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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Hostel
Lions Gate Films Inc.
FILM:
MPAA RATING: R for brutal scenes of torture and violence, strong sexual content, language and drug use
Starring
Jay Hernandez,
Derek Richardson,
Eythor Gudjonsson,
Barbara Nedeljakova,
Jana Kaderabkova,
Jan Vlasák,
Jennifer Lim,
and
Lubomir Silhavecky
A horror film about a pair of American backpackers seeking cheap thrills in the European countryside.
| GENRE(S): |
Horror
|
| WRITTEN BY: |
Eli Roth
|
| DIRECTED BY: |
Eli Roth
|
| RELEASE DATE: |
DVD: April 18, 2006
Theatrical: January 6, 2006
|
| RUNNING TIME: |
95 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
75
Entertainment Weekly
Owen Gleiberman
It's obligatory for a horror film to feature exploitative sex as an appetizer, but Roth, even as he fulfills the sleaze imperative, does something shrewder: He mocks his heroes, presenting them as cold-eyed horndog jerks who fail to see that they've wandered into an entire country of exploitation.

75
TV Guide
Maitland McDonagh
It's a back-to-basics, gore-and-gristle look at the no-frills nastiness of 1970s films, in which monsters, mutants and ghosts can't hold a candle to the sheer, unadulterated evil that lurks in the hearts of men.

75
New York Post
Kyle Smith
What kind of hellspawn might result if "Saw" bought a copy of "Let's Go: Europe" and went backpacking across Europe to have a one-night stand with Dracula? Something like Hostel.

75
Premiere
Aaron Hillis
The entertainingly unhinged Hostel reeks of kneeling reverence to the grisliest of psychotronica while simultaneously striving to out-gore and out-shock its predecessors.

70
Salon.com
Andrew O'Hehir
I admired the humor, the tremendous craftsmanship and even the shock value of Hostel, but found the Grand Guignol torture scenes excessive. (Unless you're a hardcore fan of Italian, Spanish and Japanese gore flicks, you've never seen anything like this.)

70
Washington Post
Teresa Wiltz
There's a reason why one goes to see cinematic gorefests like Hostel: to partake vicariously of the bloodfest, to get hopped up on the sickness of it all, the utter degradation, the fall of Western Civilization, yadda yadda yadda, and oh yeah, to hoot at the flying fingers, the guts, the blood, the bare breasts.

70
The Hollywood Reporter
Michael Rechtshaffen
Eli Roth turns to modern-day Asian fright filmmakers as inspiration for his latest blood-soaked effort while demonstrating an intriguing, original voice of his own.

70
Variety
John Anderson
Hostel may become something of a classic among Fangoria magazine's readership, acolytes of George Romero and audiences who thought "Saw II" was for babies.

63
The Globe and Mail (Toronto)
Rick Groen
The thing is just a clunky and tasteless and dumb scare picture, isn't it? Clunky, yes. Tasteless, for sure. But not so dumb I fear.

60
LA Weekly
Robert Abele
Although he damn near slanders an entire country - expect poor Slovakia's tourism industry to take a hit - Roth is not an unskilled ringleader of gory crisis moments, or breathless escapes. The squeamish should simply stay away, but carnage queens will appreciate some of Roth's less grisly, even amusing details.

60
Los Angeles Times
Jan Stuart
Seems to have been tailored to its designated R "for brutal scenes of torture and violence, strong sexual content, language and drug use."

60
Empire
Simon Crook
This is an old-school exercise in shock and gore, with scary ideas and unblinking splatter.

50
Film Threat
Stina Chyn
What prevents Hostel from fully harnessing the suspense factor in its rising action, climax, and conflict resolution is the insufficient impetus to pity or to feel too badly for Paxton and Josh.

50
Boston Globe
Wesley Morris
Not horrifying enough.

50
The Onion (A.V. Club)
Scott Tobias
Roth gets the notes right while missing the music: He studiously replicates Miike's unblinking depiction of torture, but without much reflection or wit. It's merely unpleasant and more than a little dumb.

50
ReelViews
James Berardinelli
A thrill-less thriller that uses gore to obfuscate its inability to generate tension, this motion picture has the profile one might expect from a direct-to-video release.

50
Village Voice
Mark Holcomb
Falling somewhere between fratboy porno wish fulfillment and Europhobic sex-tourism scare flick, Eli Roth's taut, wily, but ultimately pointless shocker Hostel is neither as transgressive nor as grueling as it aims to be.

50
Austin Chronicle
Marc Savlov
Hostel certainly delivers in the gore department, and Roth, who knows and loves his favorite genre at least as well as the gang over at the Alamo Drafthouse, peppers the proceedings with various witty in-jokes.

50
Chicago Reader
Joshua Katzman
Director Eli Roth is adept at building a sense of foreboding; unfortunately, once the bloodletting begins, all sense of drama and logic oozes out along with it.

40
The New York Times
Nathan Lee
Hostel is motivated by an adolescent urge to shock. And while it's true that no civilized person will remain unscathed by the film's relentless bigotry - this is one of the most misogynistic films ever made - Mr. Roth's gory spectacles are too calculated to deliver the transgressive jolts they so obviously seek.

38
New York Daily News
Jack Mathews
The question is, can a Slovakian lawsuit against the filmmaker be far behind?


The average user rating for this movie is 4.2 (out of 10) based on 232 User Votes
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