Movies
Weekend Box Office
Film Awards & Top 10s By Year
All-Time High Scores
All-Time Low Scores
Best / Worst of the Decade
Wide Releases
Now In Theaters
49
2012
41
Alvin and the Chipmunks: The Squeakquel
84
Avatar![]()
69
Bad Lieutenant: Port of Call New Orleans
53
Blind Side
53
Book of Eli, The
55
Christmas Carol, A
57
Daybreakers
43
Dear John
27
Did You Hear About the Morgans?
55
Edge of Darkness
45
Extraordinary Measures
83
Fantastic Mr. Fox![]()
42
From Paris with Love
65
Imaginarium of Doctor Parnassus, The
74
Invictus
57
It's Complicated
34
Law Abiding Citizen
33
Leap Year
33
Legion
42
Lovely Bones, The
54
Men Who Stare At Goats, The
34
Ninja Assassin
19
Old Dogs
xx
Percy Jackson & The Olympians: The Lightning Thief
39
Planet 51
79
Precious: Based on the Novel by Sapphire
73
Princess & the Frog, The
64
Road, The
57
Sherlock Holmes
27
Spy Next Door, The
36
Tooth Fairy
44
Twilight Saga: New Moon, The
83
Up in the Air![]()
43
Valentine's Day
25
When in Rome
71
Where the Wild Things Are
xx
WolfMan, The
63
Youth in Revolt
Stars indicate the most critically-acclaimed movies.
Limited Releases
Now In Theaters
46
44 Inch Chest
83
Ajami![]()
73
Amreeka
xx
Barefoot to Timbuktu
19
Bitch Slap
24
Boondock Saints II: All Saints Day, The
76
Broken Embraces
64
Cloud 9
65
Coco Before Chanel
84
Cove, The![]()
84
Crazy Heart![]()
21
Crazy on the Outside
48
Creation
xx
Daddy Long Legs
81
Damned United, The![]()
68
Departures
62
District 13: Ultimatum
85
Education, An![]()
71
Eyes Wide Open
24
Falling Awake
81
Fish Tank![]()
56
For My Father
xx
From Mexico with Love
43
Frozen
68
Girl on the Train, The
52
Killing Kasztner
74
Last Station, The
43
Little Traitor, The
51
Loss of a Teardrop Diamond, The
73
Me and Orson Welles
76
Messenger, The
57
Missing Person, The
67
Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, The
xx
My Name is Khan
49
Nine
63
North Face
59
October Country
67
Off and Running
52
Paranoids, The
49
Pop Star on Ice
49
Private Lives of Pippa Lee, The
xx
Promised Lands (Re-release)
69
Red Riding Trilogy, The
29
Saint John of Las Vegas
69
September Issue, The
36
Serious Moonlight
63
Shinjuku Incident, The
77
Single Man, A
xx
Still Bill
76
Terribly Happy
74
That Evening Sun
19
To Save a Life
68
Town Called Panic, A
59
Until the Light Takes Us
57
Videocracy
65
Waiting for Armageddon
82
White Ribbon![]()
43
Women in Trouble
xx
Word is Out
64
Young Victoria, The
Stars indicate the most critically-acclaimed movies.
Crónicas

Generally favorable reviews
Based on 27 critic reviews
How did we calculate this?
Based on 2 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Drama | Foreign
Written by: Sebastián Cordero
Directed by: Sebastián Cordero
Release Date:
Theatrical: July 8, 2005
DVD: November 8, 2005
Running Time: 108 minutes, Color
Origin: Mexico / Ecuador
Language(s): Spanish (with English subtitles)
Summary
RATING: R for violence, a scene of sexuality, and language
Starring Damián Alcázar, John Leguizamo, Gloria Leyton, Alfred Molina, Leonor Watling, and José María Yazpik
A gripping crime drama starring John Leguizamo as Manolo Bonilla, a star reporter for a Miami-based tabloid TV show, who is determined to unearth a serial killer in a small town in Ecuador. (Palm Pictures)
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Chicago Tribune Achy Obejas
This is an all-Latino film--a rarity and a pleasure--but what's most curious and refreshing is that Cordero allows the Latinos to naturally embrace their nationalities, accents and cultural peculiarities.
Read Full Review >Portland Oregonian Shawn Levy
Even as the film sometimes veers into unproductive sidebars, there's a masterful tension to it, Alcazar is wonderful, and the final shot is a stunner.
Read Full Review >LA Weekly F. X. Feeney
Writer-director Sebastian Cordero wrings nerve-racking suspense, and complex performances, from these dynamics.
Read Full Review >Chicago Reader Joshua Katzman
The ironic twist at the conclusion of this chilling drama underscores the vagaries of human nature--and of the media.
Read Full Review >San Francisco Chronicle G. Allen Johnson
Cronicas has a cracking good plot, a central moral issue and John Leguizamo speaking Spanish. What more does a film need?
Read Full Review >Chicago Sun-Times Roger Ebert
The kind of movie that grabs you while you're watching, even if later you wish it had grabbed a little harder.
Read Full Review >Seattle Post-Intelligencer Sean Axmaker
The hit-and-run destructiveness of the rapacious media is nothing new, but Cordero gives his cynical take a unique setting and a queasy climax.
Read Full Review >Miami Herald Rene Rodriguez
With considerable passion and more than a little anger, Cronicas argues that our appetite for an increasing coarse and sensational type of news programming has skewed our inner compasses.
Read Full Review >Christian Science Monitor David Sterritt
The film begins strongly and violently, then simmers down to a standard-issue suspense story.
Read Full Review >Entertainment Weekly Owen Gleiberman
The moral murk of Crónicas would be more effective if the story weren't so contrived, yet the movie is worth seeing for Leguizamo's sinewy urgency, Alcázar's desperate cleverness as the killer, and the squalid, frantic atmosphere of Latin American hunger.
Read Full Review >Salon.com Andrew O'Hehir
Despite all that South American sunshine, this lean and brilliantly constructed thriller is a dark realm of secrets and lies, illuminated by TV lighting and the glitter of John Leguizamo's eyes. Those in search of life-affirming family entertainment might want to stick with Ingmar Bergman.
Read Full Review >Los Angeles Times Kevin Thomas
The result is reasonably absorbing and a provocative if familiar commentary on media manipulation, with Leguizamo terrific in a serious, intense performance.
Read Full Review >New York Daily News Jami Bernard
The movie suffers from tipping its hand too easily and hating its subject so much.
Read Full Review >Dallas Observer Luke Y. Thompson
John Leguizamo, in a rare watchable performance.
Read Full Review >TV Guide Maitland McDonagh
What distinguishes Cordero's film is his use of location.
Read Full Review >Variety David Rooney
Starts out bracingly but gradually loses focus. Ecuadorian writer-director Sebastian Cordero's screenplay trades in underdeveloped conflicts and blank characters, hinting far too early at the killer's probable identity.
Read Full Review >Village Voice Peter L'Official
Leguizamo finds the right mute for his trumpet, modulating his expenditure of emotion to the requirements of the scenario rather than overengaging his capable Mambo Mouth.
Read Full Review >The New York Times Stephen Holden
A film divided against itself. The more the cat-and-mouse game between prisoner and reporter points it in the direction of "The Silence of the Lambs," the closer it inches toward the sort of exploitation it condemns; for me, that's too close for Crónicas to be taken without a big grain of salt.
Read Full Review >Austin Chronicle Marc Savlov
Like its protagonist, Cordero's film is a nimble thing, darting from hot-button topic to prison-cell metaphysics in the blink of a blind eye, but it never quite achieves the level of journalistic condemnation it so clearly seeks.
Read Full Review >Washington Post Ann Hornaday
Although it's often difficult to discern amid a schematic plot and overheated, sanctimonious denouement, an undeniable reality underlies Cronicas.
Read Full Review >Boston Globe Janice Page
For a movie about serial killings and media sensationalism, Cronicas sure is wimpy.
Read Full Review >New York Post Kyle Smith
Scathing indictment of the tabloid media! Film at 11! That's how Crónicas sees itself, but all I could see was a scathing indictment of writer-director Sebastian Cordero's ability to put together a credible story.
Read Full Review >What Our Users Said
The average user rating for this movie is 9.0 (out of 10) based on 2 User Votes
Note: User votes are NOT included in the Metascore calculation.
Jorge R. gave it a10:
Leguizamo's performance in this film is very good, but Alcazar "steals the movie" as Vinicio the serial killer. Impeccable in its form, "Cronicas" stands alone, vis-a-vis many Hollywood thrillers, as an indictment of sensationalism and manipulation in the press, violence in the country (Ecuador in this case), and an a complex exploration in human evilness related to religion.
