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Everything Is Illuminated

EMAILPRINTWarner Independent Pictures

Everything Is Illuminated reviews
58
8.1 User Score:

Mixed or average reviews

Based on 35 critic reviews
How did we calculate this?

Based on 30 votes
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Movie Info

Genre(s): Adventure  |  Comedy  |  Drama

Written by: Liev Schreiber
Jonathan Safran Foer (novel)

Directed by: Liev Schreiber

Release Date:
Theatrical: September 16, 2005
DVD: March 21, 2006

Running Time: 100 minutes, Color

Origin: USA

Summary

RATING: PG-13 for disturbing images/violence, sexual content and language

Starring Elijah Wood, Eugene Hutz, Boris Leskin, and Laryssa Lauret

Based on the critically-acclaimed novel by Jonathan Safran Foer, Everything is Illuminated tells the story of a young man's quest to find the woman who saved his grandfather in a small Ukrainian town that was wiped off the map by the Nazi invasion. (Warner Independent Pictures)

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

88

Chicago Sun-Times Roger Ebert

A film that grows in reflection. The first time I saw it, I was hurtling down the tracks of a goofy ethnic comedy when suddenly we entered dark and dangerous territory. I admired the film but did not sufficiently appreciate its arc.

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83

Baltimore Sun Michael Sragow

Rambles and sometimes wobbles like a runaway movie. But Schreiber's instincts keep the film frolicsome and vital.

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83

Entertainment Weekly Lisa Schwarzbaum

For one of those obstreperously original books that are themselves impossible to translate, Everything Is Illuminated is impressively well lit.

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80

Empire Damon Wise

A thoughtful approach to a much-covered topic, mixing prickly issues of roots and genocide with an eye for the surreal and an ear for the earthy.

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75

San Francisco Chronicle G. Allen Johnson

An almost screwball comedy that turns serious.

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75

USA Today Claudia Puig

Though not as far-reaching as the book from which it was adapted, Everything Is Illuminated is a movie with wit, warmth and unabashed emotion.

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75

TV Guide Ken Fox

Actor-turned-first-time-filmmaker Liev Schreiber tosses out most of what made Jonathan Safran Foer's too-clever-by-half debut novel so precious, rooting out the heart of Foer's story from the precocious bombast.

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75

Premiere Glenn Kenny

I have misgivings about Schreiber's use of the well-worn "I'll make you empathize with these Others, but first let's have laughs at their expense" approach, but eventually I was won over by his humane, moving road trip.

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70

Wall Street Journal Joe Morgenstern

Not everything is illuminated in his (Liev Schreiber) version, but the book's humanity and humor shine through.

70

Los Angeles Times Carina Chocano

Schreiber takes Foer's sprawling, multilayered, multigenerational beast and hones it into a post-Glasnost buddy picture; a polished nugget of a road movie, focused mainly on Alex and Jonathan's growing sense of identification with each other and with their origins.

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70

The Hollywood Reporter Michael Rechtshaffen

Leave it to Liev: Schreiber capably adds writer-director to his impressive resume with this winning take on the Jonathan Safran Foer novel.

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70

Variety Todd McCarthy

Wood's powerlessness to break out of the emotive straightjacket hands the picture to his Russian costars on a platter, and they run with it.

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70

Time Richard Schickel

This often vivid movie, though it doesn't quite attain its highest intentions, is well worth seeing. And thinking about.

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67

Seattle Post-Intelligencer Paula Nechak

Though Wood is the star, it's Hutz who is the indelible presence.

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67

Portland Oregonian Shawn Levy

There's a daring to Everything Is Illuminated that commends it somewhat more than its achievement deserves.

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63

Philadelphia Inquirer Carrie Rickey

Whimsically conjures the magic-realist imagery of the novel while pruning the book of its narrative undergrowth. What results is a striking piece of topiary shorn of its vital branches.

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63

The Globe and Mail (Toronto) Liam Lacey

Schreiber has one major casting coup in Eugene Hutz, the New York-based Ukrainian/Gypsy/Punk musician who plays Alex.

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63

Chicago Tribune Allison Benedikt

And although Schreiber's hip, intelligent eye is a nice match for Foer's hip, intelligent pen, his movie strays from its own history, creating instead a world, as Alex would say, that is "once-removed."

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63

Boston Globe Ty Burr

Everything Is Illuminated hasn't been adapted so much as gutted, stuffed, and mounted.

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60

Washington Post Hank Stuever

A clinically adequate, occasionally above-average art house film. In certain moments, it has all the subtlety and illumination one should ever need.

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60

The New Republic Stanley Kauffmann

Schreiber's directing is ambitious, but it is nowhere near the originality and truth in his acting. Throughout the film we can feel him striving to control, to invent, to glisten.

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60

Dallas Observer Melissa Levine

Schreiber's edits gut the story of its power and punch. His film is strong on comedy and farce, enjoyable as a quirky-friendship gag, but it fails in its attempt at tragedy.

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58

Christian Science Monitor Peter Rainer

The presentation has verve. But the story is confusingly told - everything is NOT illuminated - and, as the seeker, Elijah Wood is a big blank.

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50

Miami Herald Connie Ogle

The problem -- aside from the fact that one of the best things about Foer's story is its irreverent, intricate, just-maybe-brilliant writing -- is what Schreiber has decided to cut.

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50

Chicago Reader Jonathan Rosenbaum

Alternately mawkish and strident, with lots of fades to white and dog reaction shots, this can be recommended only for its good intentions.

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50

Austin Chronicle Marjorie Baumgarten

Has a haunting afterglow, one that neither satisfies nor illuminates, but at least keeps the flame alive.

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50

ReelViews James Berardinelli

This movie is sloppy and disjointed - an unsatisfying melodrama built upon a shaky foundation of contrivances, coincidences, and plot holes.

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50

Village Voice Michael Atkinson

Foer's ironic ideas have a lovely roundness to them, and somehow the film achieves Holocaust-fiction balance without much ado or melodrama. It may be substantially less ambitious than its source material, but that may be what saves it from implosion.

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50

The New York Times Dana Stevens

Taken on its own, without comparison with its literary source, the movie, Mr. Schreiber's first as writer and director, is thin and soft, whimsical when it should be darkly funny and poignant when it should be devastating.

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50

Slate David Edelstein

Everything Is Illuminated is not a fiasco, but in some ways I'd have preferred a fiasco—something overreaching and inchoate instead of this self-consciously artistic mood piece.

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50

Salon.com Stephanie Zacharek

Snaps to life too late. But at least there IS life in it. It doesn't hold together as a piece of filmmaking, but there's no doubt it comes from somewhere close to Schreiber's heart.

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50

Rolling Stone Peter Travers

Wood, whose mostly mute turn is defined by his black suit and glasses, can only stare in stupefaction at Schreiber's jittery mix of broad laughs and sentiment. Audiences will share the feeling.

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50

New York Daily News Jack Mathews

It's as if two-thirds of the book have been reduced to one-word chapter headings.

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50

The Onion (A.V. Club) Keith Phipps

But the parts of Foer's lively novel that didn't get cut in the script stage have died on the way to the screen. To be fair, it's not an easy novel to adapt.

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25

New York Post Lou Lumenick

Liev Schreiber's film version of "Everything Is Illuminated" achieves the impossible — it's even more annoying than Jonathan Safran Foer's gratingly precocious novel.

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What Our Users Said

The average user rating for this movie is 8.1 (out of 10) based on 30 User Votes

Note: User votes are NOT included in the Metascore calculation.

Bryan M gave it a9:
Though admittedly I have not read the book, even as a more shallow adaptation, this film cannot be denied as a work of art.

Steve gave it a9:
Phenomenal, this is one movie where the critics, and not the filmgoers, got it wrong!

Nhung L. gave it a10:
The movie is soooooo brilliant - it really touches my emotions without using sentimental scenes and language. Its pace is slow with soft music, which gives me a feeling of sadness and gloominess. At first, I was amused by Alex's family, but then deeply absolved in their serious and mysterious adventure. The movie achieves a lot without telling too much, just silence, music and beautiful scene. The view of the woman's house in the middle of a sunflower field is soooo fanciful. Those who think that Jonathan's trip ends up nowhere should rewatch the movie. In the end, Jonathan finds Trachimbrod and gains much more - not just lost family memories.

Sean D. gave it a7:
I just saw this for the first time - I didn't really know what it was about beforehand or have any expectations, but I had held an interest for a while. The biggest thing I can say about it is that if it doesn't go anywhere (good) it's at least a beautiful ride. Reminded me a lot of "The Science Of Sleep". The scenery/cinematography are beautiful, Alex is very funny, "Jonfen" (Elijah Wood) is attractive as a square. One of the biggest criticisms seems to be that it doesn't carry the gravitas of the Holocaust very well, but I don't think that was necessarily the point (of the film.) It's easy to be depressed by the the history, rightfully so, but the intent seemed to be remembering. If it didn't have the best point, it was nonetheless a very enjoyable ride.

John G. gave it a10:
I watched once and was lost Watched it a second time and was amazed.

John O gave it a7:
I found this by pure chance on TV last night and I'm glad because I had absolutely no preconceptions of what to expect, having never heard of either the book or the film. As with 99% of adaptations, people (my girlfriend) who have read the book will perhaps expect too much from it. Yes, perhaps the characters aren't fully realised but it is nonetheless very charming and sensitive without feeling the need to outrage or melodramatise. It will probably be criticised too by some for being erratic but for me at least this added to the film's eccentricity and its overall appeal.

Matt B. gave it a5:
The movie cuts the most poignant sections of the novel, entirely eliminating the "flashbacks" to the writer's resulting novel. Added character quirks don't improve upon those in Safran Foer's novel and move the film into the realm of kitsch. If you liked the film, read the book. The film is a pale reflection.

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