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xx
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xx
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82
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42
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xx
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36
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54
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xx
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49
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34
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78
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71
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55
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61
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65
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79
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57
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73
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53
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24
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51
Mamma Mia!
43
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35
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31
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64
Pineapple Express
53
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53
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63
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36
Space Chimps
35
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51
Step Brothers
47
Swing Vote
62
Traitor
71
Tropic Thunder
70
Vicky Cristina Barcelona
93
WALL-E
64
Wanted
47
X-Files: I Want to Believe, The
54
You Don't Mess with the Zohan
93
WALL-E
82
Dark Knight, The
79
Iron Man
78
Hellboy II: The Golden Army
73
Kung Fu Panda
71
Tropic Thunder
71
Horton Hears a Who!
70
Vicky Cristina Barcelona
65
Indiana Jones and the Kingdom of the Crystal Skull
64
Wanted
64
Pineapple Express
63
Sisterhood of the Traveling Pants 2, The
62
Traitor
61
Incredible Hulk, The
57
Journey to the Center of the Earth 3D
55
House Bunny, The
54
You Don't Mess with the Zohan
54
Get Smart
53
Sex and the City: The Movie
53
Longshots, The
53
Rocker, The
51
Mamma Mia!
51
Step Brothers
49
Hancock
47
Swing Vote
47
X-Files: I Want to Believe, The
43
Meet Dave
42
Death Race
36
Space Chimps
36
Fly Me to the Moon
35
Star Wars: The Clone Wars
35
Mirrors
34
Happening, The
31
Mummy: Tomb of the Dragon Emperor, The
24
Love Guru, The
xx
Goal II: Living the Dream
xx
Babylon A.D.
xx
College
xx
Disaster Movie
Stars indicate the most critically-acclaimed movies.

85
Alexandra
39
America the Beautiful
66
American Teen
73
Anita O'Day: The Life of a Jazz Singer
xx
Bachna Ae Haseeno
61
Baghead
55
Beautiful Losers
xx
Beer for My Horses
47
Before the Rains
80
Bigger, Stronger, Faster*
56
Bottle Shock
75
Boy A
55
Bra Boys
61
Brick Lane
64
Brideshead Revisited
61
Bustin' Down the Door
49
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54
CSNY: Déjà Vu
xx
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86
Edge of Heaven, The
66
Elegy
52
Elsa & Fred
80
Encounters at the End of the World
64
Fall, The
86
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83
Frozen River
68
Girl Cut in Two, A
62
Girls Rock!
73
Gonzo: The Life and Work of Dr. Hunter S. Thompson
54
Hamlet 2
25
Hell Ride
44
Henry Poole is Here
76
I Served the King of England
72
I.O.U.S. A
62
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46
Jack Brooks: Monster Slayer
67
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62
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63
Kit Kittredge: An American Girl
78
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50
Last Stop for Paul
70
Love Songs
61
Man Named Pearl, A
89
Man on Wire
87
Momma's Man
74
Mongol
xx
My Mexican Shivah
80
Order of Myths, The
66
Patti Smith: Dream of Life
72
Priceless
61
Red
71
Roman de gare
78
Roman Polanski: Wanted and Desired
51
Savage Grace
53
Sixty Six
xx
Sukiyaki Western Django
83
Tell No One
56
Then She Found Me
71
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71
Transsiberian
80
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83
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86
Up the Yangtze
79
Visitor, The
61
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54
What We Do Is Secret
66
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64
XXY
xx
Year of the Fish
xx
Young People F**king
75
Young@Heart
89
Man on Wire
87
Momma's Man
86
Up the Yangtze
86
Edge of Heaven, The
86
Flight of the Red Balloon, The
85
Alexandra
83
U2 3D
83
Frozen River
83
Tell No One
80
Encounters at the End of the World
80
Bigger, Stronger, Faster*
80
Trouble the Water
80
Order of Myths, The
79
Visitor, The
78
Roman Polanski: Wanted and Desired
78
Last Mistress, The
76
I Served the King of England
75
Young@Heart
75
Boy A
74
Mongol
73
Anita O'Day: The Life of a Jazz Singer
73
Gonzo: The Life and Work of Dr. Hunter S. Thompson
72
Priceless
72
I.O.U.S. A
71
To the Limit
71
Transsiberian
71
Roman de gare
70
Love Songs
68
Girl Cut in Two, A
67
Jellyfish
66
Elegy
66
Patti Smith: Dream of Life
66
American Teen
66
When Did You Last See Your Father?
64
Brideshead Revisited
64
XXY
64
Fall, The
63
Kit Kittredge: An American Girl
62
In Search of a Midnight Kiss
62
Kabluey
62
Girls Rock!
61
Bustin' Down the Door
61
Baghead
61
Wackness, The
61
Man Named Pearl, A
61
Red
61
Brick Lane
56
Bottle Shock
56
Then She Found Me
55
Beautiful Losers
55
Bra Boys
54
Hamlet 2
54
What We Do Is Secret
54
CSNY: Déjà Vu
53
Sixty Six
52
Elsa & Fred
51
Savage Grace
50
Last Stop for Paul
49
Children of Huang Shi, The
47
Before the Rains
46
Jack Brooks: Monster Slayer
44
Henry Poole is Here
39
America the Beautiful
25
Hell Ride
xx
Sukiyaki Western Django
xx
My Mexican Shivah
xx
Bachna Ae Haseeno
xx
Cthulhu
xx
Beer for My Horses
xx
Year of the Fish
xx
Young People F**king
Stars indicate the most critically-acclaimed movies.
|
Fahrenheit 9/11
Lions Gate Films / IFC Films / Fellowship Adventure Group
FILM:
MPAA RATING: Not Rated
Starring
Michael Moore,
and
George W. Bush
Michael Moore's searing examination of the Bush administration's actions in the wake of the tragic events of 9/11.
| GENRE(S): |
Documentary
|
| WRITTEN BY: |
Michael Moore
|
| DIRECTED BY: |
Michael Moore
|
| RELEASE DATE: |
DVD: October 5, 2004
Video: October 5, 2004
Theatrical: June 23, 2004
|
| RUNNING TIME: |
110 minutes, Color |
| ORIGIN: |
USA |
Golden Palm and FIPRESCI Prize, 2004 Cannes Film Festival

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Chicago Tribune
Michael Wilmington
This movie, the subject of controversy, is a defiantly personal statement on what the war really is--laced with that now-familiar "Roger and Me" mix of homespun wit, pop culture playfulness, populist heart twisting and "gotcha" guerilla film-making tactics.

100
Christian Science Monitor
David Sterritt
Moore makes no pretense of being "fair and balanced." He makes a passionate case for his own perspective, and invites us to agree with him or not. "I fulminate, you decide" could be his motto.

100
San Francisco Chronicle
Mick LaSalle
Assessing the merits of a political film is a tricky business. Obviously, its quality is partly a function of its power to persuade, but its persuasiveness is in the eye of the beholder.

91
Portland Oregonian
Karen Karbo
A savagely partisan indictment of George W. Bush's presidency.

88
Chicago Sun-Times
Roger Ebert
A compelling, persuasive film, at odds with the White House effort to present Bush as a strong leader.

88
Rolling Stone
Peter Travers
Moore has marshaled what's on the record and off into a stinging indictment of where we're going. In a multiplex filled with Hollywood cotton candy, we need him more than ever.

88
USA Today
Claudia Puig
The documentary's scathing attack on the war in Iraq and George W. Bush's presidency is informative, provocative, frightening, compelling, funny, manipulative and, most of all, entertaining.

83
Entertainment Weekly
Owen Gleiberman
Scalding and glib, derisive yet impassioned, Fahrenheit 9/11 is an intensely resonant piece of Bush-bashing, because it lets the president do most of the work.

80
Empire
Damon Wise
Arguably not the most proficiently crafted film in Cannes this year and certainly not the most balanced, but Moores assault on the Bush administration is a terrific polemic.

80
Film Threat
Tim Merrill
So maybe the entire right wing should just shut the f--- up, and accept that Michael Moore is going to have his say now.

80
Dallas Observer
Gregory Weinkauf
This would be 10 times the movie if it featured an actual debate between Moore and Bush. Nonetheless, the man makes a remarkably strong case, tastefully inserting himself into the Bush-baiting only when necessary--one such stroke of brilliance involves personally urging congressmen to send their own kids to Iraq.

80
Los Angeles Times
Kenneth Turan
Michael Moore in Fahrenheit 9/11 has launched an unapologetic attack, both savage and savvy, on an administration he feels has betrayed the best of America and done extensive damage in the world.

78
Austin Chronicle
Marc Savlov
So great are the charges raised against the Bush administration in the film, and so combustible the current state of geopolitics, that Moores film could actually prove to be the first in history to help unseat a sitting American president.

75
Philadelphia Inquirer
Carrie Rickey
As a character assassin, Moore fails, because you can't kill anyone with contempt and sarcasm. And as an independent counsel prosecuting Bush for bamboozling America, Moore likewise misses his mark because many of the exhibits he offers as evidence are emotional rather than factual.

75
New York Daily News
Jami Bernard
The information here isn't necessarily new, but it is packaged in an acid-tongued way along with powerhouse visuals that drive home the filmmaker's nakedly political views.

75
Boston Globe
Ty Burr
One last thought: Fahrenheit 9/11 is many things, but for pity's sake let's not call it a documentary.

75
Miami Herald
Rene Rodriguez
Unapologetically slanted -- and often hilarious.

70
The New York Times
Dana Stevens
While Michael Moore's Fahrenheit 9/11 will be properly debated on the basis of its factual claims and cinematic techniques, it should first of all be appreciated as a high-spirited and unruly exercise in democratic self-expression.

70
Time
Mary Corliss
A brisk and entertaining indictment of the Bush Administrations middle East policies before and after September 11, 2001.

70
Village Voice
J. Hoberman
If Moore is formidable, it's not because he is a great filmmaker (far from it), but because he infuses his sense of ridicule with the fury of moral indignation. Fahrenheit 9/11 is strongest when that wrath is vented on Bush and his cohorts.

70
The New Yorker
David Denby
Fahrenheit 9/11 offers the thrill of a coherent explanation for everything, but parts of the movie are no better than a wild, lunging grab at a supposed master plan. [28 June 2004, p. 108]
70
New York Magazine
Peter Rainer
More often than not, Moore goes for the guffaw, and as enjoyable as that can be, it falls short of producing the kind of devastating, in-depth analysis that might really challenge the hearts and minds of ALL audiences, left and right. At the very least, this approach undercuts the effectiveness of Moores own case.

70
Washington Post
Desson Thomson
A potential cultural juggernaut.

70
Chicago Reader
Jonathan Rosenbaum
There are plenty of laughs whenever Moore wants to twist the knife, but the bottom line is that he respects and trusts his fellow Americans a lot more than Bush does.

70
Salon.com
Andrew O'Hehir
Fahrenheit 9/11 is more like a drug experience than a political documentary. It's a mind-bending, half-digested mass of video clips, interviews, statistics, rampant speculation and the cheap gags Moore has never been able to resist.

70
Film Threat
Pete Vonder Haar
Where earlier Moore films showcased a fair amount humor, even when covering weighty topics, Fahrenheit especially the latter half gives us Moore at his most serious.

70
The Onion (A.V. Club)
Scott Tobias
As much as the jurors at this year's Cannes Film Festival insisted that the Palme D'Or was awarded to the best film in competition, it was a sign of the times that they chose to honor Michael Moore's Fahrenheit 9/11, marking a clear and decisive victory for ideology over aesthetics.

70
Washington Post
Ann Hornaday
In Fahrenheit 9/11, Moore largely stays out of the picture, and the film is the better for it. But otherwise his style hasn't changed.

67
Seattle Post-Intelligencer
William Arnold
The sum of all this is moderately rousing and deliciously irreverent in the Moore style, but not earthshaking as journalism, and devoid of anything that the average person doesn't already know from reading the newspaper.

63
The Globe and Mail (Toronto)
Rick Groen
Aesthetically, this isn't a great documentary, although, during the first half, there are great moments in it. But the latter part is scattered and frenzied, rather like an excited dog tearing off after too many rabbits at once -- a thematic hunt that's all chase and scant context.

63
ReelViews
James Berardinelli
The real problem with Fahrenheit 9/11 isn't that it attacks the current Republican administration, but that it does so clumsily and with poor focus.

63
New York Post
Lou Lumenick
Basically a two-hour argument for regime change that isn't half as incendiary or persuasive as its maker would have you believe.

60
LA Weekly
Ella Taylor
Even as you're laughing, you get the uncomfortable sense you're being recruited, and not always honestly, to Moore's us-and-them point of view.

60
Newsweek
David Gates
That's the real problem with Fahrenheit 9/11: not the message, but the method
Moores default mode is overkill: he even notes that on the night before the attacks Bush slept on "fine French linen." Surely scratchy muslin wouldn't have stopped the evildoers.

60
Wall Street Journal
Joe Morgenstern
At its best, Fahrenheit 9/11 is an impressionist burlesque of contemporary American politics that culminates in a somber lament for lives lost in Iraq. But the good stuff -- and there's some extremely good stuff -- keeps getting tainted by Mr. Moore's poison-camera penchant for drawing dark inferences from dubious evidence.
60
TV Guide
Maitland McDonagh
Moore's desperate need for attention is irritating, but it's also his strength as a gadfly; it drives him to needle sacred cows and received wisdom that would otherwise go unchallenged.

50
Charlotte Observer
Lawrence Toppman
The surprising thing about Michael Moore's polemic is not one-sidedness, which was a given: It's his failure to find devastating new weapons of mass destruction to aim at Bush's head. The smoking guns he holds up often fire blanks, and the ones that don't are mostly derringers.

50
Slate
David Edelstein
It delighted me; it disgusted me. I celebrate it; I lament it. I'm sure of only one thing: that I don't trust anyone--pro or con--who doesn't feel a twinge of doubt about his or her responses.

50
Baltimore Sun
Michael Sragow
The problem is not merely that Moore preaches to the choir. It's that, at his worst, he's so bumptious and bullheaded that he helps keep that choir small and strident. In Fahrenheit 9/11, Moore is so anti-Bush that he becomes a Bizarro-world version of Bush himself: tone-deaf, spluttering, incapable of framing an intelligent debate.

50
The New Republic
Stanley Kauffmann
Fahrenheit 9/11 is sometimes slipshod in its making and juvenile in its travesty, and of course it has no interest in overall fairness to Bush. But it vents an anger about this presidency that, as the film's ardent reception shows, seethes in very many of us.

40
The Hollywood Reporter
Kirk Honeycutt
Moore stays "on message" here from first shot to last. There is no debate, no analysis of facts or search for historical context. Moore simply wants to blame one man and his family for the situation in Iraq the United States now finds itself in
So the real question is not how good a film is Fahrenheit 9/11 -- it is undoubtedly Moore's weakest -- but will a film help to get a president fired?

40
Variety
Todd McCarthy
Pic fails to provide any hard facts or make any incriminating connections that a reasonably informed person doesn't already know about, so intellectually Moore is largely preaching to the converted in this blatant cinematic 2004 campaign pamphlet.

30
Salon.com
Stephanie Zacharek
Moore's supporters are quick to impugn the liberal credentials of anyone who criticizes his presentation of the information he digs up (or, in some cases, makes up). For them, Michael Moore is the issues he talks about, so his detractors must be enemies of democratic principles. It's an old trick, akin to the way Pauline Kael was accused of being insensitive about the Holocaust when she didn't like "Shoah."


The average user rating for this movie is 6.1 (out of 10) based on 450 User Votes
Note: User votes are NOT included in the Metascore calculation.
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