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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Dark Blue
Metro-Goldwyn-Mayer Distributing Corporation
FILM:
MPAA RATING: R for violence, language and brief sexuality
Starring
Kurt Russell,
Scott Speedman,
Ving Rhames,
Brendan Gleeson,
Michael Michele,
and
Lolita Davidovich
Over the course of four days, a brutal murder and a racially charged trial trigger and explosive chain of events that resonate throughout Los Angeles. While navigating through the tumultuous neighborhoods of South Central L.A., two of the LAPD's elite Special Investigations Squad officers (Russell, Speedman) must track down cold-blooded killers and also face their own demons, which prove to be more ruthless than the criminals they pursue. (MGM)
| GENRE(S): |
Suspense/Thriller
|
| WRITTEN BY: |
David Ayer
James Ellroy (story)
|
| DIRECTED BY: |
Ron Shelton
|
| RELEASE DATE: |
DVD: June 24, 2003
Video: June 24, 2003
Theatrical: February 21, 2003
|
| RUNNING TIME: |
116 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Baltimore Sun
Michael Sragow
Dark Blue is one of those totally happy surprises that moves so quickly and curves so sharply that it leaves this era's hyped critical hits looking like beached whales.

91
Entertainment Weekly
Lisa Schwarzbaum
Goes where all too few films dare to venture these days -- into the heart of moral darkness.

83
Seattle Post-Intelligencer
William Arnold
Another harrowingly cynical dirty-cop movie in the recent tradition of "Training Day" and "Narc." Yet it's so much more complex, engrossing and satisfying than those films that the comparison is not entirely fair.

80
The Onion (A.V. Club)
Scott Tobias
Flaws and all, Dark Blue has a combustible energy that's usually anathema to Hollywood, reopening an old wound that has festered too quietly for more than a decade.

80
Washington Post
Michael O'Sullivan
Shelton's harrowing and compulsively watchable morality play.

75
Rolling Stone
Peter Travers
A film of wounding power. It stays with you.

75
ReelViews
James Berardinelli
Russell is the reason to go to the theater. He will continue to hold your attention when things around him -– like the storyline -– lose steam and credibility.

75
San Francisco Chronicle
Mick LaSalle
While Dark Blue may not be easy to watch, it's exceptionally well made.

75
Chicago Sun-Times
Roger Ebert
Not a great movie, but it has moments that go off the meter and find visceral impact. The characters driving through the riot-torn streets of Los Angeles provide some of them, and the savage, self-hating irony of Russell's late dialogue provides the rest.

75
Christian Science Monitor
David Sterritt
It gains a major charge of dramatic energy from Kurt Russell's ferocious acting, almost certainly the best of his career.

70
Slate
David Edelstein
This is ultimately a conversion melodrama, and a clumsy one. But until it goes to hell, it's thrillingly good, a fervid answer to the spate of cop movies that glorify brutality and sanction ends over means.

70
Variety
David Rooney
Refreshingly devoid of flashiness or artificially pumped-up action, this consistently gripping, well-constructed police thriller… showcases a tightly controlled performance from Kurt Russell.

70
Chicago Reader
J.R. Jones
Eleven years on, someone in Hollywood has finally worked up the nerve to address the LA riots--but only on the slickest terms imaginable.

70
New York Magazine
Peter Rainer
Powerful, uneven police drama.

63
USA Today
Mike Clark
There's at least one plot element too many here; let your own taste determine which one. Yet until it dissolves into conventional melodrama during a climactic fracas, this fast-paced story is never less than watchable.

63
Chicago Tribune
Robert K. Elder
Unlike the intrigue and winding switchback of moral mysteries that defined "L.A. Confidential," Dark Blue travels on flat, predictable terrain.

63
The Globe and Mail (Toronto)
Liam Lacey
After a decade of silence, surely Hollywood can do better.

63
Boston Globe
Ty Burr
In the end, the problem with movies like Dark Blue is that they willfully ignore the systemic, historical, cultural, and class causes of racism in favor of pinning it all on a few bad apples. Sure, that's entertainment. It's also a lie.

63
New York Post
Lou Lumenick
Ron Shelton effectively ratchets up the tension without resorting to the stylistic flourishes of a more recent flick about dirty cops, "Narc."

60
TV Guide
Ken Fox
If this brutal tale of crime and corruption within the upper ranks of the Los Angeles Police Department feels like an updated retelling of "L.A. Confidential," there's good reason. Both stories spring from the dark mind of American crime writer James Ellroy.

60
Washington Post
Stephen Hunter
The movie ends not with a bang but a wimp.

60
Film Threat
David Grove
It’s shocking how much Dark Blue hates cops.

60
Los Angeles Times
Kenneth Turan
Sensitively directed by Ron Shelton and helped by what just might be the best performance of Kurt Russell's career, Dark Blue is as interesting and successful as it can be within its limits, but those limits make this a more generic film than its makers intended.

60
Salon.com
Charles Taylor
Shelton has directed Dark Blue in a jacked-up urban thriller style that simply does not play to his gifts. He's a sidewinder, the sort of writer-director who tells his stories through loopy character details and anecdotes.

60
The New York Times
Dana Stevens
Unfortunately, the rest of the movie does not live up to Mr. Russell's performance.

58
Portland Oregonian
Kim Morgan
So what will happen? Sadly, some overacting and a bad "And Justice For All"-style speech at the end.

50
Wall Street Journal
Joe Morgenstern
Through it all, though, Kurt Russell gives Dark Blue a bleak integrity -- funny word, given the circumstances -- that almost serves as its redemption.
50
Village Voice
Michael Atkinson
However misjudged and evidently cobbled together in the editing room, Dark Blue does have the nerve to drive right through the riots with Russell's saber-toothed bigot, implicitly linking the two phenomena and not being shy about the suffering on either side of the combat.

50
Miami Herald
Connie Ogle
In the wake of TV's powerhouse "The Shield," Dark Blue comes off as something of a retread, with little of "The Shield's" electric fury, edgy camera work or deft characterizations.

50
The New Yorker
Anthony Lane
In short, Dark Blue suffers from a problem that, however niggling, is likely to hobble any thriller: no thrills. [17 & 24 February 2003, p.204]
40
LA Weekly
Ella Taylor
My own view is that, like me, the LAPD was defeated by the movie's incestuously proliferating plots. I've seen Dark Blue twice, and I still don't have a handle on all its comings and goings.

40
Austin Chronicle
Marc Savlov
Ultimately, Dark Blue feels roughly a decade too late with its back story of the Los Angeles riots. Gates’ department had its share of dirty blues, to be sure, but that hasn’t been notable since the smoke cleared back in 1992.

40
Dallas Observer
Robert Wilonsky
We have heard this song before, know it by heart (sadly, as film still can't keep pace with real-life headlines about fake drug busts and a shady LAPD), and still filmmakers can't resist its rhythms.

38
New York Daily News
Jack Mathews
Creates a hellishly evil portrait of a police department in which every white cop is either a racist thug or an enabler, and every black cop a disgusted observer or crusading hero.

38
Charlotte Observer
Lawrence Toppman
Dark Blue proves again what a remarkable actor Denzel Washington is. Too bad he's not in it.

12
Philadelphia Inquirer
Steven Rea
The movie heads in a disastrous direction: namely, a police academy ceremony... This lets-wrap-this-thing-up moment sucks the life and the honesty out of an otherwise compelling portrait of tainted lawmen, tainted law.

10
The New Republic
Stanley Kauffmann
Imagine finding the will to get up every morning to do another day's work on this stale story tarted up with relevance.


The average user rating for this movie is 6.7 (out of 10) based on 10 User Votes
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