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City by the Sea
Warner Bros.

City by the Sea reviews
Critic Score
Metascore: 50 Metascore out of 100
User Score  
5.8 out of 10
based on 34 reviews
Read critic reviews
How did we calculate this?
based on 14 votes
Read user comments
Rate this movie

MPAA RATING: R for language, drug use and some violence

Starring Robert De Niro, Frances McDormand, James Franco, Eliza Dushku, William Forsythe, George Dzundza, and Patti LuPone

The gripping story of a dedicated police officer who discovers that the chief suspect in his current murder investigation is his own son. (Warner Bros.)


GENRE(S): Drama  
WRITTEN BY: Ken Hixon
Mike McAlary (article Mark of a Murderer)
 
DIRECTED BY: Michael Caton-Jones  
RELEASE DATE: DVD: February 18, 2003 
Video: February 18, 2003 
Theatrical: September 6, 2002 
RUNNING TIME: 108 minutes, Color 
ORIGIN: USA 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

80
LA Weekly Chuck Wilson
For the first time in years, De Niro digs deep emotionally, perhaps because he's been stirred by the powerful work of his co-stars, including a subtle Frances McDormand and a ferocious Patti LuPone, as well as the heartbreaking (and achingly beautiful) Franco.
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75
Entertainment Weekly Owen Gleiberman
Moves along with a quietude, a scruffy direct plainness that has long gone out of style.
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75
Chicago Sun-Times Roger Ebert
Not an extraordinary movie. In its workmanship it aspires not to be remarkable but to be well made, dependable, moving us because of the hurt in the hero's eyes.
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75
ReelViews James Berardinelli
Against the backdrop represented by stark images of abandoned buildings and lost dreams, the tale that is City by the Sea emerges, with the power of the visual cues giving this film its forcefulness.
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75
San Francisco Chronicle Mick LaSalle
It's so bleak that it would play like a contrived neo-noir if it weren't so consistent, committed and obviously sincere.
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70
The Onion (A.V. Club) Scott Tobias
Calls on De Niro to drum up the sort of emotional intensity that's been allowed to atrophy of late. City By The Sea isn't always worthy of him, but it makes enough demands to bring out his best.
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70
New Times (L.A.) Luke Y. Thompson
We so often hear the lament that Hollywood films don't have characters we can care about that it's a real pleasure to note that all the people in this one feel fully developed. It'd be nice if there were more of a plot to go along with them.
70
Variety Robert Koehler
De Niro's reunion with helmer Michael Caton-Jones doesn't stoke the same fire as their previous pere-fils drama, "This Boy's Life," partly because De Niro's latest portrayal of a troubled cop feels so familiar.
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67
Seattle Post-Intelligencer William Arnold
For some reason, the emotional payoff of the film -- the healing of a dysfunctional family -- doesn't quite come off. Possibly this is because Franco doesn't generate the necessary sympathy or father-son chemistry with De Niro, possibly because it's just not in the script.
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63
The Globe and Mail (Toronto) Rick Groen
Of course, bad writing can undo the best actor. If you doubt that, check out De Niro's soliloquy at the film's climax. He's acting the heck out of the words, but they're still dragging him down with them.
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63
Boston Globe Sam Allis
The movie will be remembered primarily for the huge, emerging talent of James Franco, who plays De Niro's troubled son.
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63
Philadelphia Inquirer Steven Rea
As a character study, City by the Sea is engaging. As a police thriller, it's not all there.
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63
USA Today Claudia Puig
It's a run-of-the-mill cop thriller but also a gripping family drama. It is in the moments spent untangling the threads of troubled relationships that the movie is at its best.
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63
Baltimore Sun Chris Kaltenbach
A great cast can't quite pull City by the Sea out of the drink.
63
Chicago Tribune Michael Wilmington
Takes a fascinating true story and turns it into a conventional cop thriller, hoking up the provocative three-generation saga of the LaMarca family.
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63
Miami Herald Rene Rodriguez
Suffers from dialogue that often sounds like convenient exposition as well as from a climax that feels too pat and prosaic. But the film is peppered with small, explosive scenes that have a refreshing complexity.
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60
Washington Post Stephen Hunter
The cast and the direction are too good, in the end, for the rather desultory place the movie ends up.
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60
Wall Street Journal Collin Levey
Notwithstanding a thin script and a color-by-numbers ending, the movie is redeemed by its solid performances.
50
New York Post Lou Lumenick
A murky, vaguely fact-based melodrama that quickly sinks into the same swamp as such recent De Niro mistakes as "15 Minutes" and "Showtime."
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50
New York Daily News Jack Mathews
The changes are meant to make it easier for audiences to accept Vincent's loyalty to Angelo and Joey, but they blunt the genetic mystery that made McAlary's story so compelling in the first place.
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50
TV Guide Maitland McDonagh
Shot in gloomy shades of gray, this earnest but banal story about the legacy of bad parenting strands fine actors in a contrived situation and lets them squirm.
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50
Film Threat Michael Dequina
The saccharine conclusion would be problematic in any film, but given how much talent is involved, it's especially disappointing here.
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50
Los Angeles Times Kenneth Turan
Has trouble seeming real. Its back story, involving the sins of Detective LaMarca's own father, feels contrived and the eventual resolution is simultaneously shaky and too pat.
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50
Christian Science Monitor David Sterritt
Frances McDormand and Patti LuPone are solid as his girlfriend and ex-wife, respectively, and James Franco is just right as his wayward son. They're a talented team. Too bad the movie doesn't live up to their abilities.
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50
Slate David Edelstein
That City by the Sea isn't laughed off the screen is testament to Caton-Jones' attention to actors and to some tightly written scenes.
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50
The New York Times Dana Stevens
Stumbles from restrained, fine-edged realism into blunt and muddy melodrama.
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40
Austin Chronicle Steve Davis
The biggest shame in this movie is how it wastes Frances McDormand.
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40
Salon.com Andrew O'Hehir
Robert De Niro and Frances McDormand almost rescue this lifeless, clichéd cop drama! Close isn't good enough!
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40
Village Voice Mark Holcomb
There's nothing wrong with a little creative license, but the abundance of self-serving fabrication in City by the Sea not only diminishes LaMarca's experience and cheapens McAlary's work, it all but desecrates the memory of the real murder victim.
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40
The New Yorker David Denby
After the complex buildup of tensions, the last ten minutes of the movie are a comic-pathetic letdown: the subdued acting and the trash-strewn street scenes lead to nothing more striking than the kind of overexplicit clichés heard in mediocre TV dramas. Even De Niro's discipline and skill can't save lines that should never have been spoken in the first place. [9 September 2002, p.162]
40
Chicago Reader Fred Camper
De Niro sinks this crime drama with his vacant, inattentive performance as an affectionally challenged homicide detective.
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30
New York Magazine Peter Rainer
The role plays all too easily into De Niro's worst current habits. He's dulled himself out in the service of a phony kitchen-sink pseudo-realism. For De Niro, less has become less.
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30
Rolling Stone Peter Travers
The true story of the LaMarcas, well told by the late Mike McAlary in Esquire, has been pounded into TV-crime mush by screenwriter Ken Hixon and director Michael Caton-Jones. Shockingly, the acting doesn't help.
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30
Washington Post Desson Thomson
Yields the same sort of archetype and the usual results: De Niro's workmanlike in a dismayingly familiar role.
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What Our Users Said

Vote Now!The average user rating for this movie is 5.8 (out of 10) based on 14 User Votes
Note: User votes are NOT included in the Metascore calculation.

John N. gave it a9:
I thought this was a beautifully constructed movie; a gripping story, great casting and understandably strong performances. Notably, I welcomed the minimal use of music to tell me how I should feel; the script and performances were largely left to stand on their strengths. It's a mystery to me that this movie had such poor reviews, although perhaps it suited the DVD medium on which we viewed it. Highly recommended.

[Anonymous] gave it a7:
Flawed, but it fleshes out how horrid things can be in NYC's dark side. Deniro acts a bit wussy in a scene, though, and some emotional scenes feel cliched. nevertheless, decent entertainment.

Pat C. gave it a 5:
It was thought-provoking, but would then expose those thoughts as irrelevant. One thought that got through is that sometimes fathers have to make hard choices.

Matt F. gave it an 8:
This movie really taught how no matter what you are and your son may go through, that you'll always try and work things out. His dad (Robert De Niro) was determined to get his son out of trouble.

Tommy L. gave it a 5:
Boring...nothing really wrong with the movie...just boring.

Phil D. gave it an 8:
Am I the only one who actually enjoyed this movie? The story was great, the actors were great. Actually, the only thing I hated was the Spyder caracter...too cliche for me but it's still a great flick.

John J. gave it a 1:
Oh ouch! De Niro produced it....that was his first mistake. It stunk as badly as the scenery looked!

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