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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
City by the Sea
Warner Bros.
FILM:
MPAA RATING: R for language, drug use and some violence
Starring
Robert De Niro,
Frances McDormand,
James Franco,
Eliza Dushku,
William Forsythe,
George Dzundza,
and
Patti LuPone
The gripping story of a dedicated police officer who discovers that the chief suspect in his current murder investigation is his own son. (Warner Bros.)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Ken Hixon
Mike McAlary (article Mark of a Murderer)
|
| DIRECTED BY: |
Michael Caton-Jones
|
| RELEASE DATE: |
DVD: February 18, 2003
Video: February 18, 2003
Theatrical: September 6, 2002
|
| RUNNING TIME: |
108 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
80
LA Weekly
Chuck Wilson
For the first time in years, De Niro digs deep emotionally, perhaps because he's been stirred by the powerful work of his co-stars, including a subtle Frances McDormand and a ferocious Patti LuPone, as well as the heartbreaking (and achingly beautiful) Franco.

75
Entertainment Weekly
Owen Gleiberman
Moves along with a quietude, a scruffy direct plainness that has long gone out of style.

75
Chicago Sun-Times
Roger Ebert
Not an extraordinary movie. In its workmanship it aspires not to be remarkable but to be well made, dependable, moving us because of the hurt in the hero's eyes.

75
ReelViews
James Berardinelli
Against the backdrop represented by stark images of abandoned buildings and lost dreams, the tale that is City by the Sea emerges, with the power of the visual cues giving this film its forcefulness.

75
San Francisco Chronicle
Mick LaSalle
It's so bleak that it would play like a contrived neo-noir if it weren't so consistent, committed and obviously sincere.

70
The Onion (A.V. Club)
Scott Tobias
Calls on De Niro to drum up the sort of emotional intensity that's been allowed to atrophy of late. City By The Sea isn't always worthy of him, but it makes enough demands to bring out his best.

70
New Times (L.A.)
Luke Y. Thompson
We so often hear the lament that Hollywood films don't have characters we can care about that it's a real pleasure to note that all the people in this one feel fully developed. It'd be nice if there were more of a plot to go along with them.
70
Variety
Robert Koehler
De Niro's reunion with helmer Michael Caton-Jones doesn't stoke the same fire as their previous pere-fils drama, "This Boy's Life," partly because De Niro's latest portrayal of a troubled cop feels so familiar.

67
Seattle Post-Intelligencer
William Arnold
For some reason, the emotional payoff of the film -- the healing of a dysfunctional family -- doesn't quite come off. Possibly this is because Franco doesn't generate the necessary sympathy or father-son chemistry with De Niro, possibly because it's just not in the script.

63
The Globe and Mail (Toronto)
Rick Groen
Of course, bad writing can undo the best actor. If you doubt that, check out De Niro's soliloquy at the film's climax. He's acting the heck out of the words, but they're still dragging him down with them.

63
Boston Globe
Sam Allis
The movie will be remembered primarily for the huge, emerging talent of James Franco, who plays De Niro's troubled son.

63
Philadelphia Inquirer
Steven Rea
As a character study, City by the Sea is engaging. As a police thriller, it's not all there.

63
USA Today
Claudia Puig
It's a run-of-the-mill cop thriller but also a gripping family drama. It is in the moments spent untangling the threads of troubled relationships that the movie is at its best.

63
Baltimore Sun
Chris Kaltenbach
A great cast can't quite pull City by the Sea out of the drink.
63
Chicago Tribune
Michael Wilmington
Takes a fascinating true story and turns it into a conventional cop thriller, hoking up the provocative three-generation saga of the LaMarca family.

63
Miami Herald
Rene Rodriguez
Suffers from dialogue that often sounds like convenient exposition as well as from a climax that feels too pat and prosaic. But the film is peppered with small, explosive scenes that have a refreshing complexity.

60
Washington Post
Stephen Hunter
The cast and the direction are too good, in the end, for the rather desultory place the movie ends up.

60
Wall Street Journal
Collin Levey
Notwithstanding a thin script and a color-by-numbers ending, the movie is redeemed by its solid performances.
50
New York Post
Lou Lumenick
A murky, vaguely fact-based melodrama that quickly sinks into the same swamp as such recent De Niro mistakes as "15 Minutes" and "Showtime."

50
New York Daily News
Jack Mathews
The changes are meant to make it easier for audiences to accept Vincent's loyalty to Angelo and Joey, but they blunt the genetic mystery that made McAlary's story so compelling in the first place.

50
TV Guide
Maitland McDonagh
Shot in gloomy shades of gray, this earnest but banal story about the legacy of bad parenting strands fine actors in a contrived situation and lets them squirm.

50
Film Threat
Michael Dequina
The saccharine conclusion would be problematic in any film, but given how much talent is involved, it's especially disappointing here.

50
Los Angeles Times
Kenneth Turan
Has trouble seeming real. Its back story, involving the sins of Detective LaMarca's own father, feels contrived and the eventual resolution is simultaneously shaky and too pat.

50
Christian Science Monitor
David Sterritt
Frances McDormand and Patti LuPone are solid as his girlfriend and ex-wife, respectively, and James Franco is just right as his wayward son. They're a talented team. Too bad the movie doesn't live up to their abilities.

50
Slate
David Edelstein
That City by the Sea isn't laughed off the screen is testament to Caton-Jones' attention to actors and to some tightly written scenes.

50
The New York Times
Dana Stevens
Stumbles from restrained, fine-edged realism into blunt and muddy melodrama.

40
Austin Chronicle
Steve Davis
The biggest shame in this movie is how it wastes Frances McDormand.

40
Salon.com
Andrew O'Hehir
Robert De Niro and Frances McDormand almost rescue this lifeless, clichéd cop drama! Close isn't good enough!

40
Village Voice
Mark Holcomb
There's nothing wrong with a little creative license, but the abundance of self-serving fabrication in City by the Sea not only diminishes LaMarca's experience and cheapens McAlary's work, it all but desecrates the memory of the real murder victim.

40
The New Yorker
David Denby
After the complex buildup of tensions, the last ten minutes of the movie are a comic-pathetic letdown: the subdued acting and the trash-strewn street scenes lead to nothing more striking than the kind of overexplicit clichés heard in mediocre TV dramas. Even De Niro's discipline and skill can't save lines that should never have been spoken in the first place. [9 September 2002, p.162]
40
Chicago Reader
Fred Camper
De Niro sinks this crime drama with his vacant, inattentive performance as an affectionally challenged homicide detective.

30
New York Magazine
Peter Rainer
The role plays all too easily into De Niro's worst current habits. He's dulled himself out in the service of a phony kitchen-sink pseudo-realism. For De Niro, less has become less.

30
Rolling Stone
Peter Travers
The true story of the LaMarcas, well told by the late Mike McAlary in Esquire, has been pounded into TV-crime mush by screenwriter Ken Hixon and director Michael Caton-Jones. Shockingly, the acting doesn't help.

30
Washington Post
Desson Thomson
Yields the same sort of archetype and the usual results: De Niro's workmanlike in a dismayingly familiar role.


The average user rating for this movie is 5.8 (out of 10) based on 14 User Votes
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