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Dark Blue
EMAILPRINTMetro-Goldwyn-Mayer Distributing Corporation

Mixed or average reviews
Based on 37 critic reviews
How did we calculate this?
Based on 10 votes
Read user comments
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Movie Info
Genre(s): Suspense/Thriller
Written by:
David Ayer
James Ellroy (story)
Directed by: Ron Shelton
Release Date:
Theatrical: February 21, 2003
DVD: June 24, 2003
Running Time: 116 minutes, Color
Origin: USA
Summary
RATING: R for violence, language and brief sexuality
Starring Kurt Russell, Scott Speedman, Ving Rhames, Brendan Gleeson, Michael Michele, and Lolita Davidovich
Over the course of four days, a brutal murder and a racially charged trial trigger and explosive chain of events that resonate throughout Los Angeles. While navigating through the tumultuous neighborhoods of South Central L.A., two of the LAPD's elite Special Investigations Squad officers (Russell, Speedman) must track down cold-blooded killers and also face their own demons, which prove to be more ruthless than the criminals they pursue. (MGM)
Also On Metacritic
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Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Baltimore Sun Michael Sragow
Dark Blue is one of those totally happy surprises that moves so quickly and curves so sharply that it leaves this era's hyped critical hits looking like beached whales.
Read Full Review >Entertainment Weekly Lisa Schwarzbaum
Goes where all too few films dare to venture these days -- into the heart of moral darkness.
Read Full Review >Seattle Post-Intelligencer William Arnold
Another harrowingly cynical dirty-cop movie in the recent tradition of "Training Day" and "Narc." Yet it's so much more complex, engrossing and satisfying than those films that the comparison is not entirely fair.
Read Full Review >The Onion (A.V. Club) Scott Tobias
Flaws and all, Dark Blue has a combustible energy that's usually anathema to Hollywood, reopening an old wound that has festered too quietly for more than a decade.
Read Full Review >Washington Post Michael O'Sullivan
Shelton's harrowing and compulsively watchable morality play.
Read Full Review >ReelViews James Berardinelli
Russell is the reason to go to the theater. He will continue to hold your attention when things around him -– like the storyline -– lose steam and credibility.
Read Full Review >San Francisco Chronicle Mick LaSalle
While Dark Blue may not be easy to watch, it's exceptionally well made.
Read Full Review >Chicago Sun-Times Roger Ebert
Not a great movie, but it has moments that go off the meter and find visceral impact. The characters driving through the riot-torn streets of Los Angeles provide some of them, and the savage, self-hating irony of Russell's late dialogue provides the rest.
Read Full Review >Christian Science Monitor David Sterritt
It gains a major charge of dramatic energy from Kurt Russell's ferocious acting, almost certainly the best of his career.
Read Full Review >Slate David Edelstein
This is ultimately a conversion melodrama, and a clumsy one. But until it goes to hell, it's thrillingly good, a fervid answer to the spate of cop movies that glorify brutality and sanction ends over means.
Read Full Review >Variety David Rooney
Refreshingly devoid of flashiness or artificially pumped-up action, this consistently gripping, well-constructed police thriller… showcases a tightly controlled performance from Kurt Russell.
Read Full Review >Chicago Reader J.R. Jones
Eleven years on, someone in Hollywood has finally worked up the nerve to address the LA riots--but only on the slickest terms imaginable.
Read Full Review >USA Today Mike Clark
There's at least one plot element too many here; let your own taste determine which one. Yet until it dissolves into conventional melodrama during a climactic fracas, this fast-paced story is never less than watchable.
Read Full Review >Chicago Tribune Robert K. Elder
Unlike the intrigue and winding switchback of moral mysteries that defined "L.A. Confidential," Dark Blue travels on flat, predictable terrain.
Read Full Review >The Globe and Mail (Toronto) Liam Lacey
After a decade of silence, surely Hollywood can do better.
Read Full Review >Boston Globe Ty Burr
In the end, the problem with movies like Dark Blue is that they willfully ignore the systemic, historical, cultural, and class causes of racism in favor of pinning it all on a few bad apples. Sure, that's entertainment. It's also a lie.
Read Full Review >New York Post Lou Lumenick
Ron Shelton effectively ratchets up the tension without resorting to the stylistic flourishes of a more recent flick about dirty cops, "Narc."
Read Full Review >TV Guide Ken Fox
If this brutal tale of crime and corruption within the upper ranks of the Los Angeles Police Department feels like an updated retelling of "L.A. Confidential," there's good reason. Both stories spring from the dark mind of American crime writer James Ellroy.
Read Full Review >Los Angeles Times Kenneth Turan
Sensitively directed by Ron Shelton and helped by what just might be the best performance of Kurt Russell's career, Dark Blue is as interesting and successful as it can be within its limits, but those limits make this a more generic film than its makers intended.
Read Full Review >Salon.com Charles Taylor
Shelton has directed Dark Blue in a jacked-up urban thriller style that simply does not play to his gifts. He's a sidewinder, the sort of writer-director who tells his stories through loopy character details and anecdotes.
Read Full Review >The New York Times Dana Stevens
Unfortunately, the rest of the movie does not live up to Mr. Russell's performance.
Read Full Review >Portland Oregonian Kim Morgan
So what will happen? Sadly, some overacting and a bad "And Justice For All"-style speech at the end.
Read Full Review >Wall Street Journal Joe Morgenstern
Through it all, though, Kurt Russell gives Dark Blue a bleak integrity -- funny word, given the circumstances -- that almost serves as its redemption.
Village Voice Michael Atkinson
However misjudged and evidently cobbled together in the editing room, Dark Blue does have the nerve to drive right through the riots with Russell's saber-toothed bigot, implicitly linking the two phenomena and not being shy about the suffering on either side of the combat.
Read Full Review >Miami Herald Connie Ogle
In the wake of TV's powerhouse "The Shield," Dark Blue comes off as something of a retread, with little of "The Shield's" electric fury, edgy camera work or deft characterizations.
Read Full Review >The New Yorker Anthony Lane
In short, Dark Blue suffers from a problem that, however niggling, is likely to hobble any thriller: no thrills. [17 & 24 February 2003, p.204]
LA Weekly Ella Taylor
My own view is that, like me, the LAPD was defeated by the movie's incestuously proliferating plots. I've seen Dark Blue twice, and I still don't have a handle on all its comings and goings.
Read Full Review >Austin Chronicle Marc Savlov
Ultimately, Dark Blue feels roughly a decade too late with its back story of the Los Angeles riots. Gates’ department had its share of dirty blues, to be sure, but that hasn’t been notable since the smoke cleared back in 1992.
Read Full Review >Dallas Observer Robert Wilonsky
We have heard this song before, know it by heart (sadly, as film still can't keep pace with real-life headlines about fake drug busts and a shady LAPD), and still filmmakers can't resist its rhythms.
Read Full Review >New York Daily News Jack Mathews
Creates a hellishly evil portrait of a police department in which every white cop is either a racist thug or an enabler, and every black cop a disgusted observer or crusading hero.
Read Full Review >Charlotte Observer Lawrence Toppman
Dark Blue proves again what a remarkable actor Denzel Washington is. Too bad he's not in it.
Read Full Review >Philadelphia Inquirer Steven Rea
The movie heads in a disastrous direction: namely, a police academy ceremony... This lets-wrap-this-thing-up moment sucks the life and the honesty out of an otherwise compelling portrait of tainted lawmen, tainted law.
Read Full Review >The New Republic Stanley Kauffmann
Imagine finding the will to get up every morning to do another day's work on this stale story tarted up with relevance.
Read Full Review >What Our Users Said
The average user rating for this movie is 6.7 (out of 10) based on 10 User Votes
Note: User votes are NOT included in the Metascore calculation.
Barbara M. gave it a 0:
It's extremely violent, and the language is non-stop filth. There might be a story in this movie if you can overlook all the graphic murder scenes. I couldn't.
Marc-o gave it a 9:
Great!! Typical James Ellroy story and a star turn from Kurt Russell who hits home a powerful performance. See it.
Yes, It's Gilbert Mulroneycakes gave it a 6:
We've only just got this film in the theatres (July 12 2003, fact fans) over here in Britain. Not hard to see why: there's not an original frame in the whole picture. That's not to say it's a terrible film, mind; but that's its problem. It's not a bad film, it's just. Another one to rent then. But not from Blockbuster.
Le critical gave it a 9:
A good movie about bad cops. Kurt Russell's best movie to date.
Anna S. gave it a 10:
Dark blue is one of the best movie films I really want to definitly see.The story is a lot cooler and it's very similar to the 1997 anime hit movie, perfect blue. So this would be a better motion picture with daniel goddard and jackson raine, and maybe if satoshi kon would team up with time warner bros,dark blue will be the no.1 movie in america!!
Carlo R. gave it an 8:
9 to k.russell perfect performance. 7 to the movie. is a good movie. any wrong, lowbudget, but good.
Joan K. gave it a 7:
Fast moving/well acted. not a new plot but you will not fall asleep.kurt russel was outstanding. really fine job!!!fine and convincing actor.
