CNET Networks Entertainment GameSpot | GameFAQs | SportsGamer | Metacritic | MP3.com | TV.com
Home | About Metacritic | About Metascores | What's New | Wireless Versions | Discussion Forums | Advertising Inquiries | Contact Us | RSS
Metacritic.com: We Deal With Criticism
     Help
> Switch to Advanced Search  
Film Video/DVD Music Games Books TV
Printer-Friendly Version Email This Page Discuss In Our Forums

Film

Upcoming Release Calendar
Weekend Box Office
Film Awards & Top 10s By Year
All-Time High Scores
All-Time Low Scores
How Metascores Are Calculated
Discuss Film In Our Forums

 

Wide Releases

sort by name sort by score

Stars indicate the most critically-acclaimed movies.

 

Limited Releases

sort by name sort by score

97 4 Months, 3 Weeks and 2 Days
83 Alexandra
43 Anamorph
35 Babysitters, The
32 Backseat
80 Band's Visit, The
62 Battle for Haditha
47 Bella
63 Blind Mountain
71 Blindsight
47 Boarding Gate
63 Body of War
58 Bra Boys
70 Caramel
54 Cashback
44 Chaos Theory
32 Chapter 27
69 Chicago 10
82 Chop Shop
46 CJ7
78 Counterfeiters, The
30 Cover
48 Dark Matter
35 Deal
61 Dhamma Brothers, The
92 Diving Bell and the Butterfly, The
73 Duchess of Langeais, The
20 Expelled: No Intelligence Allowed
58 Fall, The
43 Favor, The
58 First Saturday in May, The
57 Flawless
87 Flight of the Red Balloon, The
xx From Within
44 Frontier(s)
59 Fugitive Pieces
41 Funny Games
66 George A. Romero's Diary of the Dead
61 Girls Rock!
55 Glass: A Portrait of Philip in Twelve Parts
57 Grand, The
58 Hats Off
68 Honeydripper
xx Jack and Jill vs. the World
67 Jellyfish
xx Kiss the Bride
37 Life Before Her Eyes, The
72 Life of Reilly, The
50 Look
65 Married Life
35 Meet Bill
63 Miss Pettigrew Lives for a Day
54 Mister Lonely
52 My Blueberry Nights
71 My Brother Is an Only Child
52 Noise
61 OSS 117: Cairo - Nest of Spies
83 Paranoid Park
55 Pathology
48 Penelope
90 Persepolis
62 Planet B-Boy
xx Plumm Summer, A
67 Praying with Lior
46 Previous Engagement, A
72 Priceless
17 Prom Night
69 Redbelt
72 Roman de gare
48 Run, Fat Boy, Run
85 Savages, The
24 Sex and Death 101
66 Shelter
75 Shotgun Stories
40 Sleepwalking
67 Snow Angels
64 Son of Rambow
71 Standard Operating Procedure
76 Stuff and Dough
64 Surfwise
xx Tashan
82 Taxi to the Dark Side
57 Teeth
56 Then She Found Me
55 Tracey Fragments, The
56 Turn the River
72 Tuya's Marriage
83 U2 3D
59 Under the Same Moon
76 Unforeseen, The
xx Unsettled
91 Up the Yangtze
55 Vice
79 Visitor, The
64 Water Lilies
45 Where in the World Is Osama Bin Laden?
57 Without the King
74 Witnesses, The
63 XXY
67 Year My Parents Went on Vacation, The
75 Young@Heart
45 Zombie Strippers

Stars indicate the most critically-acclaimed movies.



City of God
Miramax Films

City of God reviews
Critic Score
Metascore: 79 Metascore out of 100
User Score  
8.6 out of 10
based on 33 reviews
Read critic reviews
How did we calculate this?
based on 104 votes
Read user comments
Rate this movie

MPAA RATING: R for strong brutal violence, sexuality, drug content and language

Starring Matheus Nachtergaele, Seu Jorge, Alexandre Rodrigues, Leandro Firmino da Hora, Philippe Haagensen, Johnathan Haagensen, Douglas Silva, and Roberta Rodriguez Silvia

Welcome to the world's most notorious slum: Rio de Janeiro's 'City of God.' A place where combat photographers fear to tread, where Police rarely go, and residents are lucky if they live to the age of 20. This is the true story of a young man who grew up on these streets and whose ambition as a photographer is our window in and ultimately may be him only way out. (Miramax)


GENRE(S): Suspense/Thriller  
WRITTEN BY: Bráulio Mantovani
Paulo Lins (novel)
 
DIRECTED BY: Kátia Lund
Fernando Meirelles
 
RELEASE DATE: DVD: June 8, 2004 
Video: June 8, 2004 
Theatrical: January 17, 2003 
RUNNING TIME: 130 minutes, Color 
ORIGIN: Brazil 
LANGUAGE(S): Portuguese (with English subtitles) 

Received four Oscar nominations, including Best Director (Fernando Meirelles) and Best Adapted Screenplay (Braulio Mantovani). Original title "Cidade de Deus"; Visions Award - Special Citation, 2002 Toronto International Film Festival; Audience Award for International Feature, 2002 AFI Film Festival; Nominated, Best Foreign Language Film, 60th Annual Golden Globes

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Time Richard Corliss
The film is seductive, disturbing, enthralling -- a trip to hell that gives the passengers a great ride.
Read Full Review
100
New York Post Megan Lehmann
Like a bomb exploding in a fireworks factory: It's fierce and shocking and dazzling and wonderful.
Read Full Review
100
Austin Chronicle Marjorie Baumgarten
A marvelous achievement that refuses to avert its gaze from the poetry and the insane savagery of the hopeless.
Read Full Review
100
Film Threat K.J. Doughton
Meticulous in its descriptions of well-intended individuals caught up in these ferocious waves of street crime.
Read Full Review
100
Portland Oregonian Shawn Levy
An exhilarating slap in the face, bracing and sexy, smart and visceral, stylish and raw -- the advent of a fabulously exciting new moviemaking talent.
Read Full Review
100
Charlotte Observer Lawrence Toppman
One of the most uncompromisingly bleak films I've ever seen.
Read Full Review
100
Washington Post Stephen Hunter
It's a trip to Hell and back, and testimony for embittered cynics of all that a movie can be.
Read Full Review
100
The Onion (A.V. Club) Keith Phipps
The film finds a surprising amount of tenderness and humor beneath the brutality. The laughs may catch in the throat, but that's only a byproduct of City Of God's power to leave viewers breathless.
Read Full Review
100
Chicago Sun-Times Roger Ebert
Breathtaking and terrifying, urgently involved with its characters, it announces a new director of great gifts and passions: Fernando Meirelles.
Read Full Review
100
Washington Post Desson Thomson
One of the most startling, grittily brilliant films in recent years.
Read Full Review
100
Chicago Tribune Mark Caro
A visual and aural feast that combines elements of classic gangster melodramas, crime epics such as "The Godfather" and playful non-linear narratives such as "Amores Perros," City of God explores a deadly culture while feeling more alive than anything that's hit the big screen in years.
Read Full Review
90
Dallas Observer Jean Oppenheimer
Emotionally gripping from start to finish, the movie presents an electrifying and unforgettable look at life in a place that God has all but forgotten.
Read Full Review
90
The New York Times Stephen Holden
As the movie's frenetic visual rhythms and mood swings synchronize with the zany, adrenaline-fueled impulsiveness of its lost youth on the rampage, you may find yourself getting lost in this teeming netherworld.
Read Full Review
88
USA Today Mike Clark
This is one movie in which you don't feel the long-ish running time, in part because there always seems to be a surprise (as well as a new street guerrilla) around every corner.
Read Full Review
88
Philadelphia Inquirer Carrie Rickey
An epic docudrama - electric and raw.
Read Full Review
88
ReelViews James Berardinelli
Despite the grim, serious nature of the subject matter, Meirelles unearths occasional moments of humor, although they are often of the gallows variety.
Read Full Review
83
Entertainment Weekly Lisa Schwarzbaum
Undeniably powerful, the work also comes with its own built-in shield against feeling any one character's difficulties too deeply, or for too long.
Read Full Review
80
TV Guide Ken Fox
A tightly woven tapestry of extraordinary breadth, and director Fernando Meirelles's control over the material is extraordinary.
Read Full Review
75
The Globe and Mail (Toronto) Rick Groen
In God's ghetto, as in so many of the world's forsaken places, warring armies of infants brandish their weapons of self-destruction, while politicians bluster and inspectors sleep.
Read Full Review
75
New York Daily News Jack Mathews
For those who didn't get enough violence from Martin Scorsese's "Gangs of New York," welcome to City of God.
Read Full Review
75
San Francisco Chronicle Octavio Roca
Brutal, tough to watch but impossible to ignore.
Read Full Review
70
Chicago Reader Staff (not credited)
Predictably, the violence is overwhelming. But the massacres are glamorized, and the characters look like they're posing for tourism posters.
Read Full Review
70
Village Voice Michael Atkinson
Nothing if not confrontational.
Read Full Review
70
Slate David Edelstein
It's sensationally well-made: skittery and kinetic, packed with mayhem, yet framed (and narrated) with witty detachment, so that the carnage never seems garish. The film is far from a work of art, but it marks the emergence of a great new action superchef.
Read Full Review
70
Variety David Rooney
The impressive filmmaking craftsmanship and sharp storytelling skills make this two-hour-plus epic fly by.
Read Full Review
67
Seattle Post-Intelligencer William Arnold
It takes a strong stomach to sit through its two-plus hours of non-stop brutality (much of it involving very small children).
Read Full Review
63
Baltimore Sun Michael Sragow
A razzle-dazzle lower-depths melodrama.
Read Full Review
60
Los Angeles Times Kenneth Turan
A potent and unexpected mixture of authenticity and flash -- even if this is what happened on the ground, making it worth our time on screen is just beyond the contortionist abilities of even this most acrobatic of films.
Read Full Review
60
The New Yorker Anthony Lane
Meirelles's picture is so keen to brandish its social wrath, and its spirits are so rampagingly high, that the bruises it inflicts barely last a night. [20 January 2003, p. 94]
60
LA Weekly John Powers
But if City of God whirs with energy for nearly its full 130-minute running time, it is oddly lacking in emotional heft for a work that aspires to the epic -- it is essentially a tarted-up exploitation picture whose business is to make ghastly things fun.
Read Full Review
50
Christian Science Monitor David Sterritt
In its cinematic approach, though, the film is as slick as any Hollywood thriller, directed by Fernando Meirelles with visual flourishes - jazzy editing, lurid colors, crackling sound effects - that dilute the impact of what might have been an indelible cautionary tale.
Read Full Review
50
New York Magazine Peter Rainer
Undeniably powerful, but also rather numbing.
Read Full Review
50
Boston Globe Wesley Morris
Full of action, but no soul.
Read Full Review

What Our Users Said

Vote Now!The average user rating for this movie is 8.6 (out of 10) based on 104 User Votes
Note: User votes are NOT included in the Metascore calculation.

Jack B. gave it a9:
Great film in every way, deserves the plaudits and i would say this is a film that everyone who loves film should try and watch. An incredible real life story, told in a very powerful way that will have you gripped from start to finish. Im not a huge fan of the "gangster" film genre having been disappointed by some of the films in the area that are considered masterpieces, however I challenge anyone to truthfully say that this is below the level of those films. This truly deserves the title of being a Masterpiece.

Thomas A. gave it a10:
In my top 5 of Gangster movies, fabulous and scary this is a film everyone should see.

Nick A. gave it a10:
One of the most powerful dramas of the decade is 'City of God.' Fernando Meirelles proves that he can run with the most acclaimed directors in modern cinema with this film. His disciplined style is vigorously enchanting as much as it is appealing. For his furious and violent tale, 'City of God,' he portrays, with shocking realism, the slums of Rio de Janeiro from the late 60’s to the mid 80’s, where crime was the way out and those not involved were the suckers. But among these criminals and suckers is a minority of those dedicated to the goodness that is often overlooked in cities as torn as Rio, and Meirelles exemplifies that notion through a young photographer and the story he comes to tell. The film follows – and is narrated by – a boy named Rocket (Alexandre Rodrigues), whose dream is to become an accomplished photographer. Growing up, Rocket was raised in a lower-class quarter of Rio’s Ciudad de Deus (City of God), in which most of his peers had aspirations of becoming the City of God’s next big thing – whether the path they led was bright or familiar. Among them was Lil’ Dice, a young boy who ran with a gang of hoodlums whose main intention was stealing, though had killed before. As years progressed, both Rocket and Lil’ Dice meandered down very different corridors; Rocket found fulfillment in honesty and kindness, whereas Lil’ Dice eventually found himself the city’s most infamous drug-runner, Ze Pequeno, or Lil’ Ze. Soon before long, the City of God is ravaged by unseen violence, led by Lil’ Ze, and Rocket is capturing the horrific footage via his handheld camera. While Rocket’s intentions focus on keeping down an honest, clean path, he finds that he can make amends with both Lil’ Ze and the local police, by submitting photos of Ze and his entourage to the tabloids. Win-win for both, eh? Not quite. Even those who find success, struggle in the City of God, and by film’s end that fact is recognized by all – and it’s not soon forgotten either. The screenplay, adapted by Braulio Mantovani from Paulo Lins’ novel of the same name, allows viewers to relate and reside with its characters and surrender their absolute emotion to a film that exhausts each and every emotion imaginable. Retrospectively, Meirelles’ demand for the viewer’s attention, through unwavering brutality and almost dizzying camerawork, makes for intense movie-viewing and enthralling entertainment. Additionally, the film carries a surrealistic beauty – and is shot with an overexposed lens that brightens the photography and implies perfectly the authenticity of the beautiful city of Rio de Janeiro – that elevates the heart when the movie reaches burrowing depths. All in all, 'City of God' is flawless; and with an array of resonating performances and meticulous direction, it is sure to be one of the greatest films one will ever see.

Apocalypse Brown gave it a10:
Nothing is perfect in film making, but this is as close as you get.Gripping, intelligent, subtle, violent, tragic, it has it all. After this film you really to reflect and sympathise with the poor of Brazil. In my top ten films of all time. And Metacritic, sack your advance scout, Chad S. His review flat out sucked!

Leanne H. gave it a10:
I agree with Chris S. Dave H. you've got it all wrong. This is not a Hollywood thriller, this is a neo-realism film, a piece of brazilian national cinema which highlights Brazilian's way of life in order to obtain political change (wow! I hope I ace my exam!). You are looking at this concept so wrong, unless you understand the purpose of this film you will never see it as being a fantastic acheivement, which is definitely what it is! :)

Chris S. gave it an8:
Dave H. must not understand that the favella itself is the protagonist. Rocket's life does develop as does his connection with the favella. The story is the transformation of the community and the explotation of a real situation in Rio De Janeiros slums. The Hollywood concept of story and structure is questioned and manipulated. This film can and will move you as long as there is understanding that the story is real. It is hard to fully grasp the truth behind this movie making some people feel that it is only worth a 4.

Dave H. gave it a4:
Such a waste of great performances. No characters are fleshed out to the extent that they become interesting in any way. Rocket, despite being the protagonist, takes a passive, peripheral backseat to the action. The young Lil' Dice is played brilliantly and is a very convincing psychopath, but we get to know little about either him or other characters. My interest in the film wandered constantly with so much of the narrative being devoted to exposition. Inconsequential informaion about characters' history and the logistics of the favella drug circuits is divulged by the truckload while the actual story plods throughout. Dramatically hollow and inertly paced, and this is meant to be a thriller? I have no desire to see this film again.

Read more user comments...

Discuss this movie in our forums

Return to top of page
Home | FILM | DVD/VIDEO | MUSIC | GAMES | BOOKS | TV | Forums | About Metacritic metacritic.com

About CNET Networks | Jobs | Advertise | Partnerships                                Visit other CNET Networks sites:

Copyright ©2007 CNET Networks, Inc. All Rights Reserved. Privacy Policy | Terms of Use