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Stars indicate the most critically-acclaimed movies.

97
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83
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35
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32
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80
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62
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47
Bella
63
Blind Mountain
71
Blindsight
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Boarding Gate
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58
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70
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54
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82
Chop Shop
46
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30
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35
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61
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92
Diving Bell and the Butterfly, The
73
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20
Expelled: No Intelligence Allowed
58
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43
Favor, The
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First Saturday in May, The
57
Flawless
87
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Look
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Meet Bill
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Miss Pettigrew Lives for a Day
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My Blueberry Nights
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OSS 117: Cairo - Nest of Spies
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Penelope
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Persepolis
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Tracey Fragments, The
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Unforeseen, The
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Witnesses, The
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Year My Parents Went on Vacation, The
75
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Zombie Strippers
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4 Months, 3 Weeks and 2 Days
92
Diving Bell and the Butterfly, The
91
Up the Yangtze
90
Persepolis
87
Flight of the Red Balloon, The
85
Savages, The
83
Paranoid Park
83
Alexandra
83
U2 3D
82
Chop Shop
82
Taxi to the Dark Side
80
Band's Visit, The
79
Visitor, The
78
Counterfeiters, The
76
Unforeseen, The
76
Stuff and Dough
75
Young@Heart
75
Shotgun Stories
74
Witnesses, The
73
Duchess of Langeais, The
72
Roman de gare
72
Priceless
72
Tuya's Marriage
72
Life of Reilly, The
71
My Brother Is an Only Child
71
Blindsight
71
Standard Operating Procedure
70
Caramel
69
Redbelt
69
Chicago 10
68
Honeydripper
67
Snow Angels
67
Praying with Lior
67
Year My Parents Went on Vacation, The
67
Jellyfish
66
George A. Romero's Diary of the Dead
66
Shelter
65
Married Life
64
Surfwise
64
Son of Rambow
64
Water Lilies
63
XXY
63
Miss Pettigrew Lives for a Day
63
Body of War
63
Blind Mountain
62
Planet B-Boy
62
Battle for Haditha
61
Dhamma Brothers, The
61
OSS 117: Cairo - Nest of Spies
61
Girls Rock!
59
Under the Same Moon
59
Fugitive Pieces
58
First Saturday in May, The
58
Fall, The
58
Hats Off
58
Bra Boys
57
Flawless
57
Teeth
57
Without the King
57
Grand, The
56
Turn the River
56
Then She Found Me
55
Vice
55
Tracey Fragments, The
55
Pathology
55
Glass: A Portrait of Philip in Twelve Parts
54
Cashback
54
Mister Lonely
52
Noise
52
My Blueberry Nights
50
Look
48
Run, Fat Boy, Run
48
Dark Matter
48
Penelope
47
Bella
47
Boarding Gate
46
CJ7
46
Previous Engagement, A
45
Where in the World Is Osama Bin Laden?
45
Zombie Strippers
44
Frontier(s)
44
Chaos Theory
43
Anamorph
43
Favor, The
41
Funny Games
40
Sleepwalking
37
Life Before Her Eyes, The
35
Meet Bill
35
Babysitters, The
35
Deal
32
Backseat
32
Chapter 27
30
Cover
24
Sex and Death 101
20
Expelled: No Intelligence Allowed
17
Prom Night
xx
Tashan
xx
Unsettled
xx
Plumm Summer, A
xx
Kiss the Bride
xx
Jack and Jill vs. the World
xx
From Within
Stars indicate the most critically-acclaimed movies.
|
Fat Girl
Cowboy Films
FILM:
MPAA RATING: Not Rated
Starring
Anaïs Reboux,
Roxane Mesquida,
Libero De Rienzo,
Arsinée Khanjian,
Romain Goupil,
and
Albert Goldberg
The story of Anais (Reboux), an overweight 12-year-old, and her beautiful, thin 15-year-old sister, Elena (Mesquida).
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Catherine Breillat
|
| DIRECTED BY: |
Catherine Breillat
|
| RELEASE DATE: |
DVD: October 19, 2004
Theatrical: October 10, 2001
|
| RUNNING TIME: |
93 minutes, Color |
| ORIGIN: |
France / Italy / Spain |
| LANGUAGE(S): |
French and Italian (with English subtitles) |
Original French title "À ma soeur!"; Manfred Salzgeber Award, 2001 Berlin International Film Festival

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Entertainment Weekly
Lisa Schwarzbaum
With the pitiless, devastating Fat Girl, Catherine Breillat puts men and women, boys and girls on notice: When fantasy, hypocrisy, and manipulation mix in a wet, sandy place, you dive into sex at your own risk.

100
Rolling Stone
Peter Travers
An absolute stunner of a movie.

90
Salon.com
Stephanie Zacharek
It's a lean, mean movie, and not a pretty one, but it leaves no question as to Breillat's angular originality as a filmmaker.

90
Village Voice
J. Hoberman
As fascinating as it is discomfiting and as intelligent as it is primal. From first shot to last, France's foremost bad girl has made an extremely good movie -- and maybe even a great one.

90
The New York Times
Stephen Holden
Much more than a perfectly realized vignette about seduction. It is the latest and most powerful dispatch yet from Ms. Breillat, France's most impassioned correspondent covering the war between the sexes.

90
Variety
David Stratton
Despite the disappointing conclusion, it's hard not to be affected by the film, because of the director's frank approach to her subject and the sheer skill with which she tells her story.

90
Wall Street Journal
Joe Morgenstern
Proves to be a remarkably lean and incisive film about the fateful power of sexuality.
88
Chicago Tribune
Michael Wilmington
It's sensuality with a stinger, and Fat Girl is an adolescent sex drama that takes no prisoners.

88
Chicago Sun-Times
Roger Ebert
There is a jolting surprise in discovering that this film has free will, and can end as it wants, and that its director can make her point, however brutally.

80
New Times (L.A.)
Bill Gallo
In the end, leaves you feeling both violated and startlingly informed, as if a mugger had whacked you in a dark alley.

80
Los Angeles Times
Kevin Thomas
The film's concluding sequence is bound to polarize audiences.

75
Christian Science Monitor
David Sterritt
This disturbing drama has many telling moments, but it ends with an out-of-the-blue shock episode that raises more questions than it answers.

75
New York Daily News
Elizabeth Weitzman
Breillat has made an important, even essential work about the exploitation of young women's sexuality, but is not she complicit as well?

75
San Francisco Chronicle
Carla Meyer
This is a different kind of girls' movie, and certainly not a pretty one, especially its horrific head-scratcher of an ending.

75
Charlotte Observer
Lawrence Toppman
Characters in Breillat's movies often make sex their god, lose faith in it, then find their lives hollow and grim. Bergman wouldn't have been so concerned with bodily woes, but he'd have understood.

75
Baltimore Sun
Michael Sragow
Like "Anais," the only surprises Breillat has in store for us are bad ones. In the willfully perverse final act, she delivers a sadistic blow to the audience -- with a sledgehammer.

70
Chicago Reader
Meredith Brody
The shocking, ambiguous ending might have been better served by the film's original, ambiguous title, "To My Sister."

63
Boston Globe
Jay Carr
Uncompromising and unforgiving, but ultimately more self-destructive than any of its characters.

63
New York Post
Jonathan Foreman
So daring and unsparing in its depiction of the psyche and experience of adolescent girls that it's hard to imagine an audience that wouldn't find it deeply provocative despite a slow pace.

60
New York Magazine
Peter Rainer
A lovely minor achievement. It would have been major if Breillat had been more expansive with respect to Anaïs instead of contentedly letting her go on about her lumpish ways.

60
Washington Post
Michael O'Sullivan
The kind of stunning and contentious work of art that will leave a lot of folks speechless.

60
TV Guide
Maitland McDonagh
A laser-sharp evocation of the tortured ties that bind sisters, who can love and loathe each other simultaneously and inflict lifelong wounds with chilling expertise.

40
Mr. Showbiz
Kevin Maynard
It's all well-acted and eerily compelling, but the shocker ending is patently implausible.
33
Seattle Post-Intelligencer
Paula Nechak
Assails with its in-your-face, repulsively compelling (like a train wreck) brutality.


The average user rating for this movie is 6.7 (out of 10) based on 11 User Votes
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