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Divine Secrets of the Ya-Ya Sisterhood

Mixed or average reviews
Based on 35 critic reviews
How did we calculate this?
Based on 21 votes
Read user comments
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Movie Info
Genre(s): Drama
Written by:
Callie Khouri
Rebecca Wells (novels Divine Secrets of the Ya-Ya Sisterhood, Little Altars Everywhere)
Mark Andrus (adaptation)
Directed by: Callie Khouri
Release Date:
Theatrical: June 7, 2002
DVD: November 5, 2002
Running Time: 116 minutes, Color
Origin: USA
Summary
RATING: PG-13 for mature thematic elements, language, and brief sensuality
Starring Sandra Bullock, Ellen Burstyn, James Garner, Ashley Judd, Shirley Knight, Fionnula Flanagan, Maggie Smith, and Angus MacFadyen
A classic Southern tale of hilarity set in a sleepy Louisiana parish, Divine Secrets of the Ya-Ya Sisterhood follows a group of lifelong friends who stage a rather unorthodox intervention to help a young playwright (Bullock) unravel the truth about her complicated, eccentric mother (Burstyn), find forgiveness and acceptance, and let go of her painful past. (Warner Bros.)
Also On Metacritic
FILM: Mad Money
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
LA Weekly F. X. Feeney
Khouri manages, with terrific flair, to keep the extremes of screwball farce and blood-curdling family intensity on one continuum -- not only through the strength of the performances (including one from James Garner, who, as Sida's dad, gets the best one-liners) but in the ways they match across time.
Read Full Review >Seattle Post-Intelligencer William Arnold
Even though she's (Khouri) determined to give us feel-good entertainment, she's not at all afraid to let the darker moments be very dark indeed.
Read Full Review >USA Today Claudia Puig
The only character we get to know fully as she evolves from child to older woman is Vivi. Too bad the movie didn't also trace the lives of her "sisters." That might have been divine.
Read Full Review >New York Daily News Jami Bernard
Ya-Ya Sisterhood is so divine. It offers a world where friendship is forever, the half-empty glass is refilled and the men are perfect.
Boston Globe Renee Graham
There's death, domestic violence, alcoholism, racism, attempted suicide, and a mental breakdown. Naturally, it's a comedy about the eccentricities of Southern women.
Read Full Review >New Times (L.A.) Bill Gallo
These wonderfully adept actresses take so much pleasure in playing long-faded Southern belles, in mixing the genteel and the bawdy as they conduct their extended therapy session, that it will be difficult for even the most hardened Yankee curmudgeon to resist them.
Variety Todd McCarthy
As a rich, gum-chewing matron who tools around in her canary-yellow Rolls-Royce, Flanagan is the picture's real scene-stealer.
Read Full Review >Chicago Tribune Michael Wilmington
Gives us a lot to enjoy and something most studio movies don't even try for: an attempt at the richness, density and sheer contrariness of life.
Read Full Review >The Globe and Mail (Toronto) Rick Groen
Women deserve better women's pictures -- men too.
Read Full Review >Philadelphia Inquirer Carrie Rickey
Less successful in exploring the long-term effects of mental breakdown than in dispensing short-term comic pick-me-ups, Ya-Ya wrings abundant laughter and tears.
Read Full Review >Wall Street Journal Joe Morgenstern
The movie finally comes together into something that is genuinely -- and almost quietly -- stirring.
Los Angeles Times Kenneth Turan
This is a work of excess and passion, an untidy sprawl of a motion picture that is sometimes ragged, occasionally uncertain, but -- and this is what's important -- always warm, accessible and rich in emotional life.
Read Full Review >Portland Oregonian Shawn Levy
During one or two comic set-pieces, you can see the appeal that the Ya-Yas hold for readers. But you can also sense, farther in the distance, the more vital film that might have been.
Read Full Review >TV Guide Maitland McDonagh
Suffers from an excess of material crammed into too little screen time. There's so much story that the characters get short shrift; you have to wonder, for example, what became of Siddalee's three siblings.
Read Full Review >Charlotte Observer Lawrence Toppman
A question: If you hire actresses from England, Kansas, Ireland and Michigan, shouldn't someone teach them all to do believable Southern accents -- and remind them to keep doing those accents as the film goes on?
Read Full Review >Miami Herald Connie Ogle
The film relies a bit too much on the humor of older women flipping each other off and mouthing obscenities, although it is hilarious to see the usually proper Smith frantically chopping up a roofie to slip into Sidda's drink.
Read Full Review >Entertainment Weekly Lisa Schwarzbaum
The magnolias in Callie Khouri's fried green movie look limp.
Read Full Review >Baltimore Sun Michael Sragow
As for the Ya-Yas: They're not as much fun as the First Wives' Club.
San Francisco Chronicle Mick LaSalle
Divine cast keeps 'Ya-Ya Sisterhood' from falling flat
Read Full Review >New York Post Megan Lehmann
Khouri seems never to have met a "chick flick" cliché she didn't like, from the ubiquity of emotional telephone conversations to the lachrymose (but entirely predictable and dramatically flabby) reconciliation at the end.
Read Full Review >Washington Post Ann Hornaday
The tart, often jauntily profane dialogue and sharp interactions of the present-day relationships give Divine Secrets its occasional zip; when Khouri takes us back in time, especially to the Ya-Yas' early childhood, the movie flags.
Read Full Review >Austin Chronicle Steve Davis
For those enamored with Wells' books, however, this film version will likely meet their expectations, and it undoubtedly will spawn more Ya-Ya chapters throughout the country.
Read Full Review >Salon.com Stephanie Zacharek
Isn't so much a movie as a tract, a parable in which the charred wisdom of its characters is much more significant than the intricacies of their lives.
Read Full Review >Film Threat Michael Dequina
Should the likes of Burstyn, Flanagan, Smith, and Knight have to be reduced to playing eccentric caricatures of aging Southern belles?
Read Full Review >The New York Times Stephen Holden
Perhaps not since "Steel Magnolias" has Hollywood turned out a movie so resolutely for and about women.
Read Full Review >Slate David Edelstein
The movie doesn't have any undercurrents, psychological or cinematic. -- The Blessed Mother ends up looking like a drunken housewife.
Read Full Review >Village Voice Mark Holcomb
As earnest and smart-alecky as an entire season of Designing Women, Ya-Ya is sure to score with its redemptive family melodramatics and stock eccentric characterizations.
Read Full Review >Rolling Stone Peter Travers
Except for Ashley Judd, who shows true grit as Vivi in her babe days, the effect is like being buried in molasses. For guys whose pain threshold is way low when it comes to the bonding of Steel Magnolias, Ya-Ya is a definite no-no.
Read Full Review >New York Magazine Peter Rainer
The thinness of the movie, which is what is intermittently enjoyable about it, is at odds with its sob-sister pretensions.
Read Full Review >ReelViews James Berardinelli
For a strangely-titled, female-oriented drama about mothers and daughters bonding, try "The Joy Luck Club" and leave Ya-Ya as a phrase uttered by one-year olds who have yet to learn how to talk.
Read Full Review >Chicago Sun-Times Roger Ebert
Rubber-stamped from the same mold that has produced an inexhaustible supply of fictional Southern belles who drink too much, talk too much, think about themselves too much, try too hard to be the most unforgettable character you've ever met, and are, in general, insufferable.
Read Full Review >The Onion (A.V. Club) Scott Tobias
It reduces a large cast to an unwieldy collection of simpletons and caricatures.
Read Full Review >Washington Post Michael O'Sullivan
What is perhaps most disappointing about this ham-handed film, though, particularly since it was directed by the screenwriter of the righteously raging "Thelma and Louise," is its crypto-misogyny.
Read Full Review >Christian Science Monitor David Sterritt
Khouri's new picture takes all this talent and turns it into the kind of manipulative mush that Hollywood used to market under the condescending label "woman's picture" years ago.
Read Full Review >Time Richard Schickel
This is potentially near tragic material, and playing it as an all-forgiving comedy is a waste of everyone's time.
Read Full Review >What Our Users Said
The average user rating for this movie is 5.8 (out of 10) based on 21 User Votes
Note: User votes are NOT included in the Metascore calculation.
Barbara D. gave it a10:
I guess you have to be older-sexier and more appreciative of women to fully understand and appreciate the ironys of this movie. It truly is a sisterhood in the end!
Melissa F. gave it a 9:
I adore this movie...it is alot like things that happen in our own lives...they just arent talked about. And they then go on to effect our everyday lives.
Marc K. gave it a 6:
The book was magnificent...this film was not. But I think I'd give it an "A" for effort, so it gets a "6" rating from me.
Pat C. gave it an 8:
One of the better chick flicks. Actually, it's about family dysfunction, the sisters that were sucked into it, and how they eventually clawed their way out the other side. It's gratifying to see so many critics who had stabilyzing parents find no use for this film, but the thing about life is that there's always something new to learn. In the meantime, this is not the first time I have been impressed by the depth of both Burstyn and Bullock as they mimic the nuances of the psychically disfigured. Yes there appears to be a lot of formula in this film, but the ending is a little subtler than formula could allow. This film is a waste of time for most, but those who find it resonates for them can be assured it is the genuine article.
Kelly B. gave it a 10:
What a wonderful film! Not only was it filled with wit and humor, but it also travels deep into the soul of families which, while seemingly perfect and happy-go-lucky, are sometimes complex and anything but perfect. To take an incredibly well-written novel like Ya-Ya and turn it into a movie masterpiece is a true work of art that should be, and will be, cherished forever in the hearts of many. Well done!
Kate A. gave it a 10:
This movie was a fantastic tale of four friends who stuck together through it all, including a tragic, unexpected death, trials with alcohol and prescription medications, and the evils of Southern society. It links the generations of an eccentric mother, Vivi Abbott-Walker, and her wounded daughter, Sidda Lee, showing how different the world has become in just a few decades and how some things will never change.
Mary Beth T. gave it a 10:
I loved this movie, and there was nothing boring about it! It is one of the best movies I have ever seen.
