Advanced Search >
Help Me Search

Movies

Weekend Box Office
Film Awards & Top 10s By Year
All-Time High Scores
All-Time Low Scores

Wide Releases
Now In Theaters

sort by namesort by score

Stars indicate the most critically-acclaimed movies.

Limited Releases
Now In Theaters

sort by namesort by score

58 (Untitled)
96 35 Shots of Rum
56 Adam
72 Adela
39 Adventures of Power
78 Afghan Star
61 After the Storm
66 Afterschool
xx All the Best
58 American Casino
72 Amreeka
48 Antichrist
73 Araya
62 Art & Copy
55 As Seen Through These Eyes
76 Baader Meinhof Complex, The
86 Beaches of Agnes, The
13 Beautiful Life, A
70 Beeswax
35 Beyond a Reasonable Doubt
71 Big Fan
66 Black Dynamite
51 Blind Date
xx Blind Pig Who Wants to Fly
76 Bliss
35 Blue Tooth Virgin, The
26 Boondock Saints II: All Saints Day, The
57 Boys Are Back, The
45 Brief Interviews with Hideous Men
81 Bright Star
70 Bronson
45 Burning Plain, The
xx Carriers
55 Casi Divas
57 Chelsea on the Rocks
62 Cloud 9
65 Coco Before Chanel
69 Cold Souls
59 Collapse
44 Confessionsofa Ex-Doofus-ItchyFooted Mutha
82 Cove, The
75 Crude
82 Damned United, The
67 Departures
xx Dil Bole Hadippa
71 Disgrace
xx Do Knot Disturb
70 Earth Days
24 Eating Out 3: All You Can Eat
85 Education, An
55 Endgame
xx Eulogy for a Vampire
xx Everyone Else
xx Fatal Promises
56 Fifty Dead Men Walking
62 Five Minutes of Heaven
74 Flame & Citron
49 Food Beware: The French Organic Revolution
80 Food, Inc.
28 Free Style
xx From Mexico with Love
50 Fuel
25 Gentlemen Broncos
50 Give Me Your Hand
58 Gogol Bordello Non-Stop
72 Good Hair
89 Goodbye Solo
52 Grace
64 Harmony and Me
81 Headless Woman, The
xx Heretics, The
63 Horse Boy, The
73 House of the Devil, The
xx How to Seduce Difficult Women
74 Humpday
94 Hurt Locker, The
29 I Hope They Serve Beer in Hell
16 If One Thing Matters: A Film About Wolfgang Tillmans
75 In Search of Beethoven
83 In the Loop
61 Intimate Enemies
42 Irene in Time
70 It Might Get Loud
46 Killing Kasztner
19 Labor Day
xx Laila's Birthday
41 Little Ashes
41 Little Traitor, The
66 Liverpool
34 Looking for Palladin
80 Lorna's Silence
83 Maid, The
xx Ministers, The
59 More Than a Game
67 Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, The
34 Motherhood
62 My One and Only
xx Mystery Team
48 New York, I Love You
73 Night and Day
66 No Impact Man
47 Ong Bak 2: The Beginning
34 Other Man, The
xx Painter Sam Francis, The
54 Paper Heart
xx Paradise
68 Paranormal Activity
68 Paris
44 Peter and Vandy
35 Play the Game
77 Precious: Based on the Novel by Sapphire
xx Pretty Ugly People
65 Providence Effect, The
76 Rembrandt's J'accuse
69 September Issue, The
79 Serious Man, A
40 Shrink
61 Skin
77 Skin Too Few: The Days of Nick Drake, A
xx Skiptracers
46 Splinterheads
39 St. Trinian's
89 Still Walking
50 Stoning of Soraya M., The
55 Storm
65 Tetro
70 That Evening Sun
72 Thirst
xx Tim Burton's The Nightmare Before Christmas 3D (re-release)
61 Trucker
xx Turning Green
83 U2 3D
66 Unmade Beds
66 Unmistaken Child
70 Visual Acoustics
55 Walt & El Grupo
67 Way We Get By, The
69 We Live in Public
64 Wedding Song, The
64 Where is Where?
xx White on Rice
74 Woman in Berlin, A
69 World's Greatest Dad
70 Yes Men Fix the World
69 Yoo-Hoo, Mrs. Goldberg
xx You, the Living

Stars indicate the most critically-acclaimed movies.

CQ

EMAILPRINTUnited Artists / MGM

CQ reviews
56
7.0 User Score:

Mixed or average reviews

Based on 26 critic reviews
How did we calculate this?

Based on 6 votes
Read user comments
Rate this movie >

Movie Info

Genre(s): Drama

Written by: Roman Coppola

Directed by: Roman Coppola

Release Date:
Theatrical: May 24, 2002
DVD: September 10, 2002

Running Time: 87 minutes, Color

Origin: USA / Luxembourg / France / Italy

Summary

RATING: R for some nudity and language

Starring Jeremy Davies, Angela Lindvall, Élodie Bouchez, Gérard Depardieu, Giancarlo Giannini, Massimo Ghini, Jason Schwartzman, and Billy Zane

Paris, 1969: The filming of a sci-fi movie set in the distant year 2001 is in trouble. (MGM)

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

San Francisco Chronicle Jonathan Curiel

The film deserves some kind of honor for its campy originality, smart and funny dialogue, and provocative yet sensitive look at the making of a film circa 1969.

Read Full Review >
80

Salon.com Stephanie Zacharek

A frothy, sexy, '60s delight with a movie lover's heart.

Read Full Review >
80

Wall Street Journal Joe Morgenstern

Exceptionally likable and affecting as well as entertaining.

80

The New York Times A.O. Scott

May not make the splash it should; films about moviemaking rarely do. And that would be a shame, because the contrasts the director sets in motion and keeps playing against each other make an entertaining wrestling match.

Read Full Review >
80

New Times (L.A.) Gregory Weinkauf

It's a feel-good movie for people tired of paying to feel bad. Bring it on.

Read Full Review >
78

Austin Chronicle Marc Savlov

It may not be art, but it's vastly more entertaining than anything Coppola senior has done in far too long.

Read Full Review >
75

Philadelphia Inquirer Steven Rea

CQ is a movie for movie-lovers, by a movie-lover: Roman Coppola, son of Francis Ford and a successful commercial and video director in his own right, making a witty, whimsical feature debut.

Read Full Review >
75

Seattle Post-Intelligencer William Arnold

Good-natured and fun, the Austin Powers silliness of the era shines through, and Coppola family art director Dean Tavoularis ("Apocalypse Now," "The Godfather" trilogy) makes the film -- and its kitschy film-within-the-film -- look consistently terrific.

Read Full Review >
70

Film Threat Chris Gore

While I personally love this movie, I’m not sure how well received a film about a frustrated filmmaker seeking creative solutions in his personal life and work life is going to be to the average moviegoer.

Read Full Review >
67

Entertainment Weekly Owen Gleiberman

Coppola, who has made clever music videos, including the one for Moby's ''Honey,'' clearly had a lot of fun detailing the mod cheesiness of this intergalactic period piece, though the satire would have been more ticklish if ''Austin Powers'' hadn't gotten there first.

Read Full Review >
63

New York Post Megan Lehmann

Coppola sure knows his late-'60s cinema and he's meticulous in reconstructing the style of the era.

Read Full Review >
63

The Globe and Mail (Toronto) Rick Groen

CQ has a modicum of IQ and a dash of style -- the jury's still out on the extent of the inheritance, but the kid clearly learned something at his pater'sknee.

Read Full Review >
63

New York Daily News Jack Mathews

May have more enthusiasm and attitude than good story sense, but it, too, is the work of someone who might be at this game for a long time.

60

Washington Post Hank Stuever

A certain sexiness underlines even the dullest tangents, bouncing along to the all-too-essential groovy soundtrack.

Read Full Review >
60

The Onion (A.V. Club) Keith Phipps

It looks great -- thanks in large part to production designer Dean Tavoularis and Wes Anderson cinematographer Robert Yeoman -- but just as importantly, it looks like it's interesting. Ultimately, it's not, but that almost doesn't matter.

Read Full Review >
60

LA Weekly John Powers

CQ is modest, especially for something bearing the grandiose family name, and it possesses both a tenderness and a quiet intelligence.

Read Full Review >
60

New York Magazine Peter Rainer

Not everything in this ambitious comic escapade works, but Coppola, along with his sister, Sofia, is a real filmmaker. It must be in the genes.

Read Full Review >
60

TV Guide Maitland McDonagh

A triumph of art direction over narrative, but what art direction!

Read Full Review >
50

Boston Globe Chris Fujiwara

Triumphs over its own trendiness only by being vapid and superficial.

Read Full Review >
50

ReelViews James Berardinelli

Pretentious and self-indulgent -- those two words come to mind when considering CQ.

Read Full Review >
50

Los Angeles Times Jan Stuart

The result is stylish but awfully slim.

Read Full Review >
50

Christian Science Monitor David Sterritt

Coppola's satirical debut movie is too ambitious for its own good. The cast is good, though, and ambition isn't the worst fault a fledgling filmmaker can have.

Read Full Review >
40

Washington Post Desson Thomson

A charming, spirited movie for cinephiles, or those who aspire to be. It's the kind of movie every kid in film school wanted to make but didn't have the father to produce.

Read Full Review >
30

Village Voice Dennis Lim

Endearing but pointless, at once cluttered and tinny, this film-dork fantasia suggests a shopping spree at a high-end vintage emporium underwritten by Daddy's blank check.

Read Full Review >
20

Rolling Stone Peter Travers

Writer-director Roman Coppola is trying to capture a time he's too young to remember, when the French New Wave reinvigorated film art.

Read Full Review >
20

Variety Todd McCarthy

Roman Coppola's first film has sympathetic aims but is distressingly lacking in flair, style, wit or fun.

Read Full Review >

What Our Users Said

The average user rating for this movie is 7.0 (out of 10) based on 6 User Votes

Note: User votes are NOT included in the Metascore calculation.

Jay H. gave it a6:
This movie has some hits as well as some misses. Roman Coppola's is ambitious but his direction is unpolished. He complicates the film more than he needed too. Decent effort to recreate the era, and I liked the art direction and score. Giancarlo Giannini is memorable.

Brian A. gave it a9:
This movie is amazingly under appreciated. There are so many aspects that lleft this viewer with a giddy feeling throughout. the music, superbly scored by Mellow, with a few classic french pop songs thrown in, is great. I bought the soundtrack as soon as I left the theater. There are two films within the film; one is a sci-fi epic in the vein of Barabarella, which is hilariously on key, the other is the main characters' personal documentary, and is a perfect satire of pretentious film making.

Bruno gave it a 10:
It's getting better all the time.

Chad S. gave it a 9:
"CQ" will make young film enthusiasts, like myself, wish we weren't born so late. To trade the memory of hearing Haircut One Hundred for the first time with seeing "Breathless" at a first-run theater would be great, but alas, Francois Truffaut was that guy from "Close Encounters of the Third Kind" before we saw "The 400 Blows" on the Betamax format. "CQ" is more style than substance, but there's just enough of the latter to make this triumph of art direction and production design, not completely usurp our affection for the young filmmaker's bout with tunnel vision to be a man of vision, an auteur. Jeremy Davis doesn't blend into the background. He's self-absorbed and yet we like his dream better than his girlfriend. We hope the critics in the makeshift screening room at a second-class hotel, which is hosting a film festival for auteurs, like his movie. The moment is so lovingly rendered, you want to be there; holding the filmmaker's hand if you're a girl, or patting him on the back if you're a boy. "CQ" is like that. It will evoke nostalgia, or false nostalgia, depending on your age, but quasi or not, the yearning is a real one if you love movies, which Roman Coppola must certainily do.

Brian R. gave it a 2:
Boring lead and weak script. Visuals aren't bad. Too disjointed to enjoy.

Michael F. gave it a 6:
Good dialouge, directing, screenplay, art direction, acting. I know that the film is about a man who is lost, but it seems like director/writer Roman Coppola is lost as well, the movie goes nowhere and says nothing. It's fun though. The ending wrapped it up pretty well though.

Popular on CBS sites: SEC Football | NFL | Video Game Cheats | iPhone | Video Game Reviews | Notebooks | Antivirus Software

About CBS Interactive | Jobs | Advertise

© 2009 CBS Interactive Inc. All rights reserved. | Privacy Policy | Terms of Use