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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
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48
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Brothers Bloom, The
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Easy Virtue
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End of the Line, The
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Girl from Monaco, The
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Seraphine
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Song of Sparrows, The
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Under Our Skin
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Valentino: The Last Emperor
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What Goes Up
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Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Express, The
Universal Pictures
FILM:
MPAA RATING: PG for thematic content, violence and language involving racism, and for brief sensuality
Starring
Dennis Quaid,
Rob Brown,
Omar Benson Miller,
Clancy Brown,
and
Charles S. Dutton
Based on a true story, "The Express" follows the extraordinary life of college football hero Ernie Davis, the first African-American to win the Heisman Trophy. His fight for equality and respect forever changed the face of American sports, and his story continues to inspire new generations. (Universal Pictures)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Robert Gallagher (book)
Charles Leavitt
|
| DIRECTED BY: |
Gary Fleder
|
| RELEASE DATE: |
DVD: January 20, 2009
Theatrical: October 10, 2008
|
| RUNNING TIME: |
129 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
80
Chicago Reader
Andrea Gronvall
Rob Brown (Stop-Loss) gives a graceful, understated performance as Ernie Davis.

80
Film Threat
Stina Chyn
Even if you already knew the facts, you won’' be able to help but reflect in awe at how much progress in the fight against discrimination has been made on a societal level.

75
ReelViews
James Berardinelli
While Ernie's on-field accomplishments were extraordinary, it was the environment in which he struggled to achieve them that makes him the worthy subject of a motion picture.

75
Chicago Sun-Times
Roger Ebert
Involving and inspiring in the way a good movie about sports almost always is.

75
USA Today
Mike Clark
Despite appealing performances and kinetic football scenes, the storytelling is mostly conventional.

75
San Francisco Chronicle
Peter Hartlaub
Deserves plenty of credit for exploring racial issues story in more realistic terms.

70
The New York Times
A.O. Scott
If a movie of this kind didn't traffic in overstatement, it wouldn't be doing its job, which is to provide a strong dose of simple, rousing emotion.

70
Washington Post
Ann Hornaday
The Express finesses a cinematic hat trick: It's entertaining, deeply moving and genuinely important.

70
The Hollywood Reporter
Michael Rechtshaffen
Thanks to a rock-solid performance by Dennis Quaid, nice historical touches and energetic direction by Gary Fleder, the tried-and-true formula is given a welcome shot of adrenaline.

67
Entertainment Weekly
Gregory Kirschling
Has Dennis Quaid really never played a college football coach before? With his handsome, craggy face and likable intensity, he was born for the job, and he's the main attraction in The Express.

67
Austin Chronicle
Josh Rosenblatt
Though The Express may stretch the limits of probability, holding up Davis as an athletic superman incapable of losing, it's also that rare sports film that isn't afraid to dabble in personal and social ambiguity.

63
New York Post
Kyle Smith
A decent football movie, just about good enough to be the 40th best episode of "Friday Night Lights" . . . which has aired 39 episodes.

63
Baltimore Sun
Michael Sragow
Many inspirational sports movies provide only junk food for thought; this one contains some authentic reflections of sport in the civil rights era.

63
TV Guide
Perry Seibert
Davis led an unquestionably inspirational life, but The Express, however heartfelt, is uninspired.

60
Empire
William Thomas
While never as trailblazing as its subject, The Express is a worthy addition to the lengthy canon of sports biopics

60
New York Daily News
Joe Neumaier
Sports biodramas generally take one of two tacks: gauzily sentimental or scrappy tale of struggle. The Express runs the thin line between the two and, to its benefit, more often than not hits the first mark.

60
Variety
John Anderson
Crowdpleasing and oh-so-predictable.

58
Seattle Post-Intelligencer
Sean Axmaker
It's a fine moral and an admirable statement, but it's the portrait of an icon rather than the story of the person thrust into that position.

58
Portland Oregonian
M. E. Russell
Maybe the real Ernie Davis really was this perfect, but the movie plays as if the filmmakers didn't want to offend his family.

50
Boston Globe
Wesley Morris
This movie is especially egregious since it bundles the civil rights era, garden-variety bigotry, and the achievements of Ernie Davis, the first African-American to win the Heisman Trophy.

50
The Globe and Mail (Toronto)
Rick Groen
Any one of these narrative components might have made for a worthy picture. But that would have taken a more imaginative writer than Charles Leavitt and a more sensitive director than Gary Fleder.

50
Los Angeles Times
Mark Olsen
If one will pardon the obvious analogy, The Express ends up feeling like a fumble at the goal line, coming across as simple-minded and melodramatic.

50
Chicago Tribune
Michael Phillips
Too often The Express sidelines its own main character in favor of the lemon-sucking, jaw-jutting glower patented by Quaid.

50
Philadelphia Inquirer
David Hiltbrand
The Express eventually reaches its triumph-of-the-human-spirit climax, but it yanks too hard on the heart strings during the long journey there.

50
The Onion (A.V. Club)
Scott Tobias
Long on inspiration, short on specifics.

42
Christian Science Monitor
Peter Rainer
The Express may prove valuable to movie historians since it's a compendium of virtually every sports movie cliché ever contrived.

40
Village Voice
Robert Wilonsky
Like all formulaic biopics, The Express sacrifices the details for the Big Picture--hagiography without the humanity.


The average user rating for this movie is 8.3 (out of 10) based on 14 User Votes
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