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Enemy at the Gates

Mixed or average reviews
Based on 33 critic reviews
How did we calculate this?
Based on 24 votes
Read user comments
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Movie Info
Genre(s): War
Written by:
Jean-Jacques Annaud
Alain Godard
Directed by: Jean-Jacques Annaud
Release Date:
Theatrical: March 16, 2001
DVD: August 14, 2001
Running Time: 131 minutes, Color
Origin: Germany / USA / UK / Ireland
Summary
RATING: R for strong graphic war violence and some sexuality
Starring Jude Law, Joseph Fiennes, Rachel Weisz, Bob Hoskins, Ed Harris, and Ron Perlman
While the Nazi and Russian armies hurl rank after rank of soldiers at each other and the world fearfully awaits the outcome of the battle of Stalingrad, the celebrated Russian sniper, Vassili Zaitsev (Law) quietly stalks his enemies one man at a time. His fame, however, soon thrusts him into a duel with the Nazi's best sharpshooter, Major Konig (Harris), and the two find themselves waging an intense personal war while the most momentous battle of the age rages around them. (Paramount Pictures)
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Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Film.com Gemma Files
Though issues of politics and philosophy are touched upon, this is a film about the people inside the uniforms -- a story of human beings under pressure, forced by circumstance to make choices both impulsive and, on occasion, heroic. It's also the new year's single most satisfying movie experience thus far.
Read Full Review >New York Daily News Jami Bernard
The sniper's life is a lonely one, full of shallow breathing and delayed gratification. Solitary as it is, Jude Law manages to get a little action in the bunkers of wartime Stalingrad in the ambitious but sometimes inadvertently silly Enemy at the Gates.
Read Full Review >Salon.com Andrew O'Hehir
This is spectacle cinema made with individual flair; maybe someone in Hollywood will notice that it's still possible.
Read Full Review >Mr. Showbiz Larry Terenzi
Marred by an unconvincing love triangle and an insincere dénouement, it's a story that nonetheless resonates as much as "Saving Private Ryan does."
Rolling Stone Peter Travers
Any flaws in execution pale against those moments when the film brings history to vital life.
Read Full Review >Portland Oregonian Shawn Levy
Developing late in the film, the romantic subplot has the effect of retarding the war story, stretching it out and adding unnecessary elements of sentimentality and sensationalism.
Baltimore Sun Michael Sragow
Keeps its eye on the big picture even when focusing on the small scene.
New York Post Lou Lumenick
Enemy at the Gates, is no "Saving Private Ryan" - but thrilling, bravura stretches make it consistently entertaining, if less than profound, filmmaking.
Chicago Sun-Times Roger Ebert
It's remarkable, a war story told as a chess game where the loser not only dies, but goes by necessity to an unmarked grave.
Read Full Review >Chicago Tribune Michael Wilmington
A physically gorgeous production with a strong, clear conflict at its center. It's grueling but also exhilarating. Perhaps its ambitiousness is the film's biggest problem. Trying for dramatic sensitivity, historical scope, touching romance and shocking violence and suspense, it gets stretched too thin.
Seattle Post-Intelligencer William Arnold
It's a sporadically thrilling visual epic and a gruesome reminder that war is hell.
Read Full Review >The New York Times Dana Stevens
Enemy at the Gates has its deficiencies, but the first-rate cast is not among them.
Read Full Review >USA Today Mike Clark
Annaud's epic might have worked better dramatically as a smaller, more focused picture. The best scenes simply involve Law and Harris playing sneaky professional games (less cat-and-mouse than cat-and-cat) with each other.
Read Full Review >Boston Globe Jay Carr
It's too circumscribed and polite for the story it's telling, curiously deficient in the unexpected.
Time Richard Corliss
Law, sexy and crafty as ever, and here with a flinty innocence, proves again he has the star-quality goods.
LA Weekly Chuck Wilson
Despite the success of these action sequences, Annaud and his ultraserious cast are so determined (admirably) to keep war from seeming romantic that we are never quite pulled into the movie.
Read Full Review >Washington Post Desson Thomson
As long as you focus on the central sniper-versus-sniper story -- and not the dreadful mishmash of jarring accents or the film's unconvincing romantic subplot or any of the personal relationships -- you'll enjoy it.
Read Full Review >Entertainment Weekly Lisa Schwarzbaum
The one valuable prize for audiences in this war pic Cracker Jack box is Jude Law. Once again the talented Mr. Law makes more of a role than most movies know what to do with.
Read Full Review >Dallas Observer Robert Wilonsky
The love story, not to mention plot holes large enough to swallow entire platoons, so bogs down the story that whatever tension the Vassili-Konig confrontation creates disappears every time Weisz appears on-screen; she tears apart comrades--and the movie.
Read Full Review >Village Voice Amy Taubin
It does offer Annaud the opportunity to show his directorial muscle in elaborate battle scenes, where many bodies are torn apart and blood flows freely.
Read Full Review >TV Guide Frank Lovece
Photographed as harsh spectacle in brown and gray with unfailingly overcast skies, the story is affecting and suspenseful enough when focusing on Vassili, the humble peasant youth, and his patrician adversary playing a chess-like game of cat-and-mouse.
Read Full Review >Austin Chronicle Marjorie Baumgarten
Enemy at the Gates is a disappointment primarily because it seems so rich with possibilities.
Read Full Review >Philadelphia Inquirer Steven Rea
War is hell, war is cruelty, war is toil and trouble, war is just a shot away. But is war a snooze? Well, by the time Enemy at the Gates has run its course — it sure seems that way.
San Francisco Chronicle Mick LaSalle
At times, the sight of reserved English actors slapping, hugging and acting all Russian looks bizarre, though one casting choice is prime: Bob Hoskins has the ideal air of impish menace in the featured role of Khrushchev.
Read Full Review >Los Angeles Times Kenneth Turan
Has little to occupy us once its battle scenes recede. One of those goofy movies where devil-may-care Russian soldiers unwind by playing the balalaika far into the night, it takes itself far more seriously than anyone else will be able to manage.
Read Full Review >Miami Herald Rene Rodriguez
Enemy at the Gates will pique your interest in the Battle of Stalingrad, but it leaves that interest sadly unsated.
Washington Post Stephen Hunter
Still, if the movie is mediocre, the history it represents is not. For that correction to our collective Western amnesia, then, Annaud deserves some special award.
Read Full Review >Chicago Reader Jonathan Rosenbaum
The actors do a pretty good job, though not good enough to sustain 133 minutes.
Read Full Review >New York Magazine Peter Rainer
It's as if an obsessed movie nut had decided to collect every bad war-movie convention on one computer and program it to spit out a script.
Read Full Review >Variety Derek Elley
Shows a consistent inability to generate any kind of drama when characters open their mouths.
Read Full Review >Christian Science Monitor David Sterritt
Add a megadose of bombastic James Horner music and a perfunctory love-affair subplot and you have a movie that's its own worst enemy.
Read Full Review >Wall Street Journal Joe Morgenstern
Most of the prime goofiness is given over to Vassili and Konig sharpshooting at each other while the battle rages. The movie's a red elephant.
Slate David Edelstein
He (Annaud) doesn't have a clue how to dramatize the romance. Fiennes, whose eyes are extremely close together, stares with a mixture of rage and longing at Weisz, whose eyes are extremely far apart, and the film turns into "The Dating Game" designed by Picasso.
Read Full Review >What Our Users Said
The average user rating for this movie is 7.6 (out of 10) based on 24 User Votes
Note: User votes are NOT included in the Metascore calculation.
Erratic Communist gave it a0:
Hands down the worst movie ever. It's absolutely ahistorical waste of time filled with anti-russian propaganda. Vasily Zaitsev most likely rolled over in his grave after this crap was released.
[Anonymous] gave it an8:
I don't remember Saving private Ryan very well, but this film isn't so bad. I t shows how dreadful stalingrad was during that bloody period, and how everyone suffered from it. The sniper scenes are well done.
[Anonymous] gave it a 10:
It was good :P
Cameron B. gave it a 9:
Based on acctual events, of two snippers durring the battle of stalingrad, with a bit fiction. But the fact remains that these two snipers actual fought each other during one of the bloodiest battles of the war.
Pat C. gave it an 8:
Pulls no punches. The Russian people finally get their due for carrying our future on their abused backs during WWII. Good personable war depiction. Hoskins plays Kruschchev with a vengeance.
Yoon Min C. gave it a 6:
Saving Private Ryan has set such a high standard that every other recent war movie pales in comparison(with the exception of Thin Red Line which bypassed war as spectacle). Enemy at the Gates is reasonably impressive in its depiction of the battle of Stalingrad but Anneaud possesses nothing like the keen cinematic sense or controlled dynamism of Spielberg to make it anything more than a haphazard spectacle. When the movie settles down to a story of two ace snipers going head to head, toe to toe, it becomes more a game of formulaic scriptwriting than anything involving real history or real characters. We wait patiently but not eagerly for the inevitable outcome. Good performance by Ed Harris as Prussian sniper. Everyone else seems lost as to what side, nationality, or ideology he's fighting for or against.
Johan C. gave it a 10:
The best of it's kind, if you ask me. But I´m only 16 and from Denmark, so what do I know.
