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Elegy
EMAILPRINTThe Samuel Goldwyn Company

Generally favorable reviews
Based on 32 critic reviews
How did we calculate this?
Based on 42 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Drama
Written by:
Philip Roth (novel)
Nicholas Meyer
Directed by: Isabel Coixet
Release Date:
Theatrical: August 8, 2008
DVD: March 17, 2009
Running Time: 113 minutes, Color
Origin: USA
Summary
RATING: R for sexuality, nudity and language
Starring Patricia Clarkson, Penélope Cruz, Deborah Harry, Dennis Hopper, Ben Kingsley, and Peter Sarsgaard
Elegy charts the passionate relationship between a celebrated college professor and a young woman whose beauty both ravishes and destabilizes the professor. As their intimate connection transforms them--more than either could imagine--a charged sexual contest evolves into an indelible love story. With humanistic warmth, wry wit, and erotic intensity, Elegy explores the power of beauty to blind, reveal, and transform. (Samuel Goldwyn Films)
Also On The Web: Internet Movie Database
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Entertainment Weekly Owen Gleiberman
There's a poetic irony to the idea that it took a female filmmaker to finally do justice to Philip Roth on screen.
Read Full Review >Austin Chronicle Marjorie Baumgarten
Smart and self-deprecating story about love and mortality: It’s merely a winter's tale told with a summer's palette.
Read Full Review >USA Today Claudia Puig
True to its title, Elegy is a spare, meditative and melancholy film. It is a deeply affecting and profoundly observed saga about love, art, beauty and, especially, mortality.
Read Full Review >TV Guide Ken Fox
This melancholy mediation on aging and desire hangs on an exquisite performance from Penelope Cruz.
Read Full Review >ReelViews James Berardinelli
This is an offering for mature viewers thrown out amidst a sea of summer flotsam. The title, Elegy, is perfect for the material. There is much tragedy and truth in what the makers of this movie have brought to the screen.
Read Full Review >Christian Science Monitor Peter Rainer
While this may seem like an apologia for randy older men, it doesn't come off that way, and Cruz gives her best performance to date.
Read Full Review >Portland Oregonian M. E. Russell
The film is exquisite on every level, full of sadness and emotional surprise.
Read Full Review >Time Richard Schickel
This is a good, serious and absorbing movie -- especially, perhaps, for a reviewer who is roughly Kepesh's age and, of course, eagerly evading the issues his story forces up.
Read Full Review >The New Yorker David Denby
The Spanish director Isabel Coixet works with candor, directness, and simplicity. She isn't afraid of lengthy scenes of the two actors just talking to each other, mixed with lavish but respectful attention to Cruz's body, especially her bare chest, which is treated as one of the wonders of all creation.
Read Full Review >The Onion (A.V. Club) Keith Phipps
As an acting showcase that builds to some unexpectedly moving moments, Elegy has much to recommend it. Had Coixet found better ways to connect those moments, she might have REALLY had something to rival what Roth does on the page.
Read Full Review >Miami Herald Rene Rodriguez
As formidable as Kingsley is, Elegy wouldn't work if his object of obsession wasn't worthy of him.
Read Full Review >The Globe and Mail (Toronto) Rick Groen
The result, Elegy, isn't a great film but it is a good one, and better for Coixet's perspective, her ability to interpret Roth's world from the other side of the gender fence.
Read Full Review >Chicago Sun-Times Roger Ebert
By the time it's over, Penelope Cruz has slipped away with it, and transformed Kingsley's character in the process. It's nicely done.
Read Full Review >Philadelphia Inquirer Carrie Rickey
If Coixet's film is substantially more restrained than its explicit source material (Nicholas Meyer, himself a fine novelist and director of the second and best Star Trek film, adapted), it is no less provocative as a poetic meditation on love, sex and death.
Read Full Review >Variety Leslie Felperin
Sparse, low-budget drama, helmed by Spaniard Isabel Coixet, intelligently translates Roth's meditation on lust and mortality without soft-pedaling its narrator's brutally honest, unabashedly sexist views.
Read Full Review >Salon.com Andrew O'Hehir
While excellent in many technical respects, is a muted, pretty, anesthetic concoction that's never fully satisfying.
Read Full Review >Chicago Tribune Michael Phillips
Elegy is a curious example of misplaced good taste.
Read Full Review >Boston Globe Ty Burr
Elegy drifts helplessly into melodrama, and it loses its bearings and its head in a ridiculous final act.
Read Full Review >Film Threat Rick Kisonak
Elegy's last act is a mournful smorgasbord of bathos in which major and supporting characters alike drop like flies. The body count is practically Shakespearean. The same, regrettably, can't be said for Coixet's touch when it comes to tragedy.
Read Full Review >Washington Post Stephen Hunter
What line is thinner than the one between confession and narcissism? Upon that line, exactly, does Elegy dwell, before tumbling off on the bad side.
Read Full Review >The Hollywood Reporter Ray Bennett
Cruz's performance deserves to be seen widely, and it should place her again in line for prizes, but the story's pretensions and downbeat mood will not endear the film to audiences.
Read Full Review >New York Magazine David Edelstein
A spare, melancholy film that is so far in spirit from its source, Philip Roth's "The Dying Animal."
Read Full Review >The New York Times Manohla Dargis
The problem with Elegy has nothing to do with faithfulness and everything to do with interpretation. The film is an overly polite take on a spiky, claustrophobic, insistently impolite novel.
Read Full Review >Empire Angie Errigo
While the supporting actors are engaging, the turgid screenplay lets the whole thing down.
Read Full Review >Village Voice Ella Taylor
Spanish director Isabel Coixet's hushed and understated Elegy is a flat, joyless affair.
Read Full Review >Los Angeles Times Mark Olsen
Elegy seems determined to make real every ageist dig that could be thrown its way -- out of touch, balefully slow and, for a film at least partly about the zesty enterprise of sex, awfully lifeless.
Read Full Review >New York Daily News Joe Neumaier
Roth's works are particularly hard to do justice to onscreen, perhaps because the celebrated author's personality is really in his words
Read Full Review >New York Post Linda Stasi
A windbaggy film of Phillip Roth's novella "The Dying Animal."
Read Full Review >What Our Users Said
The average user rating for this movie is 7.0 (out of 10) based on 42 User Votes
Note: User votes are NOT included in the Metascore calculation.
Maurice gave it an8:
Brilliant performances and enough memorable quotes and moments to stimulate conversation long after viewing. This is not a popcorn movie, it's a red wine movie, for those who care for the latter on occasion.
Elizabeth K gave it a10:
What a sad and beautiful film set in pure simplicity. It's such an honest film. Excellent acting by both leads. Finally! A film not only worth seeing, but seeing again. It makes you think, cry, wonder, question who you are and your own life. Now I need to read the book!
D Fields gave it a4:
For me, Ben Kingsley was not the best choice for this romantic lead. He seemed awkward, unsure of himself and even childish and immature at inappropriate times. Cruz was impressive, as was Clarkston, but I literally cringed at the love scenes. Furthermore, the catalyst scene where David no-shows to Consuela's event did not ring true and did not seem authentic to me. I never felt that he truly loved her, but rather was obsessed with the idea of her. Having her die at the end was heavy-handed and contrived.
Mike H gave it a0:
Boring waste of time. Overrated.
tdmac gave it a6:
Eh. I don't know. Lacked something for me. The love and lives of intellectuals. I never reached a point where I felt any real compassion for the characters. They all seemed like an IDEA of people to me, not real multidimensional characters. Not a terrible movie...just a bit mediocre.
Brianne gave it a10:
A stunning film,I cried throughout,the acting is superb and the story really is so lovely yet very deep and emotional.I'm really wanting to go and read the book now.This film deserves way more advertisement then it got.
Charles S. gave it a2:
Turned it off. Pretentious.
