother's (Fatemeh Naghavi) refusal to acknowledge her daughter had a girl baby.

Chad S. gave it an 8:
Your moral outrage grows stronger and stronger as these Iranian women bypass all the menfolk who don't need any adornment atop their heads. No pontification is needed, which director Jafar Panahi mostly avoids. Every second of this film is charged with politics but it never gets polemic. We want so badly for these women to get a taste of America, and conversely, we would like to see a reality program where Christina Aguilera has to spend one week in Iran. "The Circle", like "Kandahar", needs to be seen by both men and women who think America sucks. It doesn't.

Mani F. gave it a 10:
This movie is a real picture of people's lives wasted under the islamic repubilc's rule. However, this is not a propaganda film like "not without my daughter" this is the real thing!

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