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Stars indicate the most critically-acclaimed movies.

67
$9.99
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66
Adoration
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Beaches of Agnes, The
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Big Man Japan
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Boys: The Sherman Brothers' Story, The
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Brothers Bloom, The
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Burma VJ: Reporting from a Closed Country
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Cherry Blossoms
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Dead Snow
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Departures
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58
Easy Virtue
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End of the Line, The
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Every Little Step
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Examined Life
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Gigantic
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Girl from Monaco, The
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Girlfriend Experience, The
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89
Goodbye Solo
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Great Buck Howard, The
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Harvard Beats Yale 29-29
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Julia
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Lemon Tree
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Limits of Control, The
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Little Ashes
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Lymelife
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Merry Gentleman, The
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Moon
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New York
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Outrage
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Paris 36
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Pontypool
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Pressure Cooker
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Revanche
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Rudo y Cursi
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Seraphine
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Sex Positive
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Shall We Kiss?
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Sin Nombre
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Song of Sparrows, The
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Sugar
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Under Our Skin
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Unmistaken Child
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Valentino: The Last Emperor
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What Goes Up
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Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Holiday, The
Columbia Pictures / Sony Pictures Entertainment
FILM:
MPAA RATING: PG-13 for sexual content and some strong language
Starring
Cameron Diaz,
Kate Winslet,
Jude Law,
Jack Black,
Eli Wallach,
Edward Burns,
and
Rufus Sewell
A romantic comedy about two women who trade homes for the holidays only to fins that a change of address can change their lives. (Sony)
| GENRE(S): |
Comedy
|
Romance
|
| WRITTEN BY: |
Nancy Meyers
|
| DIRECTED BY: |
Nancy Meyers
|
| RELEASE DATE: |
DVD: March 13, 2007
Theatrical: December 8, 2006
|
| RUNNING TIME: |
138 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
88
Premiere
Stephen Saito
The Holiday is the type of welcome diversion that only Meyers still seems to specialize -- a romantic comedy where Barbara Stanwyck and Rosalind Russell would have been just as natural as Cameron Diaz and Kate Winslet and where the one liners fly like confetti.

75
USA Today
Claudia Puig
If you're willing to embrace a bit of corniness for the sake of some incisive humor, a few poignant moments and enjoyable scenarios, make time for The Holiday.

75
Miami Herald
Connie Ogle
This melding of comedic minds is one of the better holiday gifts we've received, cinematically speaking.

75
Portland Oregonian
M. E. Russell
Despite this familiarity-wallow, The Holiday is likable. Really likable, in fact.

70
Los Angeles Times
Carina Chocano
The alluring surfaces of other people's lives can be deceiving, though generally not in a Nancy Meyers comedy, where the thin veneer of fantasy cloaks ... more fantasy.

70
Variety
Justin Chang
A lavishly overstuffed gift basket of a movie.

70
The Hollywood Reporter
Kirk Honeycutt
It's formulaic but with a big heart.

67
Christian Science Monitor
Peter Rainer
Much more silly than romantic.

67
Seattle Post-Intelligencer
William Arnold
Even though almost everything about it feels forced and its casting chemistry hardly sizzles, its heart is in the right place, it has its quota of funny and touching moments, and it's ultimately fairly enjoyable.

67
Baltimore Sun
Michael Sragow
No matter how good-natured, The Holiday ends up a glutted farce.

67
Entertainment Weekly
Owen Gleiberman
The dialogue has a perky synthetic sheen, and with the exception of Diaz, Meyers brings out the best in her actors.

63
New York Daily News
Jack Mathews
A harmlessly cheery confection.

63
Philadelphia Inquirer
Carrie Rickey
Law shines like a sunbeam, warming the film with rakish charm and unexpected emotionalism.

63
TV Guide
Ken Fox
Admitting that it's formulaic doesn't make it any less so, but it's enjoyable in a mushy, easily digested sort of way.

60
The New York Times
Manohla Dargis
Ms. Meyers, whose ambitions are telegraphed by her film's title, which directly invokes George Cukor's lovely 1938 romp "Holiday," has created a cumbersome vehicle by saddling Iris with a flamboyantly glamorous Los Angeles double, Amanda. As played by Cameron Diaz with oodles of charm and not an ounce of persuasion, Amanda doesn’t as much mirror Iris's love troubles as throw them into wincing relief.

60
Empire
William Thomas
There is bound to be a large appreciative audience for this chick flick. But it might not be you.

60
Village Voice
Scott Foundas
Meyers can write a good zinger, and she has a knack for casting actors who not only look good in bed, but are talented enough to rise above the material and, in some cases, nearly transform it (save Diaz). But make no mistake: We're a long way here from Ben Hecht and Preston Sturges.

60
Slate
Dana Stevens
iIt's far less sickly than plenty of yuletide offerings, last year's "The Family Stone" being one shudder-worthy example.

50
The New Republic
Stanley Kauffmann
Winslet is an actress, Diaz is not. The screenplay by Nancy Meyers, who directed, has dialogue that is not near the snap level of, say, Nicole Holofcener's comparable "Friends With Money."

50
Salon.com
Stephanie Zacharek
The Holiday drags on for more than two hours, long enough for even the most ardent suitor to lose interest. The premise, so delectable at the start, quickly begins to feel tired and oversold.

50
The Globe and Mail (Toronto)
Rick Groen
For some (okay, me), The Holiday, like the holidays, will require some girding up, and is best met halfway with a self-immunizing smile. Otherwise, the good cheer may ring false; worse, it might even seem to sell love cheap, and lovers short.

50
Boston Globe
Wesley Morris
A lark, with pretensions to be more.

50
Austin Chronicle
Marrit Ingman
His (Law's) is the standout performance, probably because it's quiet and reflective and nuanced amidst the flurries of relationship talk.

50
ReelViews
James Berardinelli
The Holiday is no vacation. Sloppy writing, an overindulgent editor, and poor casting have taken an intriguing premise and transformed it into an uneven mess.

50
Chicago Tribune
Michael Phillips
The Holiday is a 131-minute romantic comedy for those who, if they had their way, would still be watching "Love Actually."

50
Chicago Reader
Jonathan Rosenbaum
The problem is that happy endings this strident and overextended begin to seem somewhat desperate.

50
New York Post
Lou Lumenick
Complaining about the gooey and generic The Holiday is as useless as railing against fruitcake - this is a slick, throwaway chick flick designed to provide nothing more than mindless diversion between bouts of shopping.

50
San Francisco Chronicle
Ruthe Stein
This is familiar territory for writer-director Nancy Meyers, Hollywood's queen of the chick flick. Her latest has charming moments and a hopeful message for despondent singles, but it lacks the emotional resonance of Meyers' "Something's Gotta Give" and the zaniness of "What Women Want."

40
Wall Street Journal
Joe Morgenstern
In what was clearly designed to be a chick flick, the on-screen chicks work hard at being endearing, while Jude Law, as Amanda's more than conversational partner, charms everyone effortlessly and gets the best lines.

25
The Onion (A.V. Club)
Scott Tobias
Even with a wild card like Black desperately retooling his lines, there's nothing authentic or personal about The Holiday--it's as chilling as heart-warmers get.

20
Washington Post
Ann Hornaday
This overproduced romantic comedy doesn't even qualify as fluff; it's flat, featureless plastic.


The average user rating for this movie is 6.6 (out of 10) based on 36 User Votes
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