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Cloverfield
Paramount Pictures

Cloverfield reviews
Critic Score
Metascore: 64 Metascore out of 100
User Score  
5.8 out of 10
based on 37 reviews
Read critic reviews
How did we calculate this?
based on 593 votes
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Rate this movie

MPAA RATING: PG-13 for violence, terror and disturbing images

Starring Michael Stahl-David, Mike Vogel, Odette Yustman, Lizzy Caplan, Jessica Lucas, and T.J. Miller

Five young New Yorkers throw their friend a going-away party the night that a monster the size of a skyscraper descends upon the city. Told from the point of view of their video camera, the film is a document of their attempt to survive the most surreal, horrifying event of their lives. (Paramount Pictures)


GENRE(S): Action  |  Sci-fi  |  Suspense/Thriller  
WRITTEN BY: Drew Goddard  
DIRECTED BY: Matt Reeves  
RELEASE DATE: DVD: April 22, 2008 
Theatrical: January 18, 2008 
RUNNING TIME: 90 minutes, Color 
ORIGIN: USA 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Empire Olly Richards
A dazzling experiment that paid off immensely, this is cinematic pleasure at its purest. One caveat: If they ever make a sequel, we’re taking two stars back.
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91
The Onion (A.V. Club) Keith Phipps
It puts human faces on the victims of mass destruction, faces that might easily have been yours or mine, staring down the maw of something we don't understand.
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90
New York Magazine David Edelstein
We’ve never sat through anything with Cloverfield’s subjective sting. You’d have to be tougher than I was not to be blown sideways by it.
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90
Village Voice Nathan Lee
Cloverfield never stops to identify the why, whence, or whereto of its rampaging meanie—this relentless thriller stops for nothing—but as for what to call it, behold . . . al-Qaedzilla!
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89
Austin Chronicle Marc Savlov
Cloverfield is the most intense and original creature feature I've seen in my adult moviegoing life, and that's coming from a guy who knows his Gojira from his Gamera and his Harryhausen from his Honda. Cloverfield isn't a horror film – it's a pure-blood, grade A, exultantly exhilarating monster movie.
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83
Portland Oregonian Shawn Levy
It's a sharp and vivid film, filled with moments of tremendous ingenuity and characterized by a persistent avoidance of the expected tropes. It's far scarier than the big-budget remakes of "Godzilla" and "King Kong," more engaging than "I Am Legend," more human than a sackful of slasher films.
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83
Entertainment Weekly Lisa Schwarzbaum
Cloverfield, a surreptitiously subversive, stylistically clever little gem of an entertainment disguised, under its deadpan-neutral title, as a dumb Gen-YouTube monster movie, makes the convincingly chilling argument that the world will end -- or, at least, Manhattan will crumble -- with a bang and a whimper.
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75
ReelViews James Berardinelli
Cloverfield's gritty, in-your-face style is uncompromising. If you're looking for a nice, clean movie filmed with a steadycam, you'll have to look elsewhere.
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75
Chicago Tribune Michael Phillips
It’s dumb but quick and dirty and effectively brusque, dispensing with niceties such as character.
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75
Premiere Eric Alt
It's not the life-changing movie experience the intense viral marketing attention would lead you to think it is, but its decision to focus on ground-level humanism rather than epic disaster is what separates it from the pack.
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75
Seattle Post-Intelligencer Andy Spletzer
When the monster shows up, pretty early in the film, everything becomes much more interesting, as it smashes buildings in midtown Manhattan like some sort of Rudy Giuliani, 9/11 nightmare.
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75
USA Today Claudia Puig
The genre may be old news, but the skillfully made Cloverfield offers a heart-racing experience with plenty of chills, thrills and exhilaration.
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75
New York Daily News Jack Mathews
Manhattan has always been a fat target for apocalypse filmmakers, but with its 9/11-inspired imagery, Matt Reeves' breathlessly fast-paced Cloverfield is going to resonate with New York audiences in a way no other horror film has.
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75
The Globe and Mail (Toronto) Rick Groen
Cloverfield is an exercise in realism that lacks reality's broader and richer context. Or, put another way, the experiment is artful, but it ain't art.
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75
San Francisco Chronicle Peter Hartlaub
Produced by "Lost" and "Alias" mastermind J.J. Abrams, Cloverfield has been one of the more interesting experiments in large-scale guerrilla filmmaking.
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75
Christian Science Monitor Peter Rainer
It's been a while since we've had a good monster movie, and while Cloverfield probably won't give you sleepless nights, it will certainly keep you awake in the theater.
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75
Chicago Sun-Times Roger Ebert
Mercifully, at 84 minutes the movie is even shorter than its originally alleged 90-minute running time; how much visual shakiness can we take? And yet, all in all, it is an effective film, deploying its special effects well and never breaking the illusion that it is all happening as we see it.
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75
Boston Globe Ty Burr
Cloverfield is content to be a creature feature; that's what makes it bearable and what keeps it from greatness. The genre, not the script, does the psychological heavy lifting.
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75
Miami Herald Rene Rodriguez
There are a few surprises lurking in Cloverfield, and director Matt Reeves has an uncanny ability to time his jolts and scare when you least expect it.
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70
Film Threat Pete Vonder Haar
It’s a thoroughly intense and mostly entertaining movie.
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70
The New Yorker Anthony Lane
Cloverfield is a vastly old-fashioned piece of work, creaking with hilarious contrivance. I was thrilled, for instance, to hear someone actually speak the line “It’s alive!”
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70
The Hollywood Reporter Michael Rechtshaffen
Think "Godzilla Unplugged" -- with chillingly effective results.
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70
Chicago Reader J.R. Jones
The narrative conceit requires a fair amount of indulgence as the story progresses, but the fleeting, incomplete glimpses of the monster early on prove the old dictum of B movie auteur Val Lewton that a momentary image can have greater impact than a prolonged one.
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67
Baltimore Sun Chris Kaltenbach
Long on style and technique, short on substance and plot.
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63
Philadelphia Inquirer Steven Rea
Much scampering, yelling, quaking and crying is required of the actors, and they acquit themselves well enough, even with oozing fake wounds and prop rebars piercing their shoulder blades.
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63
Rolling Stone Peter Travers
Now that the fanboy hype has cleared, we can see Cloverfield for what it is: borrowed inspiration, trite screenwriting and amateurish acting all in the service of a ballsy idea -- that a horror movie could maybe, just maybe, have a soul.
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60
Slate Dana Stevens
Despite a first reel entirely devoted to establishing characters, Cloverfield is basically a line-'em-up, pick-'em-off horror movie that's effective without being either viscerally frightening or emotionally moving. Watching it is like going through a car wash: You come out of it thoroughly Cloverfield-ized, but essentially unchanged.
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50
TV Guide Maitland McDonagh
An efficient but shallow fright show.
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50
New York Post Kyle Smith
Combines unpleasantness and stupidity to a degree that would be difficult to match unless you were stuck in bed with a case of the shingles while being forced to watch “The Ghost Whisperer."
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50
Variety Todd McCarthy
Despite its indie-flavored shooting style, first-rate visual effects, reasonable intensity factor, nihilistic attitude and post-9/11 anxiety overlay, this punchy sci-fier is, in the end, not much different from all the marauding creature features that have come before it.
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50
LA Weekly Scott Foundas
While the entertainment value of Cloverfield is highly negotiable, it's clear that Abrams has consciously aligned himself with those filmmakers who have used the template of a grade-B monster/invasion movie -- Don Siegel, George Romero, Steven Spielberg -- as a stealth vessel for social commentary.
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50
Time Richard Corliss
Mind you, I don't begrudge the creators of even a junk-food movie like Cloverfield the fun they had demolishing New York one more time.
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50
Los Angeles Times Kevin Crust
Adept at wringing maximum suspense and might have reached the heights of the Korean monster film "The Host" but for the limitations of the camcorder ploy. While it injects the film with a run-and-gun urgency, the device grows tiresome and ultimately leaves the film shortchanged.
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38
Charlotte Observer Lawrence Toppman
No movie this year will better embody Macbeth's description of life itself: "a tale ... full of sound and fury, signifying nothing."
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30
Washington Post John Anderson
Cloverfield is a relentless, I-thought-my-eyeballs-were-bleeding exercise in visual disorientation.
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30
The New York Times Manohla Dargis
Like too many big-studio productions, Cloverfield works as a showcase for impressively realistic-looking special effects, a realism that fails to extend to the scurrying humans whose fates are meant to invoke pity and fear but instead inspire yawns and contempt. Rarely have I rooted for a monster with such enthusiasm.
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30
Salon.com Stephanie Zacharek
It pretends to examine how self-absorbed we are as a culture, only to be consumed by its own self-absorption. It's also badly constructed, humorless and emotionally sadistic .
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What Our Users Said

Vote Now!The average user rating for this movie is 5.8 (out of 10) based on 593 User Votes
Note: User votes are NOT included in the Metascore calculation.

Jacob B gave it a9:
the best monster movie in years. Cloverfield puts you in the position of the characters who have little idea whats going on and are only trying to survive. This movie gave me chills the first time I saw it. A MUST SEE FILM.

Nathan gave it a1:
I swear, I just puked, the whole first person view thing, not a good Idea. Despite the reviews its getting from the professionals, I think this movie is pure out crap. The story was weak and predictable, and the only good part is when you get to see that god damn annoying camera man get his legs chewed off the monster. Hollywood's loosing its touch, every year I see less and less entertaining movie, and get gay cheesy not-fun-to-watch pieces of crap, this not being an exception.

Chaimotre B. gave it a2:
It gave me a headache. the ending was bad. concept was dumb. overall a bad movie.

Liam gave it a7:
Good ideas but just had something missing. Only seen it on DVD though and I reckon the cinema would have made great use of it's tension. The elusive monster just isn't believable enough. It's a good movie, I just expected more. The characters do seem a bit flaky as well and the way the action just seems to follow them throughout Manhattan is a bit forced.

Phil S. gave it a2:
Just watching the movie gave me a real headache. The whole idea of running around with a video cam is crap. Your visual field is greatly diminished and the movement too vivid. The acting was OK I guess, except for the guy behind the cam. His over-acting just added to the discreditably and his character is annoying. The special effects is good - the only reason I gave it a 2.

Cameron S. gave it an8:
Godzilla meets Blair Witch Project--an extremely risky cinematography experiment that paid off extremely well.

Ben C. gave it a4:
Suspenseful, but not enjoyable. Clover itself is a pretty poor monster compared to say, some of the Godzilla movie monsters.

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