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Stars indicate the most critically-acclaimed movies.

67
$9.99
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82
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82
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82
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81
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81
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80
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80
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79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
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77
Every Little Step
77
Sin Nombre
75
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74
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74
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74
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74
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74
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71
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70
Shall We Kiss?
70
Tony Manero
70
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69
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69
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67
$9.99
67
Rudo y Cursi
67
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66
Adoration
66
Moon
65
Sex Positive
65
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64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
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63
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63
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63
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63
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63
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62
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62
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58
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57
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57
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56
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56
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54
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54
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54
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52
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50
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48
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45
Whatever Works
42
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42
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40
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40
Paris 36
38
Gigantic
36
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35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
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16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Hitcher, The
Rogue Pictures
MPAA RATING: R for strong bloody violence, terror and language
Starring
Sean Bean,
Sophia Bush,
Zachary Knighton,
Neal McDonough,
Kyle Davis,
Skip O'Brien,
Travis Schuldt,
and
Danny Bolero
An update of the 1986 film of the same name.
| GENRE(S): |
Drama
|
Horror
|
Suspense/Thriller
|
| WRITTEN BY: |
Jake Wade Wall
Eric Red (1986 screenplay)
Eric Bernt
|
| DIRECTED BY: |
Dave Meyers
|
| RELEASE DATE: |
DVD: May 1, 2007
Theatrical: January 19, 2007
|
| RUNNING TIME: |
83 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
50
Premiere
Stephen Saito
The Hitcher's main problem is that many of the title character's dirty deeds are done off-camera. Instead of seeing Ryder trap his victims before he kills them, the audience is treated to plenty of butchered corpses that seem to magically appear after Ryder leaves a room.

50
New York Post
Kyle Smith
The Hitcher is the Jessica Simpson of psycho killer flicks - cheerfully in touch with its own brainlessness.

50
The Globe and Mail (Toronto)
Jason Anderson
The young couple is far less compelling, which is one reason why the remake is only intermittently effective. Bland and dim-witted, it's hard to see why they'd attract Ryder's wrath.

42
Entertainment Weekly
Owen Gleiberman
A remake of the 1986 suspense ''classic,'' is as processed and hoot-worthy as the original.

42
The Onion (A.V. Club)
Nathan Rabin
Somehow, music-video veteran David Meyers fails to hurtle this project into the pantheon of great horror movies.

38
TV Guide
Maitland McDonagh
Bean carves out his own modest variations on the theme of John Ryder-on-the-storm, but Bush and Knighton are so blandly forgettable that it's hard to believe that they're the protagonists and not Victims 1 and 2.

38
ReelViews
James Berardinelli
This is a mechanical gore-fest that offers preposterous stunts in place of escalating tension and waxwork mannequins in place of marginally interesting characters.

30
Los Angeles Times
Mark Olsen
The original film was intellectually engaging as well as tangibly creepy, while the new remake is just plain bad, and boring to boot.

30
Film Threat
Pete Vonder Haar
Reviewing it is a wholly meaningless exercise, but I do it against my better judgment that anyone even seeks a second opinion before plopping down their hard-earned money for garbage like this.

30
LA Weekly
Jim Ridley
That leaves little to fill 83 expendable minutes, which barely register as a movie even with snazzy KNB gore effects, critic-baiting clips from "The Birds," a splattery variation on the '86 "Hitcher's" most notorious scene, and some out-of-place Bruckheimerisms on loan from producer Michael Bay.

30
The New York Times
Matt Zoller Seitz
The movie genuflects toward pop depth in a scene where Grace sprawls on a motel bed watching Alfred Hitchcock’s "Birds," another thriller about implacable, undefined evil, but there’s a difference between refusing to give viewers the answers and having nothing to say. For all its death-metal vigor, The Hitcher falls into the latter camp.

25
Boston Globe
Ty Burr
If you boil off dialogue, performance, narrative logic and grind a movie down to the nub of genre, will there be any suspense left? The answer is yes, but only in a Pavlovian sense. You react to this dull shockathon like a wired lab rat who's seen it all before. And guess what? You have.

25
San Francisco Chronicle
Peter Hartlaub
Any good will built up during the decent first half hour is quickly vaporized.

20
The Hollywood Reporter
Frank Scheck
While the 1986 edition was no classic, it's light years better than this update, which naturally opened without being screened for those ultimate villains, the critics.

20
Variety
Ronnie Scheib
In the absence of actors with the tremendous presence of Rutger Hauer and Jennifer Jason Leigh, picture loses its raison d'etre. Yet, directed by video helmer Dave Meyers with a certain fastidious distance from its plentiful gore, picture is also insufficiently over-the-top or corny to incite gleeful audience feedback.

11
Austin Chronicle
Marc Savlov
The first film was near-mythic in its tone and treatment of its characters, while this remake barely serves as a primer in how not to generate suspense.


The average user rating for this movie is 4.0 (out of 10) based on 52 User Votes
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