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76
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60
9
17
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37
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53
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66
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45
Box, The
61
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55
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43
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66
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29
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23
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80
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61
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39
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30
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34
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60
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32
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27
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41
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39
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46
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73
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78
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55
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66
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69
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58
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47
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66
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34
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33
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54
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67
Michael Jackson's This Is It
51
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42
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28
Pandorum
63
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86
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35
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48
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30
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53
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24
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83
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33
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45
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55
Taking Woodstock
47
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96
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35
Transformers: Revenge of the Fallen
28
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88
Up![]()
71
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67
Whip It
28
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73
Zombieland
Stars indicate the most critically-acclaimed movies.
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58
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96
35 Shots of Rum![]()
56
Adam
72
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39
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78
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61
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66
Afterschool
xx
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58
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72
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48
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73
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62
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55
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76
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86
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13
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70
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35
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71
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66
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51
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xx
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76
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35
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26
Boondock Saints II: All Saints Day, The
57
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45
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81
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70
Bronson
45
Burning Plain, The
xx
Carriers
55
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57
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62
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65
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69
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59
Collapse
44
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82
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75
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82
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67
Departures
xx
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71
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70
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24
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85
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55
Endgame
xx
Eulogy for a Vampire
xx
Everyone Else
xx
Fatal Promises
56
Fifty Dead Men Walking
62
Five Minutes of Heaven
74
Flame & Citron
49
Food Beware: The French Organic Revolution
80
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28
Free Style
xx
From Mexico with Love
50
Fuel
25
Gentlemen Broncos
50
Give Me Your Hand
58
Gogol Bordello Non-Stop
72
Good Hair
89
Goodbye Solo![]()
52
Grace
64
Harmony and Me
81
Headless Woman, The![]()
xx
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63
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73
House of the Devil, The
xx
How to Seduce Difficult Women
74
Humpday
94
Hurt Locker, The![]()
29
I Hope They Serve Beer in Hell
16
If One Thing Matters: A Film About Wolfgang Tillmans
75
In Search of Beethoven
83
In the Loop![]()
61
Intimate Enemies
42
Irene in Time
70
It Might Get Loud
46
Killing Kasztner
19
Labor Day
xx
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41
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41
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66
Liverpool
34
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80
Lorna's Silence
83
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xx
Ministers, The
59
More Than a Game
67
Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, The
34
Motherhood
62
My One and Only
xx
Mystery Team
48
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73
Night and Day
66
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47
Ong Bak 2: The Beginning
34
Other Man, The
xx
Painter Sam Francis, The
54
Paper Heart
xx
Paradise
68
Paranormal Activity
68
Paris
44
Peter and Vandy
35
Play the Game
77
Precious: Based on the Novel by Sapphire
xx
Pretty Ugly People
65
Providence Effect, The
76
Rembrandt's J'accuse
69
September Issue, The
79
Serious Man, A
40
Shrink
61
Skin
77
Skin Too Few: The Days of Nick Drake, A
xx
Skiptracers
46
Splinterheads
39
St. Trinian's
89
Still Walking![]()
50
Stoning of Soraya M., The
55
Storm
65
Tetro
70
That Evening Sun
72
Thirst
xx
Tim Burton's The Nightmare Before Christmas 3D (re-release)
61
Trucker
xx
Turning Green
83
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66
Unmade Beds
66
Unmistaken Child
70
Visual Acoustics
55
Walt & El Grupo
67
Way We Get By, The
69
We Live in Public
64
Wedding Song, The
64
Where is Where?
xx
White on Rice
74
Woman in Berlin, A
69
World's Greatest Dad
70
Yes Men Fix the World
69
Yoo-Hoo, Mrs. Goldberg
xx
You, the Living
Stars indicate the most critically-acclaimed movies.
Hannah Takes the Stairs

Generally favorable reviews
Based on 15 critic reviews
How did we calculate this?
Based on 9 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Drama
Written by:
Joe Swanberg, Greta Gerwig, Kent Osborne
Andrew Bujalski, Mark Duplass
Ry Russo-Young
Kevin Bewersdorf
Directed by: Joe Swanberg
Release Date:
Theatrical: August 22, 2007
DVD: April 22, 2008
Running Time: 83 minutes, Color
Origin: USA
Summary
RATING: Not Rated
Starring Greta Gerwig, Kent Osborne, Andrew Bujalski, Ry Russo-Young, Mark Duplass, Todd Rohal, Tipper Newton, and Kris Williams
Hannah, a recent college graduate, spends a brutally hot Chicago summer falling in and out of love. As she struggles to find personal and professional fulfillment through various relationships with friends and coworkers, she risks leaving destruction in her wake. Working collaboratively with his cast, which features several prominent independent filmmakers, Joe Swanberg follows up his previous efforts, "Kissing on the Mouth" and "LOL", with this delicate look at friendship, ambition, and the pursuit of happiness. (IFC Films)
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Film Threat Don R. Lewis
What really elevates Hannah Takes the Stairs is the truly outstanding performance by Greta Gerwig.
Read Full Review >Austin Chronicle Marrit Ingman
The film has no script; it goes from moment to moment unhurriedly.
Read Full Review >Seattle Post-Intelligencer Andy Spletzer
Though the dialogue feels improvised and honest, the movie is less honest in creating its world.
Read Full Review >Chicago Tribune Sid Smith
Intimacy is graphically portrayed, down to recurring moments in a bathtub, including a memorable duet trumpet rendition of “The 1812 Overture.” Chop off a star if you’re not up for highly experimental cinema.
Read Full Review >New York Post V.A. Musetto
How can a movie with such a charming cast (let's not forget Ry Russo-Young as Hannah's female roommate) and believable dialogue (seemingly taken from the actors' real lives) go wrong? It can't.
Read Full Review >The Onion (A.V. Club) Noel Murray
Doesn't rise to the level of Bujalski's breakthrough feature "Mutual Appreciation," mainly because Swanberg doesn't have Bujalski's eye.
Read Full Review >Boston Globe Ty Burr
Shot with intentionally banal anti-style - minimal soundtrack music, found sound, jitter-cam - the movie achieves a wisdom that's bigger than it seems.
Read Full Review >LA Weekly Scott Foundas
Like most of the men in the film, we would happily follow her anywhere.
Read Full Review >Los Angeles Times Carina Chocano
There's something to be said for cinema this perversely naturalistic.
Read Full Review >Entertainment Weekly Owen Gleiberman
What defines the slacker-geek twentysomething men and women who wander through Joe Swanberg's too-hip-to-be-romantic comedy Hannah Takes the Stairsis that they treat their libidos as minor accessories -- only to stammer through every casual conversation as if they were on a first Internet date.
Read Full Review >Salon.com Andrew O'Hehir
The film's intimacy never feels fake, it's sporadically and unpredictably funny (I didn't exactly enjoy the cacophonous trumpet duet of the "1812 Overture," but I won't soon forget it), and the nonprofessional cast is surprisingly good.
Read Full Review >The New York Times Matt Zoller Seitz
Less notable for its story than for what the movie itself represents: an evolutionary entry in the so-called Do It Yourself (or D.I.Y.) independent film movement.
Read Full Review >San Francisco Chronicle G. Allen Johnson
Though it has merit and is recommended for the curious and adventurous, Joe Swanberg's film wears out its welcome about halfway through its 83 minutes. I'd say it doesn't go anywhere, but that's the point of these movies.
Read Full Review >TV Guide Maitland McDonagh
The loose, rambling conversations that substitute for action might be more interesting if any of the characters were capable of real introspection. But they're so shallow and distracted they can't even manage sustained navel-gazing, which makes their so-called relationships profoundly uninteresting.
Read Full Review >Variety Joe Leydon
Has the unmistakable look and feel of a micro-budget indie produced for a small circle of friends, many of whom are listed in the credits.
Read Full Review >What Our Users Said
The average user rating for this movie is 3.2 (out of 10) based on 9 User Votes
Note: User votes are NOT included in the Metascore calculation.
Peter K. gave it a0:
I thought Paris Hilton could not make movies until I saw this waste of time - now she seems like an Academy Award winner. Plotless, pointless and banal - and hand-held filming to boot - Hannah Takes the Stairs is Cloverfield without the monster. Watch the trailer and save your time.
Jay H. gave it a3:
Very low budget independent film, I suppose there is supposed to be some deep significance to the movie, but I was too bored to care about what that might be. It seemed like a home movie to me, and not an interesting one at that.
Shi T. gave it a10:
We got ourselves some angry reviewers. We put our emotions about drugs, laziness and strangely enough being white get in the way of our review! I bet they are both the same person! No one ever agrees on the internet.
Walter B gave it a1:
Joe's review says it all. It takes seven writers to write something this bland and disgustingly white? Go back to your bongs and give the camera back to Bujalski. At least he writes his garbage alone.
Joe J. gave it a0:
This film is awful and entirely unrepresentative of our generation, unless of course we are all white, wealthy and unmotivated.
