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Fame

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Fame reviews
39
4.1 User Score:

Generally unfavorable reviews

Based on 26 critic reviews
How did we calculate this?

Based on 17 votes
Read user comments
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Movie Info

Genre(s): Drama  |  Musical

Written by: Allison Burnett

Directed by: Kevin Tancharoen

Release Date:
Theatrical: September 25, 2009
DVD: January 12, 2010

Running Time: minutes, Color

Origin: USA

Summary

RATING: PG for thematic material including teen drinking, a sexual situation and language

Starring Asher Book, Kristy Flores, Paul Iacono, Debbie Allen, Charles S. Dutton, Kelsey Grammer, Megan Mullally, and Bebe Neuwirth

Fame follows a talented group of dancers, singers, actors, and artists over four years at the New York City High School of Performing Arts, a diverse, creative powerhouse where students from all walks of life are given a chance to live out their dreams and achieve real and lasting fame...the kind that comes only from talent, dedication, and hard work. (MGM)

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

75

The Onion (A.V. Club) Tasha Robinson

A film that’s largely a raw, uplifting love letter to creativity in every possible form.

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75

San Francisco Chronicle Mick LaSalle

Much of the movie has a structureless, documentary feeling to it, which is good and should have been pushed further.

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63

Chicago Tribune Michael Phillips

Since I sort of liked “Step Up 2: The Streets,” I’m not surprised I sort of liked the remake of Fame.

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60

New York Daily News Joe Neumaier

Whether the young ensemble attains it remains to be seen. The standouts, though, are Naughton, Pennie and Perez De Tagle.

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60

Time Out New York Keith Uhlich

It helps that Fame has been cast with performers who have the glow of possibility about them.

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50

The New York Times Andy Webster

While the movie suffers from a surfeit of flash, it nonetheless offers the undeniable power of young performers pursuing art at peak dexterity.

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50

Village Voice Melissa Anderson

The sanitized moppets in the new Fame sing the body generic.

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50

Philadelphia Inquirer Carrie Rickey

So little time is devoted to developing characters that it's hard to share their hopes and fears.

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50

ReelViews James Berardinelli

A cheesy production with underdeveloped characters that feels more like a TV pilot than a self-contained motion picture.

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50

Chicago Sun-Times Roger Ebert

A sad reflection of the new Hollywood, where material is sanitized and dumbed down for a hypothetical teen market that is way too sophisticated for it. It plays like a dinner theater version of the original.

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50

The Hollywood Reporter Stephen Farber

It's almost laughably bland and watered-down in its desire to appeal to the widest possible audience. It won't succeed in that goal, but it has enough pizzazz to captivate undemanding tweeners.

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50

The Globe and Mail (Toronto) Stephen Cole

Perhaps the young performers are in such a good mood because they're liberated from having to play straight-as-a-ruler teen melodrama.

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50

Entertainment Weekly Lisa Schwarzbaum

The teachers (including original cast member Debbie Allen as school principal) turn out to be the best part of the show.

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50

USA Today Claudia Puig

Fame offers slick entertainment with some exuberance, but it's devoid of soul or heart.

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50

Boston Globe Wesley Morris

It’s not a good sign when the first few minutes of a movie about singing, dancing, rapping, video-camera-wielding teenagers reminds you of a certain grimy horror franchise.

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50

Washington Post Dan Zak

This new Fame, whitewashed for the kids, leaps into a catchy rhythm at the start.

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40

Variety Brian Lowry

This PG-rated offering thus dances along a fine line -- one that suggests a shelf-life well short of its "I wanna live forever" anthem.

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40

Austin Chronicle Kimberley Jones

The opening montage is a jazzy, grabby thing, artfully layering the kids’ auditions to mimic the frenzied pace of the day. But that freneticism never really goes away, nor does the staccato timing.

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38

St. Louis Post-Dispatch Joe Williams

Offers about as much flava as a Dr. Pepper commercial and about as much drama as a “Sesame Street” rerun.

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30

Chicago Reader Andrea Gronvall

The high school is so sanitized that there are no drugs, cutthroat competition, or--inconceivably for a theatrical milieu--no gay students.

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30

Los Angeles Times Betsy Sharkey

Someone has driven a stake through the heart and ripped out the soul of the 1980 original. The responsible parties, make that irresponsible parties, should be found, thrown in movie jail and not allowed within 50 feet of a set again. Ever.

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25

New York Post Lou Lumenick

The cowardly producers have banished the grit and darkness of Parker’s original.

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25

Miami Herald Rene Rodriguez

The new Fame is practically identical to Alan Parker's 1980 original -- I mean, it's the same damn movie -- except for all the parts with heart and humor and poignancy and soul and fun.

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20

Film Threat Elias Savada

Sadly, everything is predictable, which is to the detriment of the mostly fine, young talent that appears in this ineffective retread.

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15

NPR Jeannette Catsoulis

My advice to potential audiences: Find something else to do.

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0

Baltimore Sun Michael Sragow

Fame has today's usual gritty form of slick to it, but in every other way it's an Amateur Hour and a half.

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What Our Users Said

The average user rating for this movie is 4.1 (out of 10) based on 17 User Votes

Note: User votes are NOT included in the Metascore calculation.

William C gave it a6:
From this moment forward, I'm going to completely forget that the original Broadway production existed. That's not to say that this rendition of Fame was better or worse, but I do believe that comparing them is not fair. You have to remember that there is nearly a 30-year difference between the media, which grants a large difference between what can and what will change. With that being said, I feel as if this movie actually did a decent job in doing what it was should - bringing an entertaining moving and showing what recalling happens in an art school. The plot as much goes in the same boat as sever that we have seen before. We watch the lives of several students as the go from bumbling and hopeful applicants in a prestigious arts school in New York City, to prospering and proud graduates. Yet it's not all fun and games, as each of the selected ten students have their own trials and tribulations in their friends of dance, music, and acting. Along the way, their teachers who add their own flavor and advice will guide them. These little gems by people like Kelsey Grammer and Charles S. Dunton layer on an impressive and applaud-worthy amount of attention and detail to what these kids should be learning. They fully immerse themselves into the role of molding their minds into what they need to be. For delivering the story of each of the characters, director Kevin Tancharoen did an interesting and stuck it to the parts that were only worth telling. When I say that, He doesn't show you each of their love loves, or what their careers are - in fact he barely gives them enough face time to know who they are - but sticks to what's enough to give them their motivation and drive. The passion of each character is what makes this movie and that's what pushes this movie along past it's four "years." However when done in this fashion, you do run into the issue of what I mentioned just a moment ago; not knowing who is who. It wasn't until the end of them move where I could clearly recognize anyone, let alone remember anyone's name clearly. I did say that I wouldn't compare this to the Broadway original, but considering that this was on Broadway, it's safe to assume that the music was left as well. One has to realize that you are watching a movie about NYC preps in arts school. Yet most of the musical numbers were not spontaneous or over-excessive (though the first main number did nearly break that second one). The majority had a purpose and flowed with the plot, which is always a plus, in the aftermath of the High School Musical trilogy. Yet the highlight of this little aural romp was the fact that overall, there was no true happy ending. Sure, people got what they needed, but not in the way that they expected it. It was true in the way that real life would finish out for kids. It’s a little bit of reality wedged into a lot of fantastical imagery and melody. The movie overall is good. Could things have been done better? Yes, yet that can be said with almost any movie. This is, however, a movie that you have to want to watch, much like Rent or West Side Story. If you walk into those and you are either not prepared or they are not what you enjoy, then you are going to be disappointed and will not experience the full potential you were meant to get.

Ah C gave it a0:
"Fame" proves the truth of the old adage that you can't ever, ever go wrong underestimating the taste of the American public. Incredibly bad acting, predictable plot, and the whitest couple to hit the screen since Brad and Janet. What a waste of time and money. I'm sure 11year old girls everywhere thought it was terrific. Hollywood truly has no shame.

Jacob I gave it a7:
Great movie if you like dancing, singing, and all other arts.

Haslyn R gave it a3:
Stick to the original film. There are very few redeeming qualities in this film. It seems that the producers hastily slapped together an incoherent film with characters that are unappealing and very forgettable.

Chad S. gave it a4:
An aura of prestige surrounding the High School of the Performing Arts was palpable in the 1980 Alan Parker film, largely due to a crucial scene where an aspiring dancer, who failed her audition, lashes out at the gatekeeper in a profanity-laced tirade. The filmmaker's choice not to show a similar meltdown in this remake of "Fame", sets the wrong tone before "Freshman Year" ever commences. Without tears, without this outward display of vitriolic disappointment over being denied enrollment, the school seems like any other high school, a demythologization furthered by the revelation that its instructors are failed performers, and the period-specific but gravitas-killing prevalence of rap music, especially in the impromptu cafeteria jam session. Since the instructors are stripped of their mystique, and the curriculum seemingly over-tolerant towards popular culture, "Fame", at times, is undistinguishable from John Chu's "Step Up 2 the Streets". Even worse, despite its New York City setting, the film never truly steps up to the streets, never maximizes its urban milieu. Instead of a squalid comedy club where the students cheer on their drug-addled, Freddy Prinze-obsessed classmate, these kids go to a karaoke bar, smoke-free, of course, and no imbibing of alcoholic beverages. Ensemble pieces both, Parker's "Fame", nevertheless, had a heart(Maureen Teeny as Doris) and soul(Paul McCrane as Montgomrey), who've been updated in the remake as whiny lovers. Their spat, when measured up against drug abuse, abortion, homosexuality, and an unplanned excursion into the world of adult films, comes off woefully short as something of dramatic interest.

Evan B. gave it a10:
a great family movie with a little language.

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