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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Crimen del padre Amaro, El
Samuel Goldwyn Films
MPAA RATING: R for sexuality, language and some disturbing images
Starring
Gael García Bernal,
Ana Claudia Talancón,
Sancho Gracia,
Angélica Aragón,
Luisa Huertas,
Ernesto Gómez Cruz,
Gastón Melo,
and
Damián Alcázar
The scandalous story of a young priest, Father Amaro (Bernal), assigned to a church in a small village in remote Mexico, who falls in love with a teenage girl, Amelia (Talancon), who then becomes pregnant with his baby, and asks for his help in getting an abortion.
| GENRE(S): |
Foreign
|
| WRITTEN BY: |
Vicente Leñero
Eça de Queirós (novel)
|
| DIRECTED BY: |
Carlos Carrera
|
| RELEASE DATE: |
DVD: April 22, 2003
Video: April 22, 2003
Theatrical: November 15, 2002
|
| RUNNING TIME: |
120 minutes, Color |
| ORIGIN: |
Mexico / Spain / Argentina / France |
| LANGUAGE(S): |
Spanish (with English subtitles) |
Title translates into English as "The Crime of Father Amaro"

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Christian Science Monitor
David Sterritt
Excellent acting, intelligent screenwriting, and dynamic filmmaking give this Mexican production a forceful emotional and intellectual charge.

88
Philadelphia Inquirer
Carrie Rickey
A feverish melodrama about an idealist who, in following his heart and his bishop's orders, leads himself into temptation and his parish into hypocrisy.

88
Boston Globe
Wesley Morris
Bernal, with his sweet man-boy looks, makes Padre Amaro's portrait of corruption all the more flabbergasting in its irony.

83
Seattle Post-Intelligencer
Sean Axmaker
Carrera's direct, unadorned style has none of the searing imagery or cinematic imagination of "Y Tu Mama," but it bristles with passion, anger and a palpable sense of betrayal.

80
Washington Post
Desson Thomson
May be morally tangled, pessimistic, lurid and foreboding, but it's also humanistic.

75
New York Post
Megan Lehmann
Commendably, Carrera steers clear of preachiness in his exploration of a timely and relevant issue, and Bernal's transformation from naive priest to tortured adulterer to hard-nosed careerist is riveting.

75
ReelViews
James Berardinelli
Not an indictment of the Catholic Church as a whole, but a thought-provoking look at what can happen when decent individuals are seduced by the power of their position.

75
Charlotte Observer
Lawrence Toppman
Carrera directs with a light touch, letting the screenplay speak for itself.

75
San Francisco Chronicle
Edward Guthmann
Conveys the character of this tiny, insular community through richness of detail.

75
Chicago Sun-Times
Roger Ebert
It's more of a melodrama, a film that doesn't say priests are bad but observes that priests are human and some humans are bad.

70
TV Guide
Maitland McDonagh
Roundly condemned (though not banned) by Church officials in Mexico, the film became a smash hit -- probably in part because the public wrangling gave it an enormous publicity boost.

70
Village Voice
J. Hoberman
Carrera's filmmaking is more workmanlike than stylish, but Padre Amaro is richly character driven and, for all its insolent, grotesque humor, straightforwardly humanist in its psychology.

70
Time
Richard Schickel
Carrera's handsome film offers a richly detailed portrait of a church not so much corrupt as morally lazy after centuries in command of an overwhelmingly Catholic country.

63
Baltimore Sun
Chris Kaltenbach
Would have been better served if Carrera had spent a little more energy developing his story and less on emphasizing his message.

63
Chicago Tribune
Michael Wilmington
Carrera's style is hard-hitting, lucid and technically superior (if unimaginative). El Crimen del Padre Amaro eventually moves and stirs you, even if it often resembles those steamy Mexican TV dramas/soap operas called telenovelas.

63
Miami Herald
Marta Barber
Had the film been more balanced, it would have added a new star to the recent wave of remarkable Mexican cinema.

63
The Globe and Mail (Toronto)
Staff (Not credited)
How does it all play up here in colder and more secular climes? In a word -- melodramatically.

60
Salon.com
Stephanie Zacharek
Ends up being nothing more than a stifling morality tale dressed up in peekaboo clothing.

60
The New York Times
Stephen Holden
A suds-filled political melodrama that bashes the Roman Catholic Church in Mexico with a contempt that verges on hysteria, could be accused of many things, but timidity is not one of them.

60
Los Angeles Times
Kenneth Turan
The remarkable things about the new film, adapted by Vicente Leñero and directed by Carlos Carrera, are how smoothly it has been transposed to today's Mexico and how far good acting and skillful directing have gone toward tempering those melodramatic roots.

50
Entertainment Weekly
Owen Gleiberman
The real crime is the way that the movie turns Gael García Bernal, the hot-tempered, Roman-lipped costar of ''Y Tu Mamá También, into a backwater Freddie Prinze Jr.

50
Dallas Observer
Gregory Weinkauf
Competent if unremarkable tragedy.

50
The Onion (A.V. Club)
Keith Phipps
However much the film may mirror the truth, dramatically it feels like a cheat. It omits the human spark that would make it work as a film, rather than a collection of dramatized issues.

50
Variety
Dennis Harvey
Respectably crafted to avoid lurid excess, feature is nonetheless a bit potboilerish in its pileup of sexy, violent, duplicitous circumstances that plague the consciences of latter-day clergymen.

50
Wall Street Journal
Joe Morgenstern
The tone is that of a telenovela -- soap-operatic at heart -- even though the film was adapted from a 19th-century novel.
50
LA Weekly
Ernest Hardy
The tragic ending they tack on to the film reinforces the same fear-mongering notion of cause and effect that gives the Church its power to abuse and exploit, and the film winds up muffling its own powerful protest.

50
Austin Chronicle
Marjorie Baumgarten
At two hours, the movie goes on too long and resolves too little -- even though it provides some interesting moments along the way.

40
Chicago Reader
J. R. Jones
Amaro is so lacking in gravitas that there's no opportunity to explore the intense emotionality of the church in Latin America --which is the source of its temporal power.

38
New York Daily News
Jack Mathews
Father Amaro comes off as another pedophile in a frock. You'd have to hose this guy down if he were driving a school bus.


The average user rating for this movie is 8.0 (out of 10) based on 15 User Votes
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