Movies
Weekend Box Office
Film Awards & Top 10s By Year
All-Time High Scores
All-Time Low Scores
Best / Worst of the Decade
Wide Releases
Now In Theaters
49
2012
41
Alvin and the Chipmunks: The Squeakquel
84
Avatar![]()
69
Bad Lieutenant: Port of Call New Orleans
53
Blind Side
53
Book of Eli, The
55
Christmas Carol, A
57
Daybreakers
43
Dear John
27
Did You Hear About the Morgans?
55
Edge of Darkness
45
Extraordinary Measures
83
Fantastic Mr. Fox![]()
42
From Paris with Love
65
Imaginarium of Doctor Parnassus, The
74
Invictus
57
It's Complicated
34
Law Abiding Citizen
33
Leap Year
33
Legion
42
Lovely Bones, The
54
Men Who Stare At Goats, The
34
Ninja Assassin
19
Old Dogs
xx
Percy Jackson & The Olympians: The Lightning Thief
39
Planet 51
79
Precious: Based on the Novel by Sapphire
73
Princess & the Frog, The
64
Road, The
57
Sherlock Holmes
27
Spy Next Door, The
36
Tooth Fairy
44
Twilight Saga: New Moon, The
83
Up in the Air![]()
43
Valentine's Day
25
When in Rome
71
Where the Wild Things Are
xx
WolfMan, The
63
Youth in Revolt
Stars indicate the most critically-acclaimed movies.
Limited Releases
Now In Theaters
46
44 Inch Chest
83
Ajami![]()
73
Amreeka
xx
Barefoot to Timbuktu
19
Bitch Slap
24
Boondock Saints II: All Saints Day, The
76
Broken Embraces
64
Cloud 9
65
Coco Before Chanel
84
Cove, The![]()
84
Crazy Heart![]()
21
Crazy on the Outside
48
Creation
xx
Daddy Long Legs
81
Damned United, The![]()
68
Departures
62
District 13: Ultimatum
85
Education, An![]()
71
Eyes Wide Open
24
Falling Awake
81
Fish Tank![]()
56
For My Father
xx
From Mexico with Love
43
Frozen
68
Girl on the Train, The
52
Killing Kasztner
74
Last Station, The
43
Little Traitor, The
51
Loss of a Teardrop Diamond, The
73
Me and Orson Welles
76
Messenger, The
57
Missing Person, The
67
Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, The
xx
My Name is Khan
49
Nine
63
North Face
59
October Country
67
Off and Running
52
Paranoids, The
49
Pop Star on Ice
49
Private Lives of Pippa Lee, The
xx
Promised Lands (Re-release)
69
Red Riding Trilogy, The
29
Saint John of Las Vegas
69
September Issue, The
36
Serious Moonlight
63
Shinjuku Incident, The
77
Single Man, A
xx
Still Bill
76
Terribly Happy
74
That Evening Sun
19
To Save a Life
68
Town Called Panic, A
59
Until the Light Takes Us
57
Videocracy
65
Waiting for Armageddon
82
White Ribbon![]()
43
Women in Trouble
xx
Word is Out
64
Young Victoria, The
Stars indicate the most critically-acclaimed movies.
Hannah Takes the Stairs

Generally favorable reviews
Based on 15 critic reviews
How did we calculate this?
Based on 9 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Drama
Written by:
Joe Swanberg, Greta Gerwig, Kent Osborne
Andrew Bujalski, Mark Duplass
Ry Russo-Young
Kevin Bewersdorf
Directed by: Joe Swanberg
Release Date:
Theatrical: August 22, 2007
DVD: April 22, 2008
Running Time: 83 minutes, Color
Origin: USA
Summary
RATING: Not Rated
Starring Greta Gerwig, Kent Osborne, Andrew Bujalski, Ry Russo-Young, Mark Duplass, Todd Rohal, Tipper Newton, and Kris Williams
Hannah, a recent college graduate, spends a brutally hot Chicago summer falling in and out of love. As she struggles to find personal and professional fulfillment through various relationships with friends and coworkers, she risks leaving destruction in her wake. Working collaboratively with his cast, which features several prominent independent filmmakers, Joe Swanberg follows up his previous efforts, "Kissing on the Mouth" and "LOL", with this delicate look at friendship, ambition, and the pursuit of happiness. (IFC Films)
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Film Threat Don R. Lewis
What really elevates Hannah Takes the Stairs is the truly outstanding performance by Greta Gerwig.
Read Full Review >Austin Chronicle Marrit Ingman
The film has no script; it goes from moment to moment unhurriedly.
Read Full Review >Seattle Post-Intelligencer Andy Spletzer
Though the dialogue feels improvised and honest, the movie is less honest in creating its world.
Read Full Review >Chicago Tribune Sid Smith
Intimacy is graphically portrayed, down to recurring moments in a bathtub, including a memorable duet trumpet rendition of “The 1812 Overture.” Chop off a star if you’re not up for highly experimental cinema.
Read Full Review >New York Post V.A. Musetto
How can a movie with such a charming cast (let's not forget Ry Russo-Young as Hannah's female roommate) and believable dialogue (seemingly taken from the actors' real lives) go wrong? It can't.
Read Full Review >The Onion (A.V. Club) Noel Murray
Doesn't rise to the level of Bujalski's breakthrough feature "Mutual Appreciation," mainly because Swanberg doesn't have Bujalski's eye.
Read Full Review >Boston Globe Ty Burr
Shot with intentionally banal anti-style - minimal soundtrack music, found sound, jitter-cam - the movie achieves a wisdom that's bigger than it seems.
Read Full Review >LA Weekly Scott Foundas
Like most of the men in the film, we would happily follow her anywhere.
Read Full Review >Los Angeles Times Carina Chocano
There's something to be said for cinema this perversely naturalistic.
Read Full Review >Entertainment Weekly Owen Gleiberman
What defines the slacker-geek twentysomething men and women who wander through Joe Swanberg's too-hip-to-be-romantic comedy Hannah Takes the Stairsis that they treat their libidos as minor accessories -- only to stammer through every casual conversation as if they were on a first Internet date.
Read Full Review >Salon.com Andrew O'Hehir
The film's intimacy never feels fake, it's sporadically and unpredictably funny (I didn't exactly enjoy the cacophonous trumpet duet of the "1812 Overture," but I won't soon forget it), and the nonprofessional cast is surprisingly good.
Read Full Review >The New York Times Matt Zoller Seitz
Less notable for its story than for what the movie itself represents: an evolutionary entry in the so-called Do It Yourself (or D.I.Y.) independent film movement.
Read Full Review >San Francisco Chronicle G. Allen Johnson
Though it has merit and is recommended for the curious and adventurous, Joe Swanberg's film wears out its welcome about halfway through its 83 minutes. I'd say it doesn't go anywhere, but that's the point of these movies.
Read Full Review >TV Guide Maitland McDonagh
The loose, rambling conversations that substitute for action might be more interesting if any of the characters were capable of real introspection. But they're so shallow and distracted they can't even manage sustained navel-gazing, which makes their so-called relationships profoundly uninteresting.
Read Full Review >Variety Joe Leydon
Has the unmistakable look and feel of a micro-budget indie produced for a small circle of friends, many of whom are listed in the credits.
Read Full Review >What Our Users Said
The average user rating for this movie is 3.2 (out of 10) based on 9 User Votes
Note: User votes are NOT included in the Metascore calculation.
Peter K. gave it a0:
I thought Paris Hilton could not make movies until I saw this waste of time - now she seems like an Academy Award winner. Plotless, pointless and banal - and hand-held filming to boot - Hannah Takes the Stairs is Cloverfield without the monster. Watch the trailer and save your time.
Jay H. gave it a3:
Very low budget independent film, I suppose there is supposed to be some deep significance to the movie, but I was too bored to care about what that might be. It seemed like a home movie to me, and not an interesting one at that.
Shi T. gave it a10:
We got ourselves some angry reviewers. We put our emotions about drugs, laziness and strangely enough being white get in the way of our review! I bet they are both the same person! No one ever agrees on the internet.
Walter B gave it a1:
Joe's review says it all. It takes seven writers to write something this bland and disgustingly white? Go back to your bongs and give the camera back to Bujalski. At least he writes his garbage alone.
Joe J. gave it a0:
This film is awful and entirely unrepresentative of our generation, unless of course we are all white, wealthy and unmotivated.
