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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Cloverfield
Paramount Pictures
MPAA RATING: PG-13 for violence, terror and disturbing images
Starring
Michael Stahl-David,
Mike Vogel,
Odette Yustman,
Lizzy Caplan,
Jessica Lucas,
and
T.J. Miller
Five young New Yorkers throw their friend a going-away party the night that a monster the size of a skyscraper descends upon the city. Told from the point of view of their video camera, the film is a document of their attempt to survive the most surreal, horrifying event of their lives. (Paramount Pictures)
| GENRE(S): |
Action
|
Sci-fi
|
Suspense/Thriller
|
| WRITTEN BY: |
Drew Goddard
|
| DIRECTED BY: |
Matt Reeves
|
| RELEASE DATE: |
DVD: April 22, 2008
Theatrical: January 18, 2008
|
| RUNNING TIME: |
90 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Empire
Olly Richards
A dazzling experiment that paid off immensely, this is cinematic pleasure at its purest. One caveat: If they ever make a sequel, we’re taking two stars back.

91
The Onion (A.V. Club)
Keith Phipps
It puts human faces on the victims of mass destruction, faces that might easily have been yours or mine, staring down the maw of something we don't understand.

90
New York Magazine
David Edelstein
We’ve never sat through anything with Cloverfield’s subjective sting. You’d have to be tougher than I was not to be blown sideways by it.

90
Village Voice
Nathan Lee
Cloverfield never stops to identify the why, whence, or whereto of its rampaging meanie—this relentless thriller stops for nothing—but as for what to call it, behold . . . al-Qaedzilla!

89
Austin Chronicle
Marc Savlov
Cloverfield is the most intense and original creature feature I've seen in my adult moviegoing life, and that's coming from a guy who knows his Gojira from his Gamera and his Harryhausen from his Honda. Cloverfield isn't a horror film – it's a pure-blood, grade A, exultantly exhilarating monster movie.

83
Portland Oregonian
Shawn Levy
It's a sharp and vivid film, filled with moments of tremendous ingenuity and characterized by a persistent avoidance of the expected tropes. It's far scarier than the big-budget remakes of "Godzilla" and "King Kong," more engaging than "I Am Legend," more human than a sackful of slasher films.

83
Entertainment Weekly
Lisa Schwarzbaum
Cloverfield, a surreptitiously subversive, stylistically clever little gem of an entertainment disguised, under its deadpan-neutral title, as a dumb Gen-YouTube monster movie, makes the convincingly chilling argument that the world will end -- or, at least, Manhattan will crumble -- with a bang and a whimper.

75
ReelViews
James Berardinelli
Cloverfield's gritty, in-your-face style is uncompromising. If you're looking for a nice, clean movie filmed with a steadycam, you'll have to look elsewhere.

75
Chicago Tribune
Michael Phillips
It’s dumb but quick and dirty and effectively brusque, dispensing with niceties such as character.

75
Premiere
Eric Alt
It's not the life-changing movie experience the intense viral marketing attention would lead you to think it is, but its decision to focus on ground-level humanism rather than epic disaster is what separates it from the pack.

75
Seattle Post-Intelligencer
Andy Spletzer
When the monster shows up, pretty early in the film, everything becomes much more interesting, as it smashes buildings in midtown Manhattan like some sort of Rudy Giuliani, 9/11 nightmare.

75
USA Today
Claudia Puig
The genre may be old news, but the skillfully made Cloverfield offers a heart-racing experience with plenty of chills, thrills and exhilaration.

75
New York Daily News
Jack Mathews
Manhattan has always been a fat target for apocalypse filmmakers, but with its 9/11-inspired imagery, Matt Reeves' breathlessly fast-paced Cloverfield is going to resonate with New York audiences in a way no other horror film has.

75
The Globe and Mail (Toronto)
Rick Groen
Cloverfield is an exercise in realism that lacks reality's broader and richer context. Or, put another way, the experiment is artful, but it ain't art.

75
San Francisco Chronicle
Peter Hartlaub
Produced by "Lost" and "Alias" mastermind J.J. Abrams, Cloverfield has been one of the more interesting experiments in large-scale guerrilla filmmaking.

75
Christian Science Monitor
Peter Rainer
It's been a while since we've had a good monster movie, and while Cloverfield probably won't give you sleepless nights, it will certainly keep you awake in the theater.

75
Chicago Sun-Times
Roger Ebert
Mercifully, at 84 minutes the movie is even shorter than its originally alleged 90-minute running time; how much visual shakiness can we take? And yet, all in all, it is an effective film, deploying its special effects well and never breaking the illusion that it is all happening as we see it.

75
Boston Globe
Ty Burr
Cloverfield is content to be a creature feature; that's what makes it bearable and what keeps it from greatness. The genre, not the script, does the psychological heavy lifting.

75
Miami Herald
Rene Rodriguez
There are a few surprises lurking in Cloverfield, and director Matt Reeves has an uncanny ability to time his jolts and scare when you least expect it.

70
Film Threat
Pete Vonder Haar
It’s a thoroughly intense and mostly entertaining movie.

70
The New Yorker
Anthony Lane
Cloverfield is a vastly old-fashioned piece of work, creaking with hilarious contrivance. I was thrilled, for instance, to hear someone actually speak the line “It’s alive!”

70
The Hollywood Reporter
Michael Rechtshaffen
Think "Godzilla Unplugged" -- with chillingly effective results.

70
Chicago Reader
J.R. Jones
The narrative conceit requires a fair amount of indulgence as the story progresses, but the fleeting, incomplete glimpses of the monster early on prove the old dictum of B movie auteur Val Lewton that a momentary image can have greater impact than a prolonged one.

67
Baltimore Sun
Chris Kaltenbach
Long on style and technique, short on substance and plot.

63
Philadelphia Inquirer
Steven Rea
Much scampering, yelling, quaking and crying is required of the actors, and they acquit themselves well enough, even with oozing fake wounds and prop rebars piercing their shoulder blades.

63
Rolling Stone
Peter Travers
Now that the fanboy hype has cleared, we can see Cloverfield for what it is: borrowed inspiration, trite screenwriting and amateurish acting all in the service of a ballsy idea -- that a horror movie could maybe, just maybe, have a soul.

60
Slate
Dana Stevens
Despite a first reel entirely devoted to establishing characters, Cloverfield is basically a line-'em-up, pick-'em-off horror movie that's effective without being either viscerally frightening or emotionally moving. Watching it is like going through a car wash: You come out of it thoroughly Cloverfield-ized, but essentially unchanged.

50
TV Guide
Maitland McDonagh
An efficient but shallow fright show.

50
New York Post
Kyle Smith
Combines unpleasantness and stupidity to a degree that would be difficult to match unless you were stuck in bed with a case of the shingles while being forced to watch “The Ghost Whisperer."

50
Variety
Todd McCarthy
Despite its indie-flavored shooting style, first-rate visual effects, reasonable intensity factor, nihilistic attitude and post-9/11 anxiety overlay, this punchy sci-fier is, in the end, not much different from all the marauding creature features that have come before it.

50
LA Weekly
Scott Foundas
While the entertainment value of Cloverfield is highly negotiable, it's clear that Abrams has consciously aligned himself with those filmmakers who have used the template of a grade-B monster/invasion movie -- Don Siegel, George Romero, Steven Spielberg -- as a stealth vessel for social commentary.

50
Time
Richard Corliss
Mind you, I don't begrudge the creators of even a junk-food movie like Cloverfield the fun they had demolishing New York one more time.

50
Los Angeles Times
Kevin Crust
Adept at wringing maximum suspense and might have reached the heights of the Korean monster film "The Host" but for the limitations of the camcorder ploy. While it injects the film with a run-and-gun urgency, the device grows tiresome and ultimately leaves the film shortchanged.

38
Charlotte Observer
Lawrence Toppman
No movie this year will better embody Macbeth's description of life itself: "a tale ... full of sound and fury, signifying nothing."

30
Washington Post
John Anderson
Cloverfield is a relentless, I-thought-my-eyeballs-were-bleeding exercise in visual disorientation.

30
The New York Times
Manohla Dargis
Like too many big-studio productions, Cloverfield works as a showcase for impressively realistic-looking special effects, a realism that fails to extend to the scurrying humans whose fates are meant to invoke pity and fear but instead inspire yawns and contempt. Rarely have I rooted for a monster with such enthusiasm.

30
Salon.com
Stephanie Zacharek
It pretends to examine how self-absorbed we are as a culture, only to be consumed by its own self-absorption. It's also badly constructed, humorless and emotionally sadistic .


The average user rating for this movie is 5.8 (out of 10) based on 593 User Votes
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