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Feast of Love

Mixed or average reviews
Based on 28 critic reviews
How did we calculate this?
Based on 9 votes
Read user comments
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Movie Info
Genre(s): Drama | Romance
Written by:
Charles Baxter (book)
Allison Burnett
Directed by: Robert Benton
Release Date:
Theatrical: September 28, 2007
DVD: February 5, 2008
Running Time: 102 minutes, Color
Origin: USA
Summary
RATING: R for strong sexual content, nudity and language
Starring Morgan Freeman, Selma Blair, Missi Pyle, Greg Kinnear, Radha Mitchell, and Fred Ward
In a coffee shop in a tight-knit Oregon community, local professor Harry Stevenson witnesses love and attraction whipping up mischief among the town's residents. From the unlucky-in-love yet diehard-romantic coffee-shop owner Bradley, who has a serial habit of looking for love in all the wrong places, including with his current wife Kathryn; to the edgy real-estate agent Diana, who is caught up in an affair with a married man with whom she shares an ineffable connection; to the beautiful young newcomer Chloe, who defies fate in romancing the troubled Oscar; to Harry himself, whose adoring wife is looking to break through his wall of grief after the wrenching loss of a beloved...They all intertwine into one remarkable story in which no one can escape being bent, broken, befuddled, delighted, and ultimately redeemed by love's inescapable spell. (MGM)
Also On Metacritic
FILM: Kramer vs. Kramer The Human Stain
Also On The Web: Internet Movie Database Official Studio Site View The Trailer
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Time Richard Corliss
Sexy, funny, sad and defiantly romantic, Feast of Love is the rare movie to cuddle up to.
Read Full Review >TV Guide Ken Fox
Many of the script's observations sound as though they were lifted directly from the pages of Baxter's book, and they're too platitudinous to impart much wisdom to anyone who's been in and out of love at least once in his or her life. But it's nice to see these ideas played out by a fine cast.
Read Full Review >San Francisco Chronicle Peter Hartlaub
The multiple-story-line family drama is too cliche-ridden to be considered a great movie. But it's still a very good one, filled with excellent performances, entertaining writing and a final few scenes that are quite moving - even if you can see most of them coming at the end of the first act.
Read Full Review >ReelViews James Berardinelli
Feast of Love's greatest strength is that it's about people and involves universal emotions. It's not great art but it is enjoyable soap opera.
Read Full Review >The Hollywood Reporter Michael Rechtshaffen
The film, with its intersecting vignettes, might ultimately feel like more of a sampler platter than a sustaining smorgasbord, but it's effectively rooted in a lovely Morgan Freeman performance.
Read Full Review >Variety Justin Chang
Septuagenarian director Robert Benton brings his characteristically fine touch with actors and appreciation for the female form to this tastefully erotic ensembler, but compassion finally outstrips insight in a drama as soft-headed as it is soft-hearted.
Read Full Review >Chicago Reader Jonathan Rosenbaum
This heart-warmer by Robert Benton has some of the tender wisdom and humor of his other features (e.g., Nobody's Fool).
Read Full Review >Portland Oregonian Shawn Levy
Feast is set and was shot in Portland, and if nothing else it makes the case that we live in one gorgeous city.
Read Full Review >Christian Science Monitor Peter Rainer
Most of the love in Feast of Love is unrequited, untapped, or unfulfilled. The fine cast, which includes Jane Alexander, Selma Blair, and Radha Mitchell, is also somewhat underused.
Read Full Review >New York Daily News Elizabeth Weitzman
You'll find more authenticity listening in on conversations at your corner diner. But this is a gentler alternative, especially if you prefer your coffee with extra cream and sugar anyway.
Read Full Review >USA Today Claudia Puig
The story teeters on the edge of soap opera and emotional manipulation, but director Robert Benton (Kramer vs. Kramer) pulls back in the nick of time. What results is an involving and often poignant examination of love and loss.
Read Full Review >Boston Globe Wesley Morris
The bodies are athletic, young, and white, and yet this is not the sport sex we usually see in Hollywood movies. It's the sex of adulation. Sometimes the director Robert Benton goes heavy on the hydraulic positioning, but his movie is scarcely mechanical.
Read Full Review >Philadelphia Inquirer Steven Rea
As a meditation on the vicissitudes of love, on the need for people to connect, and the struggles that come by both making and missing those connections, the movie is wading-pool deep.
Read Full Review >Seattle Post-Intelligencer Bill White
Amounts to little more than high-class soap opera.
Read Full Review >The Onion (A.V. Club) Nathan Rabin
Maybe Benton's serenely dull time-waster should take a cue from one of its main settings, and become the first Hollywood film released directly to coffee shops. Otherwise, it seems destined to find an indulgent second home as an unusually classy slot-plugger over at Lifetime.
Read Full Review >Chicago Sun-Times Roger Ebert
Benton has made better movies, but this one has no organic reality.
Read Full Review >Chicago Tribune Michael Phillips
Robert Benton’s recent films have been vexing combinations of gentility and stiffness, and despite a fair bit of nudity "Feast of Love" behaves itself all too well. It’s as neat as a pin; it ties up every loose end in careful "Playhouse 90" style. Despite some awfully smart actors, Benton’s movie made me long for a few interrupted sentences and the occasionally conflicted character.
Read Full Review >Village Voice Julia Wallace
For a film that purports to be an epic consideration of Love in Our Time, Feast is strikingly unthoughtful and uninterested in any but the most obvious kind of romantic love.
Read Full Review >Entertainment Weekly Owen Gleiberman
Far too cloyingly pleased with its own humanity.
Read Full Review >Miami Herald Connie Ogle
Mostly due to luminous writing, Baxter's novel evoked a sense of magic, but this Feast, though never completely uninteresting, leaves you hungry for enchantment.
Read Full Review >The Globe and Mail (Toronto) Liam Lacey
The movie begins to feel more like a buffet of contrivance than a feast of love.
Read Full Review >Baltimore Sun Michael Sragow
The final half-hour is like the not-so-grand finale for a silly-sticky sitcom. It's a college-town “Friends” with an unearned doctorate.
Read Full Review >Charlotte Observer Lawrence Toppman
Any of the key relationships would have been grist enough for one movie's mill, but "Feast" crams them all together.
Read Full Review >Wall Street Journal Joe Morgenstern
What passes for the movie's reality is interlocking episodes of ersatz ecstasy and angst -- a Cupid-governed "Crash" -- plus snippets of wisdom dispensed by Mr. Freeman's character.
Read Full Review >Austin Chronicle Marjorie Baumgarten
There are warm, genuine moments that endear these attractive characters and their experiences to us despite all the falderal. Feast of Love may be enough for some to keep the pangs at bay ’til the real thing comes along.
Read Full Review >The New York Times Stephen Holden
A more accurate name for Feast of Love might be “Feast of Breasts.” At every opportunity, Mr. Benton turns the camera on his actresses’ gleaming torsos. These beautifully lighted soft-core teases lend an erotic frisson to a movie that in most other ways feels enervated.
Read Full Review >Los Angeles Times Carina Chocano
Love is a many-splendored thing in Robert Benton's dull romantic fantasy Feast of Love, though none of its splendors rings true.
Read Full Review >What Our Users Said
The average user rating for this movie is 7.2 (out of 10) based on 9 User Votes
Note: User votes are NOT included in the Metascore calculation.
Gerard Z. gave it a4:
Unrealistic and gratuitous but you cannot help but enjoy Morgan Freeman. Also, there are no Deans of Philosophy.
Tom M. gave it an8:
Unusual structure, unusual tale, appealing storyline, complex and distinctly human characters, fine performances by Morgan Freeman and the entire cast all combine to transform Charles Baxter's unusual novel into a winner once again as screenplay and film.
Rebecca gave it a10:
I thought that this was a great movie. Its one of those movies that makes you think about love, just in general, it was really insightful. I think a lot of people can relate to the movie, and would enjoy it. It makes you feel even more thankful for what you have in a relationship :)
Paul H. gave it a10:
It's very sad this movie did find an audience. It is not a romantic comedy but it is a romance. Perhaps, one day, people will see this movie for what it is. . . an actual attempt to get to the heart of love without the happily ever after we've been force fed as the only kind of after that matters.
Chad S. gave it a5:
Young love, interracial love, adulterous love, loveless love, same-sex love; all accounted for, all made explicit in "The Feast of Love", adapted from the National Book Award-winning novel by Charles Baxter, never satisfies the heart the way it should. This film about...well, love, had the unfortunate luck of opening after "Little Children", a superior film about...well, love, that was also adapted from a high-profile novel and novelist. Because of Tom Perrotta's involvement with the adaptation(co-written by director Todd Field), we knew exactly who Sarah Pierce(Kate Winslet) and Brad Adamson(Patrick Wilson) were. The same can't be said about Bradley Thomas(Greg Kinnear), who tells a nurse how much he loved his first wife Kathryn(Selma Blair), despite evidence to the contrary(Bradley couldn't identify his wife's eyes as being hazel). Because of sloppy writing, Harry Stevenson(Morgan Freeman)'s offer to adopt Chloe(Alexa Davalos) as his daughter is unwittingly open for close scrutinization. He arrives at this decision right after observing a buck-naked, young couple singing their birthday songs in a sixty-nine cinch on football-field grass. Add May-December love as a latent guest to this feast. Since Morgan Freeman is rarely, if ever, portrayed as a sexual entity on-screen, the screenwriter assumes that audiences wouldn't second-guess Harry's love for Chloe as being something other than a fatherly one. Because of the advent of Viagra, and other erectile dysfunction pharmaceuticals, not to mention, the hyper-sexual atmosphere that we sometimes find ourselves embroiled in(e.g. the character Jack Black plays in "Margot at the Wedding" reads "Barely Legal" magazine, which may, or may not, have led to an affair with a barely legal girl), you can't readily dismiss the possibility that Harry's libido is still very much alive.
vidMan gave it a9:
I enjoyed this movie a lot. I thought it had some interesting ideas about love and how people deal with it in different situations and different times in their lives.
