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Good German, The
Warner Bros. Pictures


5.3

based on 34 reviews
Read critic reviews
How did we calculate this?

based on 24 votes
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FILM:

MPAA RATING: R for language, violence and some sexual content

Starring George Clooney, Cate Blanchett, Tobey Maguire, Beau Bridges, Tony Curran, Leland Orser, Jack Thompson, and Robin Weigert

Based on the novel by Joseph Kanon, The Good German takes place in the ruins of post-World War II Berlin, where U.S. Army was correspondent Jake Geismar (Clooney) becomes embroiled with Lena Brandt (Blanchett), a former lover whose missing husband is the object of a manhunt by both the American and Russian armies. (Warner Bros.)

GENRE(S):	Drama \| Mystery \| Romance \| Suspense/Thriller
WRITTEN BY:	Paul Attanasio Joseph Kanon (novel)
DIRECTED BY:	Steven Soderbergh
RELEASE DATE:	DVD: May 22, 2007 Theatrical: December 15, 2006
RUNNING TIME:	105 minutes, B/W
ORIGIN:	USA

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

Rolling Stone Peter Travers

This is Soderbergh's show, and a haunting and hypnotic show it is.

The Onion (A.V. Club) Scott Tobias

With a few self-conscious exceptions, Soderbergh makes an earnest attempt to return to that place and time in both history and American filmmaking, and his risk-taking pays fascinating dividends.

The Hollywood Reporter Kirk Honeycutt

Blanchett gets everything right -- the accent, her German dialogue, the weary sexuality (deliberately reminiscent of Marlene Dietrich) and the amorality her character has embraced.

Entertainment Weekly Lisa Schwarzbaum

The leisure-time viewer will say, ''Hey, this is sort of like "Casablanca," so why play it again?''

New York Post Lou Lumenick

While Clooney and especially Blanchett give solid performances, and McGuire plays effectively against type, the movie is best appreciated as an exercise in vintage Hollywood style.

Chicago Reader J.R. Jones

Set in postwar Berlin, the story involves prostitution, black marketeering, and the death camps, and the tension between the visual style and the adult story makes the movie pretty engrossing -- it's an R-rated "Casablanca."

LA Weekly Ella Taylor

Sumptuous, clever and cold.

ReelViews James Berardinelli

The Good German, Steven Soderbergh's film noir homage, is nearly perfect when it comes to style and tone, but it concentrates so single-mindedly on the mechanics of the narrative that it loses sight of its characters.

TV Guide Maitland McDonagh

But for all the profane language and sexual frankness, Soderbergh's film is no more cynical or world-weary than its inspirations, and in the end, it feels like a clever trick wrapped around a hollow center.

The Globe and Mail (Toronto) Rick Groen

Here's what's good about The Good German: The look is fantastic; technically, the movie is a retro marvel. Here's what's bad: The script sucks; it keeps promising to be clever, engaging, subtle and completely fails to deliver.

Film Threat Mark Bell

Overall, while the film is a gorgeous, nostalgic cinema experience, and there's definitely a multiple of mini-plots to unravel while you work towards the final resolution, the film comes up as a bit of a dud.

Christian Science Monitor Peter Rainer

The Good German is a prime example of a movie made by highly skilled and intelligent filmmakers that nevertheless seems misguided from the get-go.

Premiere Glenn Kenny

I hold Soderbergh in high esteem, but as handsome a technical achievement as it is, The Good German plays to me as a failed experiment.

USA Today Claudia Puig

Soderbergh's homage to film noir and wartime thrillers, is technically stunning but narratively and thematically hollow.

Los Angeles Times Carina Chocano

It does get mired in its obsession with its own style.

Variety Todd McCarthy

For actor and director, the project seems like trying on a new coat, and it doesn't fit either of them.

Time Richard Schickel

Soderbergh doesn't miss a trick, and for a while it's fun for us to share in his fun. But there comes a moment when his Euro-noir film turns into another sort of exercise for the audience: an exercise in boredom.

New York Magazine David Edelstein

Steven Soderbergh is usually an inspired chameleon, perfectly suiting his style to his content. But The Good German is an ambitious miss...It's all very beautiful, high-minded, and remote.

The New Yorker Anthony Lane

How, then, does The Good German--adapted by Paul Attanasio from Joseph Kanon's novel--wind up so insubstantial, its impact lasting no longer than a cigarette?

Newsweek David Ansen

Attempting a frame-by-frame duplication of Warner Bros. '40s filmmaking--even the extroverted acting style apes the period--Soderbergh has produced a movie so self-conscious that it's drained of all life.

New York Daily News Jack Mathews

If you feel anything other than admiration for its craftsmanship, let me know; The Good German is as emotionally cold and unconvincing as any movie I've seen this year.

Washington Post Stephen Hunter

Of The Good German, it can be said that the operation was a brilliant success, even if the patient is not merely dead but most sincerely dead. The movie, in other words, lies there as if on a slab in a morgue, while you admire the corpse for its beauty.

Miami Herald Rene Rodriguez

Fascinating in concept but a disaster in execution.

Seattle Post-Intelligencer William Arnold

Far from the worst movie of 2006, but it may be the most disappointing. It should have been wonderful -- a delicious tribute to classic Hollywood -- but it simply doesn't come off.

The New Republic Stanley Kauffmann

I could have managed to bear all the film's shortcomings if it weren't for Clooney. Where was he during the making of this film? His face is there, he knows his lines, he moves as needed, but any traces of the intelligence and rapport, the subtlety and understanding, that have marked his best work are excruciatingly missing. Clooney behaves as if he discovered after he had committed to the film that he really didn't like the script as much as he thought he did but would go through with it anyway. The result is puppetry.

Empire Ian Freer

This should have been Soderbergh gold. Instead it is mostly unengaging and dull, proof positive that they don't make them like they used to.

Village Voice J. Hoberman

However flavorsome though, The Good German is seriously deficient in the stars' star power and narrative excitement. The movie is lovingly framed, carefully lit, and fatally insipid. The direction is slack; the pacing is perfunctory.

Wall Street Journal Joe Morgenstern

Steven Soderbergh's new film is a puzzle wrapped in a mystery inside a perversity. The puzzle is Mr. Soderbergh's approach to what might have been an intriguing experiment, rather than the off-putting one it turned out to be.

The New York Times Manohla Dargis

In his genre pastiche The Good German, Steven Soderbergh has tried to resurrect the magic of classical Hollywood, principally by sucking out all the air, energy and pleasure from his own filmmaking.

Philadelphia Inquirer Steven Rea

Tobey Maguire, terribly miscast and squeaky (that voice - it belongs to a kid!).

Boston Globe Ty Burr

There's a great movie somewhere in The Good German, but it's buried under three tons of run-amok formalism.

Chicago Tribune Michael Phillips

The Good German is just stiff. When Soderbergh tries one of those patented swoop-in-on-the-diagonal moves at a key dramatic moment, the effect is comic. And at that precise moment, the story starts dying a slow, oxygen-deprived death.

Salon.com Stephanie Zacharek

With The Good German, Soderbergh -- generally a terrific and creative filmmaker -- apes a style, and a way of seeing, that he clearly doesn't understand. It feels like a hit to the stomach.

San Francisco Chronicle Mick LaSalle

Blanchett's performance is Soderbergh's biggest mistake. He either encourages or permits her to play Lena as a Greta Garbo caricature, which is mildly amusing if you're interested in Garbo, but if you're interested in Lena and The Good German, you're out of luck.

The average user rating for this movie is 5.3 (out of 10) based on 24 User Votes
Note: User votes are NOT included in the Metascore calculation.

Tony B. gave it a6:
"The Good German" is among the more underrated films of 2006.

Dan C. gave it a5:
This film wants desperately to be "The Third Man" but it just isn't. It never manages to create the right mood. It feels staged and non-authentic throughout. The actors are not up to the material or setting. Tobey Maguire and George Clooney are both surprisingly weak, and I say that as a big fan of Maguire. A big disappointment.

Williams G. gave it a1:
A huge disappointment. It was in no way similar to the very good book -- a very poorly done movie -- convoluted and impossible to follow -- the characters shallow. A complete waste of time!

MJ gave it a9:
If you are fan of old B&W movies...it is a really wonderful film. I thoroughly enjoyed it and think that the critics failed to see what an interesting work it was.

Joe Average gave it a1:
1 out of 10 for taking notes while the film crew watched The Third Man during pre-production (although they forgot to take down notes on characterization, plot and conveying emotion) Seriously, do yourself a favor and rent the far, far superior The Third Man, and don't bother with this painfully anal homage.

Anders J. gave it a1:
One of the most unbearably pretentious movies I have ever seen. Go rent the Third Man but don't see this movie, It's a complete hack job. Tobey Maguire is completely miscast and its painful to watch.

Roberto S. gave it a9:
Excellent movie. Not only technically refined, but also very complex intellectually and emotionally.

Good German, The Warner Bros. Pictures

Good German, The
Warner Bros. Pictures