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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
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66
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48
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56
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82
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89
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Harvard Beats Yale 29-29
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40
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Rudo y Cursi
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Seraphine
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Sex Positive
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Sin Nombre
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Song of Sparrows, The
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60
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22
What Goes Up
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57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Girl, The
Artistic License Films
MPAA RATING: Not Rated
Starring
Agathe de la Boulaye (The Narrator),
Claire Keim,
Pascal Cervo,
Ronald Guttman,
Cyrille Hertel,
Cyril Lecomte,
Sandra N'Kaye,
and
Franck Prevost
Follows the spiraling affair between the film's narrator - a beautiful painter (de la Boulaye) - and a nightclub singer who she calls The Girl (Keim). (Artistic License)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Monique Wittig
Sande Zeig
|
| DIRECTED BY: |
Sande Zeig
|
| RELEASE DATE: |
DVD: February 19, 2002
Video: February 19, 2002
Theatrical: April 6, 2001
|
| RUNNING TIME: |
83 minutes, Color |
| ORIGIN: |
France |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
75
Boston Globe
Loren King
Somewhat overstylized and deliberately enigmatic, The Girl won't appeal to everyone. But its ambition and beauty ultimately triumph over pretense.

70
Los Angeles Times
Kevin Thomas
In her feature debut, Zeig, -- displays confidence and style aplenty.

50
Miami Herald
Marta Barber
What you'll remember most are a pretty face and the hot and steamy sex scenes. That is not enough.
50
New York Post
Lou Lumenick
May be the steamiest lesbian romp in recent memory.
50
Philadelphia Inquirer
Carrie Rickey
Suggests that one way women can fight male violence is by using the weapons of the alpha male: Marking one's territory and firing upon anyone who trespasses.

50
New Times (L.A.)
David Ehrenstein
More art-directed than directed, there's nothing in the way of serious thought to be found here,

50
New York Daily News
Elizabeth Weitzman
This pretty trifle is a movie about gorgeous women having an illicit affair -- period.

50
TV Guide
Maitland McDonagh
Unfortunately, the result is little more than a glossy parlor trick, a stripped-to-the-bone "Of Human Bondage" recast with two women.

40
Austin Chronicle
Marjorie Baumgarten
Plot and character development are scarce; the film is more an abstraction than an absorption.

40
Village Voice
Jessica Winter
Agathe de la Boulaye, as The Painter, gives off an appealing air of good-natured amusement, which is appropriate given her surroundings.

30
LA Weekly
Chuck Wilson
Like the film's characters, the city of Paris has been made faceless, as if it too were merely the pawn in a representational hell where light and color and shading are forbidden.

25
San Francisco Chronicle
Carla Meyer
Numbingly dull and repetitive.

20
Mr. Showbiz
Michael Atkinson
The dialogue is trite and tinnily recorded, and the actresses have the chops of high-school drama students.
10
The New York Times
A.O. Scott
Has the dreary one-track banality of a feature-length version of an episode of "Red Shoe Diaries," Showtime's series for people who like soft core but are too lazy to leave the house.


The average user rating for this movie is 7.7 (out of 10) based on 4 User Votes
Note: User votes are NOT included in the Metascore calculation.
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