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Fame

Generally unfavorable reviews
Based on 26 critic reviews
How did we calculate this?
Based on 17 votes
Read user comments
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Movie Info
Genre(s): Drama | Musical
Written by: Allison Burnett
Directed by: Kevin Tancharoen
Release Date:
Theatrical: September 25, 2009
DVD: January 12, 2010
Running Time: minutes, Color
Origin: USA
Summary
RATING: PG for thematic material including teen drinking, a sexual situation and language
Starring Asher Book, Kristy Flores, Paul Iacono, Debbie Allen, Charles S. Dutton, Kelsey Grammer, Megan Mullally, and Bebe Neuwirth
Fame follows a talented group of dancers, singers, actors, and artists over four years at the New York City High School of Performing Arts, a diverse, creative powerhouse where students from all walks of life are given a chance to live out their dreams and achieve real and lasting fame...the kind that comes only from talent, dedication, and hard work. (MGM)
Also On The Web: Internet Movie Database Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
The Onion (A.V. Club) Tasha Robinson
A film that’s largely a raw, uplifting love letter to creativity in every possible form.
Read Full Review >San Francisco Chronicle Mick LaSalle
Much of the movie has a structureless, documentary feeling to it, which is good and should have been pushed further.
Read Full Review >Chicago Tribune Michael Phillips
Since I sort of liked “Step Up 2: The Streets,” I’m not surprised I sort of liked the remake of Fame.
Read Full Review >New York Daily News Joe Neumaier
Whether the young ensemble attains it remains to be seen. The standouts, though, are Naughton, Pennie and Perez De Tagle.
Read Full Review >Time Out New York Keith Uhlich
It helps that Fame has been cast with performers who have the glow of possibility about them.
Read Full Review >The New York Times Andy Webster
While the movie suffers from a surfeit of flash, it nonetheless offers the undeniable power of young performers pursuing art at peak dexterity.
Read Full Review >Village Voice Melissa Anderson
The sanitized moppets in the new Fame sing the body generic.
Read Full Review >Philadelphia Inquirer Carrie Rickey
So little time is devoted to developing characters that it's hard to share their hopes and fears.
Read Full Review >ReelViews James Berardinelli
A cheesy production with underdeveloped characters that feels more like a TV pilot than a self-contained motion picture.
Read Full Review >Chicago Sun-Times Roger Ebert
A sad reflection of the new Hollywood, where material is sanitized and dumbed down for a hypothetical teen market that is way too sophisticated for it. It plays like a dinner theater version of the original.
Read Full Review >The Hollywood Reporter Stephen Farber
It's almost laughably bland and watered-down in its desire to appeal to the widest possible audience. It won't succeed in that goal, but it has enough pizzazz to captivate undemanding tweeners.
Read Full Review >The Globe and Mail (Toronto) Stephen Cole
Perhaps the young performers are in such a good mood because they're liberated from having to play straight-as-a-ruler teen melodrama.
Read Full Review >Entertainment Weekly Lisa Schwarzbaum
The teachers (including original cast member Debbie Allen as school principal) turn out to be the best part of the show.
Read Full Review >USA Today Claudia Puig
Fame offers slick entertainment with some exuberance, but it's devoid of soul or heart.
Read Full Review >Boston Globe Wesley Morris
It’s not a good sign when the first few minutes of a movie about singing, dancing, rapping, video-camera-wielding teenagers reminds you of a certain grimy horror franchise.
Read Full Review >Washington Post Dan Zak
This new Fame, whitewashed for the kids, leaps into a catchy rhythm at the start.
Read Full Review >Variety Brian Lowry
This PG-rated offering thus dances along a fine line -- one that suggests a shelf-life well short of its "I wanna live forever" anthem.
Read Full Review >Austin Chronicle Kimberley Jones
The opening montage is a jazzy, grabby thing, artfully layering the kids’ auditions to mimic the frenzied pace of the day. But that freneticism never really goes away, nor does the staccato timing.
Read Full Review >St. Louis Post-Dispatch Joe Williams
Offers about as much flava as a Dr. Pepper commercial and about as much drama as a “Sesame Street” rerun.
Read Full Review >Chicago Reader Andrea Gronvall
The high school is so sanitized that there are no drugs, cutthroat competition, or--inconceivably for a theatrical milieu--no gay students.
Read Full Review >Los Angeles Times Betsy Sharkey
Someone has driven a stake through the heart and ripped out the soul of the 1980 original. The responsible parties, make that irresponsible parties, should be found, thrown in movie jail and not allowed within 50 feet of a set again. Ever.
Read Full Review >New York Post Lou Lumenick
The cowardly producers have banished the grit and darkness of Parker’s original.
Read Full Review >Miami Herald Rene Rodriguez
The new Fame is practically identical to Alan Parker's 1980 original -- I mean, it's the same damn movie -- except for all the parts with heart and humor and poignancy and soul and fun.
Read Full Review >Film Threat Elias Savada
Sadly, everything is predictable, which is to the detriment of the mostly fine, young talent that appears in this ineffective retread.
Read Full Review >NPR Jeannette Catsoulis
My advice to potential audiences: Find something else to do.
Read Full Review >Baltimore Sun Michael Sragow
Fame has today's usual gritty form of slick to it, but in every other way it's an Amateur Hour and a half.
Read Full Review >What Our Users Said
The average user rating for this movie is 4.1 (out of 10) based on 17 User Votes
Note: User votes are NOT included in the Metascore calculation.
William C gave it a6:
From this moment forward, I'm going to completely forget that the original Broadway production existed. That's not to say that this rendition of Fame was better or worse, but I do believe that comparing them is not fair. You have to remember that there is nearly a 30-year difference between the media, which grants a large difference between what can and what will change. With that being said, I feel as if this movie actually did a decent job in doing what it was should - bringing an entertaining moving and showing what recalling happens in an art school. The plot as much goes in the same boat as sever that we have seen before. We watch the lives of several students as the go from bumbling and hopeful applicants in a prestigious arts school in New York City, to prospering and proud graduates. Yet it's not all fun and games, as each of the selected ten students have their own trials and tribulations in their friends of dance, music, and acting. Along the way, their teachers who add their own flavor and advice will guide them. These little gems by people like Kelsey Grammer and Charles S. Dunton layer on an impressive and applaud-worthy amount of attention and detail to what these kids should be learning. They fully immerse themselves into the role of molding their minds into what they need to be. For delivering the story of each of the characters, director Kevin Tancharoen did an interesting and stuck it to the parts that were only worth telling. When I say that, He doesn't show you each of their love loves, or what their careers are - in fact he barely gives them enough face time to know who they are - but sticks to what's enough to give them their motivation and drive. The passion of each character is what makes this movie and that's what pushes this movie along past it's four "years." However when done in this fashion, you do run into the issue of what I mentioned just a moment ago; not knowing who is who. It wasn't until the end of them move where I could clearly recognize anyone, let alone remember anyone's name clearly. I did say that I wouldn't compare this to the Broadway original, but considering that this was on Broadway, it's safe to assume that the music was left as well. One has to realize that you are watching a movie about NYC preps in arts school. Yet most of the musical numbers were not spontaneous or over-excessive (though the first main number did nearly break that second one). The majority had a purpose and flowed with the plot, which is always a plus, in the aftermath of the High School Musical trilogy. Yet the highlight of this little aural romp was the fact that overall, there was no true happy ending. Sure, people got what they needed, but not in the way that they expected it. It was true in the way that real life would finish out for kids. It’s a little bit of reality wedged into a lot of fantastical imagery and melody. The movie overall is good. Could things have been done better? Yes, yet that can be said with almost any movie. This is, however, a movie that you have to want to watch, much like Rent or West Side Story. If you walk into those and you are either not prepared or they are not what you enjoy, then you are going to be disappointed and will not experience the full potential you were meant to get.
Ah C gave it a0:
"Fame" proves the truth of the old adage that you can't ever, ever go wrong underestimating the taste of the American public. Incredibly bad acting, predictable plot, and the whitest couple to hit the screen since Brad and Janet. What a waste of time and money. I'm sure 11year old girls everywhere thought it was terrific. Hollywood truly has no shame.
Jacob I gave it a7:
Great movie if you like dancing, singing, and all other arts.
Haslyn R gave it a3:
Stick to the original film. There are very few redeeming qualities in this film. It seems that the producers hastily slapped together an incoherent film with characters that are unappealing and very forgettable.
Chad S. gave it a4:
An aura of prestige surrounding the High School of the Performing Arts was palpable in the 1980 Alan Parker film, largely due to a crucial scene where an aspiring dancer, who failed her audition, lashes out at the gatekeeper in a profanity-laced tirade. The filmmaker's choice not to show a similar meltdown in this remake of "Fame", sets the wrong tone before "Freshman Year" ever commences. Without tears, without this outward display of vitriolic disappointment over being denied enrollment, the school seems like any other high school, a demythologization furthered by the revelation that its instructors are failed performers, and the period-specific but gravitas-killing prevalence of rap music, especially in the impromptu cafeteria jam session. Since the instructors are stripped of their mystique, and the curriculum seemingly over-tolerant towards popular culture, "Fame", at times, is undistinguishable from John Chu's "Step Up 2 the Streets". Even worse, despite its New York City setting, the film never truly steps up to the streets, never maximizes its urban milieu. Instead of a squalid comedy club where the students cheer on their drug-addled, Freddy Prinze-obsessed classmate, these kids go to a karaoke bar, smoke-free, of course, and no imbibing of alcoholic beverages. Ensemble pieces both, Parker's "Fame", nevertheless, had a heart(Maureen Teeny as Doris) and soul(Paul McCrane as Montgomrey), who've been updated in the remake as whiny lovers. Their spat, when measured up against drug abuse, abortion, homosexuality, and an unplanned excursion into the world of adult films, comes off woefully short as something of dramatic interest.
Evan B. gave it a10:
a great family movie with a little language.
