|

Now Playing
Critics & Publications
Archives: A-Z Index
Advanced Search
Upcoming Release Calendar
Weekend Box Office
Film Awards & Top 10s By Year
All-Time High Scores
All-Time Low Scores
How Metascores Are Calculated
Discuss Film In Our Forums

Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Grudge, The
Columbia Pictures / Sony Pictures Entertainment
FILM:
MPAA RATING: PG-13
Starring
Sarah Michelle Gellar,
Jason Behr,
Clea DuVall,
William Mapother,
KaDee Strickland,
Bill Pullman, Rosa Blasi,
Grace Zabriskie,
and
Courtney Webb
Sarah Michelle Gellar stars in this remake of director Takashi Shimizu's popular Japanese movie "Ju-On: The Grudge."
| GENRE(S): |
Drama
|
Horror
|
Suspense/Thriller
|
| WRITTEN BY: |
Stephen Susco
Takashi Shimizu (film Ju-On: The Grudge)
|
| DIRECTED BY: |
Takashi Shimizu
|
| RELEASE DATE: |
DVD: May 17, 2005
Theatrical: October 22, 2004
|
| RUNNING TIME: |
96 minutes, Color |
| ORIGIN: |
Japan / USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
75
Chicago Tribune
Robert K. Elder
A master of atmosphere, Japanese director Takashi Shimizu leads his audience along on a celluloid leash to his pitch-black attic of horror, inviting each hair on the back of your neck to stand up.

75
Seattle Post-Intelligencer
Sean Axmaker
There is no "why" in The Grudge, at least not an explanation that provides comfort or cure. It simply is. That's what makes it really scary.

75
Baltimore Sun
Chris Kaltenbach
The only character with any personality in The Grudge is a Tokyo house, but not to worry - it's got enough mean in it to keep any horror movie afloat.

70
Washington Post
Stephen Hunter
It's enough to send you home with jiggly knees and a tummy ache.

70
TV Guide
Maitland McDonagh
One of the flat-out creepiest films ever released by a major American studio.

70
The Hollywood Reporter
Richard James Havis
Slightly less frightening than the original, but it's still a scary psycho-horror that effectively replicates its bleak and crisp shocks.

63
Miami Herald
Rene Rodriguez
This is an eerie, inventively mounted movie: It's a shivery fun time, filled with dark corners, deserted hallways and sudden apparitions. But it never manages to genuinely rattle you.

60
Empire
Olly Richards
A lean, atmospheric and acutely creepy little horror pic - nothing more, nothing less.

60
Washington Post
Michael O'Sullivan
It's effectively frightening. It's just not the kind of frightening that stays with you very long, unless of course someone decides to make the same movie . . . yet again.

58
Entertainment Weekly
Owen Gleiberman
A horror film that consists of virtually nothing but don't-go-in-the-attic suspense scenes strung together with a reasonable degree of brooding mood and a minimum of logic.

58
Portland Oregonian
M. E. Russell
In the hands of a less-skilled director, this Hollywood-mandated need to impose order could have ended in disaster.

50
Chicago Reader
J.R. Jones
Most of the chills have been faithfully re-created, though first-time screenwriter Stephen Susco hasn't done much to straighten out the muddled narrative.

50
ReelViews
James Berardinelli
Pretty much a one-trick pony, and, after a while, that trick loses its ability to impress.

50
Philadelphia Inquirer
Steven Rea
It isn't frightening. Sometimes, in fact, it's laughable.

50
The Globe and Mail (Toronto)
Liam Lacey
There are so many events here but no real story. Perhaps that is what's making the drowned kabuki ghost so irate: She's desperate to find a coherent script.

50
New York Daily News
Jami Bernard
Like a good horror movie, the images, jolts and artistically directed disorientation will keep your stomach clenched...Like a bad one, it doesn't make a lick of sense.

50
San Francisco Chronicle
Peter Hartlaub
Shimizu can't quite pull everything together, trying to get off easy with a bargain-bin twist ending that most of the audience will see coming by the time the pile of corpses reaches double digits.

50
Boston Globe
Wesley Morris
Takes a leaf from the "Psycho" handbook and abandons its star for stretches here and there.

50
Film Threat
Pete Vonder Haar
The benchmark for any horror movie, of course, is how well it frightens you, and The Grudge is pretty satisfactory in that regard.

50
Charlotte Observer
Lawrence Toppman
The cast is drab and lifeless, the characterization non-existent, the ending simply impossible. Between our jumps of fright come lumps of time that take forever to pass.

50
USA Today
Mike Clark
At least the horror premise here has a hook - a house can spread its curse like a plague to adversely affect all who enter.

50
Austin Chronicle
Marc Savlov
Its not a disaster by any stretch, but purists will ache to show newcomers the horrific genius of "Ju-on" over The Grudge as soon as they exit the theatre.

50
New York Post
V.A. Musetto
The Grudge offers a bit more exposition than did "Ju-On," but the plot is still wispy.

50
Premiere
Peter Debruge
American audiences have seen Ju-On. And The Grudge just goes to show why remaking it is such a frivolous idea: What's the use in wasting so much energy if the filmmakers aren't going to fix what was wrong with the movie in the first place?

50
The New York Times
Manohla Dargis
Less scary than creepy, The Grudge may have lost some oomph in the translation from Japanese to English, and the desire for a PG-13 rating probably muted the violence and perhaps the scares.

50
Village Voice
Jessica Winter
The overdetermined approach preempts character shadings or social subtext-just compare Hideo Nakata's original "Ring," which tapped its dread from viral-replicant mass culture and its pathos from a broken home, or Nakata's "Dark Water," which channeled the sorrow, guilt, and paranoia felt by a young divorcée mired in a custody battle.

50
The Onion (A.V. Club)
Keith Phipps
Less a film than a terror delivery system, The Grudge repeatedly shows off Shimizu's technical chops, but never gives viewers a reason to care about or identify with the victims.

40
Dallas Observer
Gregory Weinkauf
Despite the tighter rewrite and the slicker production, it's obvious that Shimizu is still searching for what scares him, and until he finds it, he doesn't stand--ahem--a ghost of a chance of frightening us.

40
LA Weekly
Chuck Wilson
Isn't art, but as date-night fright flicks go, it's effective.

40
Los Angeles Times
Kevin Thomas
More than anything, The Grudge suggests that it's time for Shimizu to move on.

30
Variety
Scott Foundas
Viewers of this Sam Raimi-produced, sub-"Amityville" scarefest are likely to hold the real grudge.

25
Chicago Sun-Times
Roger Ebert
Sarah Michelle Gellar, the nominal star, has been in her share of horror movies, and all by herself could have written and directed a better one than this.


The average user rating for this movie is 6.0 (out of 10) based on 94 User Votes
Note: User votes are NOT included in the Metascore calculation.
Read more user comments...
Discuss this movie in our forums |
|