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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Count of Monte Cristo, The
Buena Vista Pictures
FILM:
MPAA RATING: PG-13 for adventure violence/swordplay and some sensuality
Starring
Guy Pearce,
James Caviezel,
Dagmara Dominczyk,
Richard Harris,
Luis Guzmán,
JB Blanc,
Henry Cavill,
and
James Frain
Alexandre Dumas's classic story of an innocent man wrongly but deliberately imprisoned and his brilliant strategy for revenge against those who betrayed him. (Touchstone Pictures)
| GENRE(S): |
Suspense/Thriller
|
| WRITTEN BY: |
Jay Wolpert
Alexandre Dumas père (novel)
|
| DIRECTED BY: |
Kevin Reynolds
|
| RELEASE DATE: |
DVD: September 10, 2002
Video: September 10, 2002
Theatrical: January 25, 2002
|
| RUNNING TIME: |
115 minutes, Color |
| ORIGIN: |
UK / USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Portland Oregonian
Kim Morgan
Utterly thrilling and enthralling, a commercial film that paces itself wonderfully, never allowing the action or romance to outweigh its story and characters. For mainstream adventure fare, that's quite an accomplishment.
90
Washington Post
Stephen Hunter
That tale gets a first-class Hallmark Hall of Fame treatment in Kevin Reynolds's swaggering The Count of Monte Cristo, which is old-form moviemaking at its best.

80
LA Weekly
Chuck Wilson
Reynolds, working in close harmony with cinematographer Andrew Dunn (Gosford Park), brings an infectious brio and an occasional sweeping grace to the classic trappings of Dumas.

80
Variety
Joe Leydon
A lavishly mounted and appealingly old-fashioned swashbuckler with nary a trace of wink-wink irony or revisionist embellishment.

80
Chicago Reader
Lisa Alspector
It's a heady mix of the earnest, the grave, and the frivolous. Wizardly director Kevin Reynolds even manages to condense into a single shot, with a wisp of humor, several of the hero’s long years in a dungeon without making them any less grueling.

75
Chicago Sun-Times
Roger Ebert
This is the kind of adventure picture the studios churned out in the Golden Age -- so traditional it almost feels new.

75
Baltimore Sun
Michael Sragow
Performances by Jim Caviezel and Richard Harris make this a great adventure.
75
Charlotte Observer
Lawrence Toppman
It pays homage to the genre's most glorious days.

75
Miami Herald
Charles Savage
An exhilarating visualization of Alexandre Dumas' classic novel of betrayal and vengeance.
75
Philadelphia Inquirer
Carrie Rickey
This delicious adventure of crude betrayal and elegant revenge is yummy even when reheated by director Kevin Reynolds.
75
San Francisco Chronicle
Bob Graham
The stuff of high romance, brought off with considerable wit, too. People are going to love it.

75
Christian Science Monitor
David Sterritt
Sail to the box office, swashbucklers. Dumas is back in style.

70
The Onion (A.V. Club)
Keith Phipps
While fleeting moments from Pearce and Luis Guzmán (as Caviezel's loyal servant) suggest the film might have been even more fun had they been allowed to loosen up a bit, the finished product still offers little cause for complaint.

70
Village Voice
Jessica Winter
The week's guilty pleasure is The Count of Monte Cristo, a gorgeously photographed, sumptuously designed adaptation of the Dumas swashbuckler boasting the most ludicrous dialogue since director Kevin Reynolds's "Waterworld."

70
Rolling Stone
Peter Travers
The new Count moves with the smooth, plastic efficiency of a TV miniseries. Inspiration and originality may be in short supply, but the movie gets the job done.

70
Film Threat
Michael Dequina
The film tells an engaging swashbuckler on its own terms, and that's what director Kevin Reynolds has done with this old-fashioned romp of revenge.

67
Seattle Post-Intelligencer
William Arnold
As a revenge thriller, the movie is serviceable, but it doesn't really deliver the delicious guilty pleasure of the better film versions.

67
Entertainment Weekly
Owen Gleiberman
The best thing in The Count of Monte Cristo is Guy Pearce's snot-nosed hauteur. He gives this scoundrel some wounded edges, and frills as well.

63
USA Today
Claudia Puig
For younger audiences drawn by the attractive actors, this might be their introduction to the Dumas epic. At least it's an effective and rousing version.

63
The Globe and Mail (Toronto)
Don Irvine
The story stands up pretty well for a movie that's about 20 minutes longer than it ought to be, and has few of the action-beats that action-film audiences have grown accustomed to.

63
Boston Globe
Loren King
Wolpert and Reynolds seem to be aiming for the ''Titantic'' audience at the expense of sophistication and historical relevance. It's too bad. The able cast, not to mention Alexandre Dumas, deserves better.

60
Washington Post
Michael O'Sullivan
A mediocre production that nevertheless will strike a deep and resonant chord with viewers.

60
TV Guide
Maitland McDonagh
This is solid entertainment, and the time Caviezel and Pearce spent training for their sword fights pays off handsomely.

60
The New York Times
Dana Stevens
The film's resolute indifference to fashion makes it, perhaps paradoxically, a refreshing piece of old-style entertainment, accompanied by a whooshing, trembling score by Edward Shearmur.

50
New York Daily News
Jami Bernard
With more buckling than swash, The Count of Monte Cristo is a good-looking, poorly acted washout.
50
New Times (L.A.)
Robert Wilonsky
In the end, it's a film so short on style and verve it feels lifeless; audiences might feel imprisoned in the Château d'If, praying for escape or quick death. Thankfully, one need not tunnel out of a movie theater.

50
ReelViews
James Berardinelli
This latest version, made with the MTV generation in mind, is arguably the least impressive of the filmed Counts.

50
Wall Street Journal
Joe Morgenstern
James Caviezel makes us care more about that innocent romantic, Edmond Dantes, than we may care to care about the rest of the picture, which entertains in fits and starts, with startling ruptures in tone.
50
Chicago Tribune
Michael Wilmington
This seems to be a movie made by people who love the old classic movie swashbucklers but don't have a clue how to make or modernize them.

40
Austin Chronicle
Marc Savlov
More fun than Peter Hyams' "The Musketeer," and somewhat less so than "The Man in the Iron Mask," this is middling Dumas all the way.

40
Los Angeles Times
Kenneth Turan
Revenge may be sweet, but this is one "Monte Cristo" that leaves a sour taste.

40
Salon.com
Jeff Stark
To say the film doesn't quite recapture the thrill of the novel is like saying that soda pop doesn't really have the same kick as heroin.

38
New York Post
Lou Lumenick
This is the time of the year movie studios traditionally dump their mistakes into theaters -- and boy, did Disney make a whopper with The Count of Monte Cristo.


The average user rating for this movie is 8.4 (out of 10) based on 42 User Votes
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