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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
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66
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48
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56
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Song of Sparrows, The
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Under Our Skin
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Valentino: The Last Emperor
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What Goes Up
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Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Fat Girl
Cowboy Films
FILM:
MPAA RATING: Not Rated
Starring
Anaïs Reboux,
Roxane Mesquida,
Libero De Rienzo,
Arsinée Khanjian,
Romain Goupil,
and
Albert Goldberg
The story of Anais (Reboux), an overweight 12-year-old, and her beautiful, thin 15-year-old sister, Elena (Mesquida).
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Catherine Breillat
|
| DIRECTED BY: |
Catherine Breillat
|
| RELEASE DATE: |
DVD: October 19, 2004
Theatrical: October 10, 2001
|
| RUNNING TIME: |
93 minutes, Color |
| ORIGIN: |
France / Italy / Spain |
| LANGUAGE(S): |
French and Italian (with English subtitles) |
Original French title "À ma soeur!"; Manfred Salzgeber Award, 2001 Berlin International Film Festival

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Entertainment Weekly
Lisa Schwarzbaum
With the pitiless, devastating Fat Girl, Catherine Breillat puts men and women, boys and girls on notice: When fantasy, hypocrisy, and manipulation mix in a wet, sandy place, you dive into sex at your own risk.

100
Rolling Stone
Peter Travers
An absolute stunner of a movie.

90
Salon.com
Stephanie Zacharek
It's a lean, mean movie, and not a pretty one, but it leaves no question as to Breillat's angular originality as a filmmaker.

90
Village Voice
J. Hoberman
As fascinating as it is discomfiting and as intelligent as it is primal. From first shot to last, France's foremost bad girl has made an extremely good movie -- and maybe even a great one.

90
The New York Times
Stephen Holden
Much more than a perfectly realized vignette about seduction. It is the latest and most powerful dispatch yet from Ms. Breillat, France's most impassioned correspondent covering the war between the sexes.

90
Variety
David Stratton
Despite the disappointing conclusion, it's hard not to be affected by the film, because of the director's frank approach to her subject and the sheer skill with which she tells her story.

90
Wall Street Journal
Joe Morgenstern
Proves to be a remarkably lean and incisive film about the fateful power of sexuality.
88
Chicago Tribune
Michael Wilmington
It's sensuality with a stinger, and Fat Girl is an adolescent sex drama that takes no prisoners.

88
Chicago Sun-Times
Roger Ebert
There is a jolting surprise in discovering that this film has free will, and can end as it wants, and that its director can make her point, however brutally.

80
New Times (L.A.)
Bill Gallo
In the end, leaves you feeling both violated and startlingly informed, as if a mugger had whacked you in a dark alley.

80
Los Angeles Times
Kevin Thomas
The film's concluding sequence is bound to polarize audiences.

75
Christian Science Monitor
David Sterritt
This disturbing drama has many telling moments, but it ends with an out-of-the-blue shock episode that raises more questions than it answers.

75
New York Daily News
Elizabeth Weitzman
Breillat has made an important, even essential work about the exploitation of young women's sexuality, but is not she complicit as well?

75
San Francisco Chronicle
Carla Meyer
This is a different kind of girls' movie, and certainly not a pretty one, especially its horrific head-scratcher of an ending.

75
Charlotte Observer
Lawrence Toppman
Characters in Breillat's movies often make sex their god, lose faith in it, then find their lives hollow and grim. Bergman wouldn't have been so concerned with bodily woes, but he'd have understood.

75
Baltimore Sun
Michael Sragow
Like "Anais," the only surprises Breillat has in store for us are bad ones. In the willfully perverse final act, she delivers a sadistic blow to the audience -- with a sledgehammer.

70
Chicago Reader
Meredith Brody
The shocking, ambiguous ending might have been better served by the film's original, ambiguous title, "To My Sister."

63
Boston Globe
Jay Carr
Uncompromising and unforgiving, but ultimately more self-destructive than any of its characters.

63
New York Post
Jonathan Foreman
So daring and unsparing in its depiction of the psyche and experience of adolescent girls that it's hard to imagine an audience that wouldn't find it deeply provocative despite a slow pace.

60
New York Magazine
Peter Rainer
A lovely minor achievement. It would have been major if Breillat had been more expansive with respect to Anaïs instead of contentedly letting her go on about her lumpish ways.

60
Washington Post
Michael O'Sullivan
The kind of stunning and contentious work of art that will leave a lot of folks speechless.

60
TV Guide
Maitland McDonagh
A laser-sharp evocation of the tortured ties that bind sisters, who can love and loathe each other simultaneously and inflict lifelong wounds with chilling expertise.

40
Mr. Showbiz
Kevin Maynard
It's all well-acted and eerily compelling, but the shocker ending is patently implausible.
33
Seattle Post-Intelligencer
Paula Nechak
Assails with its in-your-face, repulsively compelling (like a train wreck) brutality.


The average user rating for this movie is 6.7 (out of 10) based on 11 User Votes
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