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Duchess, The
Generally favorable reviews
Based on 34 critic reviews
How did we calculate this?
Based on 28 votes
Read user comments
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Movie Info
Genre(s): Drama
Written by:
Jeffrey Hatcher
Amanda Foreman (book "Georgiana. Duchess of Devonshire")
Saul Dibb
Jeffrey Hatcher
Directed by: Saul Dibb
Release Date:
Theatrical: September 19, 2008
DVD: December 23, 2008
Running Time: 110 minutes, Color
Origin: USA
Summary
RATING: PG-13 for sexual content, brief nudity and thematic material
Starring Keira Knightley, Ralph Fiennes, Charlotte Rampling, Dominic Cooper, and Hayley Atwell
Long before the concept existed, the Duchess of Devonshire, Georgiana Spencer, was the original “It Girl.” Like her direct ancestor Princess Diana, she was ravishing, glamorous and adored by an entire country. Determined to be a player in the wider affairs of the world, she proved that she could out-gamble, out-drink and outwit most of the aristocratic men who surrounded her. She helped usher in sweeping changes to England as a leader of the forward-thinking Whig Party. But even as her power and popularity grew, she was haunted by the fact that the only man in England she seemingly could not seduce was her very own husband, the Duke. And when she tried to find her own way to be true to her heart and loyal to her duty, the resulting controversies and convoluted liaisons would leave all of London talking. (Paramount Vantage)
Also On The Web: Internet Movie Database Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Chicago Sun-Times Roger Ebert
This is not one of those delightful movies based on a Jane Austen novel. It is about hard realists, constrained in a stifling system and using whatever weapons they can command.
Read Full Review >The Onion (A.V. Club) Noel Murray
Thoroughly populist and middlebrow, full of all the high wigs, thick powder, perfect diction, and straightforward dialogue that define bodice-ripping prestige pictures about silently suffering souls.
Read Full Review >Time Richard Schickel
The players are uniformly good, but a special word must be said for Fiennes, whose portrayal of physical awkwardness and painful taciturnity never begs either for laughs or for sympathy.
Read Full Review >Los Angeles Times Kenneth Turan
Even surrounded by all this quality work, Ralph Fiennes, who plays William Cavendish, the fifth duke of Devonshire, the most powerful man in England next to the king, walks off with the picture.
Read Full Review >New York Magazine David Edelstein
An uncommonly well-crafted historical feminist tearjerker--both anti-patriarchal and a monument to motherhood.
Read Full Review >Chicago Reader J.R. Jones
This is scandal-mongering fun that also lays bare the deforming power of the male aristocracy.
Read Full Review >San Francisco Chronicle Ruthe Stein
It tells the amazing, but mostly true, story of a late-18th century aristocrat who made an indelible mark on English society akin to that of her direct descendant, Lady Diana.
Read Full Review >Charlotte Observer Lawrence Toppman
If you're fond of wigs, you may be in heaven. If you're more interested in Whigs, you may wish the movie had dug deeper under the lovely powdered surface of Lady Georgiana Spencer.
Read Full Review >Philadelphia Inquirer Carrie Rickey
While I much liked The Duchess, this portrait feels unfinished.
Read Full Review >USA Today Claudia Puig
Princess Diana's antecedent, both genetically and figuratively, was a beautiful and glamorous duchess named Georgiana Spencer. Like her descendant, her charm and vivacity captivated England.
Read Full Review >Entertainment Weekly Lisa Schwarzbaum
Fiennes speaks with his body what the script cannot formulate about what it's like to be a man apart. The actor creates particulars of time, space, class, and personality with one crook of a finger, one twist of a wrist. I call that nobility of craft; he's the actors' prince.
Read Full Review >The Hollywood Reporter Kirk Honeycutt
Keira Knightley is a terrific choice to play the 18th century socialite.
Read Full Review >Salon.com Stephanie Zacharek
tThere's life at the center of The Duchess, in the form of Keira Knightley. She carries the weight of the movie around her effortlessly.
Read Full Review >Newsweek David Ansen
For a number of reasons The Duchess isn't all it could have been. It's fun, but falls short of fabulous.
Read Full Review >Seattle Post-Intelligencer Paula Nechak
Provided you don't take it seriously, it makes for an addictively entertaining diversion that's as hard to stop watching as the books are to stop reading.
Read Full Review >Portland Oregonian Marc Mohan
Ultimately, though, it's unfortunate that the movie tries to make so many oblique comparisons to more modern tragedy (paparazzi with sketchbooks; yes, we get it!), since Georgiana's life seems fascinating enough on its own.
Read Full Review >Miami Herald Connie Ogle
Fans of period drama will find things to like about The Duchess; it's not as ludicrous as "The Other Boleyn Girl," for instance, and it's not overly long or ponderous.
Read Full Review >Chicago Tribune Tasha Robinson
Taken in isolation from the unsatisfying story, the performances are powerful--Knightley’s vivacious, wounded romantic does a great deal to carry the film on sheer personality, while Fiennes is a subtle master at projecting banked menace through his seeming detached ennui.
Read Full Review >Boston Globe Ty Burr
At a certain point, The Duchess stops attending to the topiary and becomes a women's melodrama instead.
Read Full Review >The Globe and Mail (Toronto) Rick Groen
As for true-love Charles, he would ascend to the Prime Minister's office, and then rise again to even greater heights: They named the tea after him. Indeed, that may be the smartest way to see this flick, curled up on your sofa with a cup of Earl Grey -- just make sure it's as decaffeinated as what you're watching.
Read Full Review >New York Daily News Elizabeth Weitzman
A rousing period drama with all the familiar trimmings: gorgeous costumes, palatial settings and romantic intrigue.
Read Full Review >Variety Justin Chang
A serviceable picture that offers all the sumptuous visual pleasures of a historical costume drama, yet little in the way of actual history.
Read Full Review >NPR Bob Mondello
Director Saul Dibb, presumably knowing that this is pretty standard stuff for a costume epic, occupies us not just with the usual visuals -- of his star drifting through exquisitely furnished estates, draped in rich silks and brocades -- but also with some intriguingly offbeat sights.
Read Full Review >Washington Post John Anderson
It's too bad there's not more substance to The Duchess, because there's lots of acting and, as is required of a Brit-styled period piece, lushness galore.
Read Full Review >Baltimore Sun Michael Sragow
The problem isn't the history that the filmmakers leave in, but how much they leave out.
Read Full Review >Village Voice Ella Taylor
As a tale of mature self-sacrifice, the movie would be almost unbearably moving were it not for Knightley's insubstantial performance, which allows her to be fatally upstaged by Ralph Fiennes.
Read Full Review >ReelViews James Berardinelli
It has impeccable production values but feels like a "Masterpiece Theater" production of a Harlequin romance novel.
Read Full Review >Christian Science Monitor Robert Koehler
A lumbering number that takes its identity as a costume drama quite literally.
Read Full Review >Austin Chronicle Kimberley Jones
It’s a curiously inert, workmanlike production: a whole lot of pomp and incircumstance.
Read Full Review >Wall Street Journal Joe Morgenstern
Instead of scintillation, the movie gives us a succession of discrete set pieces, as if the action takes place in rooms but not in the halls connecting them.
Read Full Review >The New York Times Manohla Dargis
An overstuffed, intellectually underbaked portrait of a poor little rich girl.
Read Full Review >New York Post Kyle Smith
Everything is predictable three scenes in advance, and it's all stale, stuck, stolid.
Read Full Review >What Our Users Said
The average user rating for this movie is 8.2 (out of 10) based on 28 User Votes
Note: User votes are NOT included in the Metascore calculation.
Lauren s gave it an8:
This film is one of the best of the year. It may not be the best movie ever made, but it is quite the royal treat, and Knightley gives the most powerful performace of her career. I'd say this film should be on everyone's to see list, and it's been added to my favorites, (it's not at the top though) but still great movie! And the costumes are spectacular! well done, awesome.
Andres V. gave it a10:
very good movie, but no perfect! great perfomances
J H gave it an8:
Wonderful actors, a terrific script, and a thoroughly engaging story make this a must-see movie.
Enrique P. gave it a6:
The Duchess is a favourable movie in general. First of all, i have to say that Keira is so repetitive in her performance, that is the less i liked about the movie actually!!!! c'mon she can do a better performance because she is a really good actress. Finnes does a great job and really transmits his feelings with his simple look! He is definitely better than Keira through out the film. The custom design is wonderull and the art direction too. Maybe it is very monotonous and there is a point where you want to stop the movie! It has also very good pieces starting with the adaptation. Thes story is great and it is well narrated in the big screen. Its good to see!
S M gave it a7:
It is indeed a good movie, though not superb. The locations and settings are really pleasing. Every thing was decent, including actings.
Jay H. gave it a7:
Very impressive art direction and costumes, brilliant. Good story, the acting is terrific. But as with many period pieces, there are some slow stretches. I never lost interest however. Excellent cinematography. Very meticulous in its detail.
robert i. gave it an8:
Too many historical biopics wallow in a shallow pond, emerging oddly hollow. Here the duchess finds that life with the duke shatters her preconceptions. Where is the love? The producers effectively use the heroic trappings as a setting for real drama too many people encounter today. In spending so much on the finery, sometimes the setting trumps the fragility. On balance, the duchess does what movies can do.
