|
Upcoming Release Calendar
34
10,000 B.C. Stars indicate the most critically-acclaimed movies.
97
4 Months, 3 Weeks and 2 Days Stars indicate the most critically-acclaimed movies.
|
Freedomland
|
||||||||||||||||||||||||||||||||||
![]() |
|
||||||||||||
MPAA RATING: R for language and some violent content
Starring Samuel L. Jackson, Julianne Moore, Edie Falco, Ron Eldard, William Forsythe, Aunjanue Ellis, and Anthony Mackie
A criminal investigation into an alleged kidnapping of a child by a suspect who is presumed to be a local from the projects ignites long-simmering racial tension between two neighboring New Jersey towns. (Sony Pictures)
| GENRE(S): | Crime | Drama | Mystery | Suspense/Thriller |
| WRITTEN BY: | Richard Price (also novel) |
| DIRECTED BY: | Joe Roth |
| RELEASE DATE: |
DVD: May 30, 2006 Theatrical: February 17, 2006 |
| RUNNING TIME: | 112 minutes, Color |
| ORIGIN: | USA |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
The average user rating for this movie is 4.7 (out of 10) based on 38 User Votes
Note: User votes are NOT included in the Metascore calculation.
Alan Nutter gave it an8:
I can't understand the negative reaction to this movie. It depicts how one event can have massively far reaching consequences and illustrates it well. Julianne Moore was superb in this movie as one critic said, "she doesn't just act she goes on the attack". Recommended.
Anthony P. gave it a9:
It is amazing to me that so many reviews have panned this movie. I saw it a year and a half ago, and I was stunned by the idea and the execution of this exquisitely complex situation where an individual's personal disaster sparks social mayhem, and how subtly the true complexity of it is revealed. I have just now seen it again and I am no less impressed, particularly by the performance of Julianne Moore. Her stupor that so bores or offends so many critics is a careful, exacting emotional portrayal of the desperate condition of one who is frozen with horror at what one has wrought, while at the same time sustaining a state of denial. Those critics doth protest too much. Because it is so truly rendered, it is painful to watch for sure, but there is portrayed here an exquisite conundrum for many people in real life trapped in such a hell hole. Ms. Moore's performance brilliantly captures this to such a degree as to no doubt evoke disgust with people who would hope that their own lives are safe from such abject circumstances. But this is art, not entertainment. It's the very serious human stuff that can, when we fail to grasp it, inflame us all. The conversations rendered here in which we see the truth emerge are entirely subtle and masterful. There is redemption in this film which I'd yet hope would engage anyone not already too cynical or frozen in denial.
Chad S. gave it a0:
I say this to you as a friend, BY ALL MEANS STRAY AWAY FROM THIS MOVIE!!! I want to literally take a shotgun and shoot julianne moore's character to bits. I was yelling at my tv, not something i would ever even consider myself doing, but i yelled at my tv. I would rather pull my hair out and eat it then watch this movie again. Freedomland is horrible, too long, and mostly annoying. Please, please, please i beg of you to not watch this movie. I cannot express my frustration enough. This movie should be viewed by nobody. It will only aggravate you. The story is no good, the plot twist is stupid, the characters will drive you mad, and its all wrapped with the weakest racial story ever. Do NOT watch this movie!
Adam G gave it a1:
The movie never seemed to go anywhere or accomplish anything; it simply had nothing to prove. Small amounts of activity/action combined with exhaustively long "talks" from Samuel and company along with a boring storyline make this movie intolerable.
Michael L. gave it a9:
Critics never cease to amaze me. If this film was an Eastern European import, I guarantee it would have received raves. Please note that Manohla Dargis of the New York times, who gave "Freedomland" a 10 (worst film of the year) awarded "Snakes on a Plane" a 70. Pete Travers of Rolling Stone panned "Freedomland", and gave "Pirates of the Carribean II" it's highest score. Enough said. If you're looking for dumbed-down non-stop action, explosions, cardboard characters, no social message, lots of blood and/or gore, "Freedomland" isn't for you. If you'd like to be challenged by a film that takes an obvious plot outcome yet still manages to create a stranglehold of dread, this is your film. Look, it's not a happy film--it's gloomy, it's fatalistic, and yes, it's too long...but it made me rethink my opinions of people like Susan Smith, and fully understand the tragedy of the uncared-for among us. The people and societal segments that slip through the cracks. This is powerful stuff, and you won't feel good when it's over. Moore is magnificent, and she allows her character's flaws to shine as if they were virtues. Jackson has never been better (except in "Snakes on a Plane", eh, Maohla?) as the detective who is trapped between his own shortcomings, his friends, his need for the truth, and his compassion. Edie Falco brings a quiet truth and dignity to the role of a long-suffering woman assisting in the case. What must be noted here: this is not a crime film. This is not "CSI"...it is a film about suffering, sadness, and the power of losing hope. It's devastating. It's not to be missed.
Ryan P. gave it a1:
It takes good actors like Julianne Moore and Samuel L. Jackson to have the guts to try and promote this garbage before it came out. I decided to pass on this on in the theaters thank God. Don't torture your DVD player by making it play this movie for you. It's just plain awful!
Tony B. gave it a7:
Overly complicated and sprawling at times, pretentiously photographed at others, this is still an effectively troubling film. Julianne Moore, Samuel L. Jackson and Edie Falco, supported by an excellent cast, are superb. Freedomland delves into more issues than any one film ought to perhaps but each is worth exploring and each is given no simple answers.

| Return to top of page |
