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Gran Torino
EMAILPRINTWarner Bros. Pictures

Generally favorable reviews
Based on 34 critic reviews
How did we calculate this?
Based on 282 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Action | Drama | Suspense/Thriller
Written by:
Dave Johannson (story)
Nick Schenk (& story)
Directed by: Clint Eastwood
Release Date:
Theatrical: December 12, 2008
DVD: June 9, 2009
Running Time: minutes, Color
Origin: USA
Summary
RATING: R for language throughout, and some violence
Starring Clint Eastwood, Bee Vang, Ahney Her, and Christopher Carley
Retired auto worker Walt Kowalski fills his days with home repair, beer and monthly trips to the barber. The people he once called his neighbors have all moved or passed away, replaced by Hmong immigrants, from Southeast Asia, he despises. Resentful of virtually everything he sees--Walt is just waiting out the rest of his life. Until the night someone tries to steal his `72 Gran Torino. The Gran Torino brings his shy teenaged neighbor Thao into his life when Hmong gangbangers pressure the boy into trying to steal it. But Walt stands in the way of both the heist and the gang, making him the reluctant hero of the neighborhood--especially to Thao's mother and older sister, Sue, who insist that Thao work for Walt as a way to make amends. Though he initially wants nothing to do with these people, Walt eventually gives in and puts the boy to work fixing up the neighborhood, setting into motion an unlikely friendship that will change both their lives. (Warner Bros. Pictures)
Also On The Web: Internet Movie Database Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Entertainment Weekly Lisa Schwarzbaum
A movie at once understated and radical, deceptively unremarkable in presentation and ballsy in its earnestness. Don't let the star's overly familiar squint fool you: This is subtle, perceptive stuff.
Read Full Review >Village Voice Scott Foundas
Above all, it feels like a summation of everything he (Eastwood) represents as a filmmaker and a movie star, and perhaps also a farewell.
Read Full Review >Los Angeles Times Kenneth Turan
Perhaps the best thing about Schenk's script is that it enticed Eastwood to end his self-imposed acting hiatus and bring his one-of-a-kind aura back to the screen.
Read Full Review >The New York Times Manohla Dargis
Mr. Eastwood is also an adept director of his own performances and, perhaps more important, a canny manipulator of his own iconographic presence.
Read Full Review >Austin Chronicle Marjorie Baumgarten
Eastwood finds the humorous aspects of the character as well, no more so than when the appetite of the widower who lives on beef jerky and Pabst Blue Ribbon becomes the center of attention among the Hmong women cooks.
Read Full Review >Miami Herald Rene Rodriguez
The movie is supremely entertaining -- and often hilarious.
Read Full Review >Rolling Stone Peter Travers
A lifetime in movies runs through this prime vintage Eastwood performance. You can't take your eyes off him. The no-frills, no-bull Gran Torino made my day.
Read Full Review >New York Post Lou Lumenick
It's also a terrific, career-capping role for Eastwood, who claims he's now retired as an actor. He shows off his comic chops more fully than in any film since "Bronco Billy" more than a quarter-century ago.
Read Full Review >Chicago Sun-Times Roger Ebert
Stars Eastwood as an American icon once again -- this time as a cantankerous, racist, beer-chugging retired Detroit autoworker who keeps his shotgun ready to lock and load. Dirty Harry on a pension, we're thinking, until we realize that only the autoworker retired; Dirty Harry is still on the job.
Read Full Review >Wall Street Journal Joe Morgenstern
It's a meditation, as affecting as it is entertaining, on the limits of violence and the power of unchained empathy.
Read Full Review >Washington Post Ann Hornaday
If you can survive the F-bombs and the near-constant ethnic invective, Gran Torino is not to be missed, if only as the gutsy, thoroughly unexpected valedictory of an icon fully willing to spend every bit of his considerable capital.
Read Full Review >The New Yorker David Denby
The movie was not written for Eastwood, but it still seems to be all about him--his past characters, his myth, his old role as a dispenser of raw justice.
Read Full Review >Empire Angie Errigo
Simply terrific, enormously watchable and an absolute must for all Eastwood fans. Gotta say it: this film will make your day.
Read Full Review >Christian Science Monitor Peter Rainer
This is Eastwood's first acting job since "Million Dollar Baby," and his range, like his raspiness, is fairly one-note.
Read Full Review >Portland Oregonian Shawn Levy
Gran Torino amounts to one more elegiac movement in Eastwood's astonishing late-career symphony.
Read Full Review >Philadelphia Inquirer Carrie Rickey
For those who gripe that America doesn't make cars or movies like it used to, Clint Eastwood has two words for you: Gran Torino.
Read Full Review >Seattle Post-Intelligencer William Arnold
This movie seems even rougher around the edges than much of his past work. Still, it's hard to resist.
Read Full Review >USA Today Claudia Puig
Earnest and understated, Gran Torino is an unflinching examination of themes that have fascinated Eastwood in most of his recent films: family, war, loss, faith and unexpected human connection.
Read Full Review >ReelViews James Berardinelli
An amazingly over-the-top anti-racism parable but, despite its obvious shortcomings, it is nevertheless effective and affecting.
Read Full Review >The Onion (A.V. Club) Keith Phipps
Eastwood directs with his usual relaxed pace and bursts of intensity, a style that's pleasing to watch--and which, also as usual, never fully compensates for any shortcomings of the script handed to him.
Read Full Review >Slate Dana Stevens
Eastwood's furthest venture yet into the comic possibilities of his flintier-than-thou persona.
Read Full Review >Variety Todd McCarthy
Highlighted by the star's vastly entertaining performance, this funny, broad but ultimately serious-minded drama about an old-timer driven to put things right in his deteriorating neighborhood looks to be a big audience-pleaser.
Read Full Review >New York Magazine David Edelstein
The movie is ludicrous, but Eastwood’s consistency is poignant. He has an agenda and sticks to it.
Read Full Review >Film Threat Scott Mendelson
Gran Torino is not a masterpiece. It’s a fun character drama that features a knowing but winning final performance by Clint Eastwood and just enough commentary to make it worth discussing.
Read Full Review >Salon.com Stephanie Zacharek
Until Gran Torino starts rumbling headlong toward its tone-deaf, self-serious ending -- the script is by Nick Schenk -- it's often enjoyable, satisfying and funny.
Read Full Review >The Hollywood Reporter Kirk Honeycutt
Eastwood has always had the gift for comedy in his acting repertoire, but he indulges in it only rarely. His fans might embrace this return to comedy.
Read Full Review >New York Daily News Elizabeth Weitzman
Eastwood's performance is the movie's centerpiece, and as you might expect, it's just tough enough to hold everything together.
Read Full Review >Chicago Tribune Michael Phillips
Eastwood's foursquare directorial aesthetic tends to heighten, rather than camouflage, a screenplay's shortcomings.
Read Full Review >San Francisco Chronicle Mick LaSalle
Maybe this mixed-up and weird, awful but awfully likable movie is what Dirty Harry had coming to him, after all.
Read Full Review >Chicago Reader J.R. Jones
Eastwood is still a primal force on-screen, but his unusual practice of shooting scripts as written, which served him well on "Unforgiven" and "Million Dollar Baby," here leaves him exposed to Nick Schenk's familiar situations and awkward dialogue.
Read Full Review >The Globe and Mail (Toronto) Liam Lacey
Gran Torino skids into the narrative ditch. By the time it jolts to an ending, followed by Clint rasping a tune to the closing credits, you're more likely to be rolling your eyes than dabbing them.
Read Full Review >Charlotte Observer Lawrence Toppman
Nick Schenk's well-intentioned script employs the creaky old Hollywood device of reversing everything set up in its first half.
Read Full Review >Baltimore Sun Michael Sragow
It's no compliment to say a movie is "all of a piece" if the piece is all worn out. For all its surface harshness, this movie is a star vehicle at once rickety and cozy.
Read Full Review >What Our Users Said
The average user rating for this movie is 8.5 (out of 10) based on 282 User Votes
Note: User votes are NOT included in the Metascore calculation.
Ricardo C. gave it a9:
It's a shame that most of the people can't realize this is not about "gangster / redemption / retribution ", but well, like Lisa Schwarzbaum said: This is subtle, perceptive stuff.
Tom gave it a10:
The movie is one of the best films I've seen in years. This is plain and simply a masterpiece made out of a plot that a 10 year old could have written. And that, I have learned, is what separates the true moviemakers from the wannabes.
Vinay gave it a6:
Decent performance from Eastwood but really nothing new at all in the gangster / redemption / retribution themes the movie throws up.
Kelly M. gave it an8:
Surprisingly thoughtful and hopeful in cracking the fault lines between the races and what people fear they don't like or don't know. Cheers to Mr Eastwood for this great film
John T gave it a7:
I'm having a hard time deciding on how I feel about this movie. Eastwood did an incredible job on many fronts. But, as a lot of people have said, the supporting cast was very weak. Their acting was nearly cringe-worthy at times. I'm a huge stickler for bad acting/dialogue but this movie was strange for the very reason that I actually sat through the whole thing and thoroughly enjoyed it despite all the awkward acting.. it was still, in many ways, very affecting and compelling... somehow.
Philip F gave it a10:
I would be surprised if this is not Film of the Year. Superb story and acting with Eastwood getting better in old age, both as actor and director.
Terry C gave it a6:
A lot of potential, spoiled by reprehensible acting from everyone except Clint. I was laughing in parts where I really shouldn't have been laughing. But still enjoyable enough to earn a slightly passing grade.
