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Stars indicate the most critically-acclaimed movies.

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86
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83
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83
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83
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82
Burma VJ: Reporting from a Closed Country
82
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82
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82
Anvil! The Story of Anvil
81
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81
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80
Food, Inc.
80
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79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
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77
Every Little Step
77
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75
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74
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74
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74
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74
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74
Lemon Tree
71
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71
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70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
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67
$9.99
67
Rudo y Cursi
67
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66
Adoration
66
Moon
65
Sex Positive
65
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64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
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63
Tokyo!
63
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63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
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62
Not Forgotten
61
Sunshine Cleaning
60
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59
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58
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58
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57
Away We Go
57
Merry Gentleman, The
57
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56
Girl from Monaco, The
56
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55
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54
Is Anybody There?
54
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54
Stoning of Soraya M., The
52
Quiet Chaos
50
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48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Frost/Nixon
Universal Pictures
 |
|
FILM:
MPAA RATING: R for some language
Starring
Frank Langella,
Michael Sheen,
Rebecca Hall,
Toby Jones,
Matthew Macfadyen,
Kevin Bacon,
Oliver Platt,
and
Sam Rockwell
For three years after being forced from office, Nixon remained silent. But in summer 1977, the steely, cunning former commander-in-chief agreed to sit for one all-inclusive interview to confront the questions of his time in office and the Watergate scandal that ended his presidency. Nixon surprised everyone in selecting Frost as his televised confessor, intending to easily outfox the breezy British showman and secure a place in the hearts and minds of Americans. Likewise, Frost's team harbored doubts about their boss' ability to hold his own. But as cameras rolled, a charged battle of wits resulted. Would Nixon evade questions of his role in one of the nation's greatest disgraces? Or would Frost confound critics and bravely demand accountability from the man who'd built a career out of stonewalling? Over the course of their encounter, each man would reveal his own insecurities, ego and reserves of dignity--ultimately setting aside posturing in a stunning display of unvarnished truth. (Universal Pictures)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Peter Morgan
|
| DIRECTED BY: |
Ron Howard
|
| RELEASE DATE: |
DVD: April 21, 2009
Theatrical: December 5, 2008
|
| RUNNING TIME: |
122 minutes, Color |
| ORIGIN: |
USA | UK | France |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
USA Today
Claudia Puig
It's hard to imagine how a film built around one-on-one interviews could be entertaining, but Frost/Nixon could not be more enthralling.

100
TV Guide
Perry Seibert
The craftsmanship, acting, and history lesson all make it among the most satisfying films of Ron Howard's career.

100
Premiere
Staff (Not credited)
A totally mesmerizing battle of the wills between the occasionally charming yet wily Nixon and the increasingly desperate Frost.

100
Chicago Sun-Times
Roger Ebert
Frank Langella and Michael Sheen do not attempt to mimic their characters, but to embody them.

100
San Francisco Chronicle
Mick LaSalle
Morgan finds the right elements of action and character through which to make history leap off the page.

100
Charlotte Observer
Lawrence Toppman
Langella has always been a cerebral actor, one who never gives away all he's thinking. What comes through in this portrayal is how smart Nixon was, whether he's cunningly probing Frost's weaknesses or pitching himself to TV viewers as an avuncular, misunderstood Cold Warrior.

91
The Onion (A.V. Club)
Nathan Rabin
In a masterful performance, Langella highlights Nixon's oily charm and guile.

91
Entertainment Weekly
Lisa Schwarzbaum
Surges with an energy and visual verve that improve the play and enhance the themes of dramatist Peter Morgan's script.

90
Los Angeles Times
Kenneth Turan
The result is involving, engrossing cinema -- more thrilling, in fact, than Howard's "The Da Vinci Code" -- filmmaking of a type rarely seen anymore and sorely missed.

90
Wall Street Journal
Joe Morgenstern
What Ron Howard gets, to a degree that's astonishing in a two-hour film, is the density and complexity, as well as the generous entertainment quotient, of Peter Morgan's screenplay.

88
Rolling Stone
Peter Travers
Director Ron Howard has turned Peter Morgan's stage success into a grabber of a movie laced with tension, stinging wit and potent human drama.

88
ReelViews
James Berardinelli
Howard and Morgan have transformed this story into something more than an embellished re-telling of recent history. They have shaped a tragedy that is almost Shakespearean in force.

88
New York Post
Lou Lumenick
Sheen, who is also reprising his stage role and appeared as Tony Blair in the Morgan-written "The Queen," is highly effective as Frost - though the stakes for Frost are nowhere near as interesting as those for Nixon.

88
Baltimore Sun
Michael Sragow
Ron Howard has made his best movie with Frost/Nixon, an electric political drama with a skin-prickling immediacy.

83
Portland Oregonian
Shawn Levy
The result is a totally absorbing and entertaining film, one of the best historical dramas from Hollywood in many years.

83
Seattle Post-Intelligencer
William Arnold
Throughout, it's clouded -- for me at least -- by a nagging sense that it's straining too hard to build the media clash into more of an historic event than it was.

80
Washington Post
Philip Kennicott
Neither the title nor the subject matter prepares you for the pure fun of Frost/Nixon.

80
NPR
Bob Mondello
A case is being made here that it wasn't really Frost who did Nixon in: It was Nixon's old nemesis, the TV camera.

80
Village Voice
J. Hoberman
Frost/Nixon's main attraction is neither its topicality nor its historical value, but Langella's re-creation of his Tony-winning performance.

80
Newsweek
David Ansen
Frost/Nixon works even better on screen. Director Ron Howard and Morgan, adapting his own play, have both opened up the tale and, with the power of close-ups, made this duel of wits even more intimate and suspenseful.

80
The New Yorker
David Denby
Offers considerable insight into the Nixon mystery, without solving it; the movie is fully absorbing and even, when Nixon falls into a drunken, resentful rage, exciting, but I can't escape the feeling that it carries about it an aura of momentousness that isn't warranted by the events.

80
Salon.com
Stephanie Zacharek
Howard has made a picture for grown-ups, a well-constructed entertainment that neither talks down to its audience nor congratulates it just for showing up.

80
Empire
Ian Nathan
Stirring stuff that works thrillingly as drama, and should make Sheen a star, even if it compromises on historical insight.

78
Austin Chronicle
Marjorie Baumgarten
Ultimately, Frost/Nixon may be stuck in time – but, oh, what a time it was.

75
Chicago Tribune
Michael Phillips
Frost/Nixon is wholly absorbing.

75
Philadelphia Inquirer
Steven Rea
Frost/Nixon is not the epic gladiatorial face-off, the ricocheting verbal shoot-out that writer Morgan and filmmaker Howard imagined.

75
The Globe and Mail (Toronto)
Rick Groen
Shakespeare would have delighted in the chapter, especially in the antagonist, but not at the expense of the longer and darker and still-unfinished book.

75
Christian Science Monitor
Peter Rainer
Never entirely escapes its theatrical origins, and, by framing the story so pugilistically, the filmmakers don't bring out the full richness in this material.

70
Time
Richard Corliss
For closeup conflict and emotional kick, the Frost/Nixon movie tops the play. But neither can match the tension and weird poignancy of the original interviews -- reality TV of the highest, queasiest order.

70
Chicago Reader
J.R. Jones
Ron Howard directed, with outstanding support from Kevin Bacon as Jack Brennan, Nixon's fierce chief of staff.

70
Slate
Dana Stevens
Morgan's compact, satisfying drama presents presidential interviewing as a gladiatorial event.

70
The New York Times
Manohla Dargis
Stories of lost crowns lend themselves to drama, but not necessarily audience-pleasing entertainments, which may explain why Frost/Nixon registers as such a soothing, agreeably amusing experience, more palliative than purgative.

70
Variety
Todd McCarthy
Frank Langella's meticulous performance will generate the sort of attention that will attract serious filmgoers.

70
The Hollywood Reporter
Kirk Honeycutt
Less a political movie than a boxing film without the gloves.

63
Boston Globe
Ty Burr
Despite a moving, canny incarnation of the man by Frank Langella, despite a slickly entertaining coffee-table production as only Ron Howard knows how, the movie feels cooked up.

60
Film Threat
Scott Mendelson
Fails to add anything of substance to the history that it portrays.

50
Miami Herald
Rene Rodriguez
Despite the great care and research that went into the movie, Frost/Nixon pales in comparison to Oliver Stone's "Nixon" when it comes to humanizing the infamous leader.

50
New York Magazine
David Edelstein
Unsatisfying even if, like me, you're a lifelong aficionado of Nixon-bashing.


The average user rating for this movie is 7.5 (out of 10) based on 63 User Votes
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