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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Golden Bowl, The
Lions Gate Films Inc.
FILM:
MPAA RATING: R for a sex scene
Starring
Uma Thurman,
Jeremy Northam,
Kate Beckinsale,
Nick Nolte,
Anjelica Huston,
James Fox,
Madeleine Potter,
and
Peter Eyre
An intricately plotted tale of thwarted love and betrayal which tells the story of an extravagantly rich American widower (Nolte) and his sheltered daughter (Beckinsale), both of whom marry only to discover that their respective mates, a beautiful American expatriate and an impoverished Italian aristocrat (Thurman and Northam), are entangled with one another in a romantic intrigue of seduction and deceit. (Lions Gate Films)
| GENRE(S): |
Romance
|
| WRITTEN BY: |
Henry James (novel)
Ruth Prawer Jhabvala
|
| DIRECTED BY: |
James Ivory
|
| RELEASE DATE: |
DVD: November 6, 2001
Video: November 6, 2001
Theatrical: April 27, 2001
|
| RUNNING TIME: |
134 minutes, Color |
| ORIGIN: |
USA / France / UK |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
90
Wall Street Journal
Joe Morgenstern
The team's (Merchant-Ivory) best adaptation yet of a Henry James novel.
90
Los Angeles Times
Kevin Thomas
Yet another Merchant Ivory triumph.

83
Portland Oregonian
Shawn Levy
It's splendid period filmmaking, grown-up and luxurious and gossipy without ever feeling fussy.

80
The New York Times
Stephen Holden
If this handsome, faithful, intelligent screen adaptation of the novel doesn't leave you devastated, its ominous sense of a rarefied moral and aesthetic world bending before the accelerating streetcar of history will leave you with a mournful sense of loss.

80
Mr. Showbiz
Kevin Maynard
A meticulously mounted film that retains the author's ambiguous characterizations yet is still emotionally accessible.
75
Philadelphia Inquirer
Steven Rea
If The Golden Bowl -- isn't charged with electric emotion, well, that's not what Henry James or James Ivory is about.
75
Boston Globe
Jay Carr
What Merchant, Ivory and Co. arrive at is a sort of handsomely illustrated Cliffs Notes version of the novel.
75
Christian Science Monitor
David Sterritt
Too staid and stolid for audiences on the hunt for easy entertainment.

75
New York Post
Jonathan Foreman
But it is Thurman who stands out, with a marvelous, full-blooded performance, her best in some time, as tragic Charlotte.
75
Chicago Sun-Times
Roger Ebert
I admired this movie. It kept me at arm's length, but that is where I am supposed to be; the characters are after all at arm's length from each other, and the tragedy of the story is implied but never spoken aloud.

70
Film.com
Elizabeth Weitzman
Were the casting stronger, the film -- would have had a better chance of transcending its lack of subtlety.

70
New Times (L.A.)
Jean Oppenheimer
Worth the price of admission if only to see the slinky Thurman decked out in a form-fitting, sequined pre-flapper era outfit. The word stunning hardly does her justice.

70
LA Weekly
F. X. Feeney
Seen in the bowl's metaphoric reflection, Nolte's Adam, with his patronizing wish to build a great art museum to "give something back" to the poor laborers who built his fortune, is a complex American monster.

70
Washington Post
Desson Thomson
Another handsome, dramatically moribund adaptation of a grand old classic.

67
Entertainment Weekly
Owen Gleiberman
There's no mirth, and precious little passion, left in this house.

67
Austin Chronicle
Marrit Ingman
If it's not perfect, it still gives pleasure to the eye.

63
Miami Herald
Rene Rodriguez
Certainly diverting and, in Thurman, it also has a knockout of a performance.
63
New York Daily News
Jami Bernard
Nolte, at least, delivers his lines with laser accuracy, and gives The Golden Bowl the life that so much cogitation could have drained from it.

60
Chicago Reader
Lisa Alspector
This early-1900s costume drama surely differs from Henry James's source novel.

60
New York Magazine
Peter Rainer
What makes Nolte so much stronger than the other performers is precisely this sense of mysteriousness and indirection, which doesn't really correspond to the Adam Verver of the novel but certainly jibes with James's overall method.

58
Seattle Post-Intelligencer
Sean Axmaker
The restraint so magnificently applied in "The Remains of the Day" has simply fallen into disconnection.

50
USA Today
Mike Clark
The movie establishes good will (or even great will) in the initial scenes because it's so gorgeous, but the rest is such a slog.

50
Chicago Tribune
Mark Caro
Dances in circles until you tire of admiring it.
50
San Francisco Chronicle
Edward Guthmann
Impeccably mounted, nicely scored and beautifully written.

50
Village Voice
Jessica Winter
Though it often wallows in louche baroque textures, The Golden Bowl is perhaps the most visually accomplished of the Ivory soaps.

50
Charlotte Observer
Lawrence Toppman
Henry James' tangled, turgid prose always seems to me like a thicket of thorn trees -- so I should be grateful when somebody does the job for me on film. But I'm not - at least, in the case of The Golden Bowl.

50
Variety
Emanuel Levy
A deliberately paced literary film that takes too long to build narrative momentum and explore its central dramatic conflicts.

50
TV Guide
Ken Fox
What is grating is the filmmakers' perennial tendency to underestimate their audiences; their lack of faith leads them to drive home each nuance with a hammer.

40
Washington Post
Rita Kempley
Its splendor cannot be denied, but then again neither can the emptiness of this Henry James adaptation.

25
Baltimore Sun
Michael Sragow
Takes a literary milestone of ambiguity and makes everything about it blisteringly obvious.


The average user rating for this movie is 5.1 (out of 10) based on 7 User Votes
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