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9
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66
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45
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61
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43
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23
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80
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34
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60
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32
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46
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78
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66
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69
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58
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47
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33
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54
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67
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63
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86
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30
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83
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33
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45
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96
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35
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28
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88
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71
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67
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Stars indicate the most critically-acclaimed movies.
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86
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70
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26
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57
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45
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xx
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62
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74
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49
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80
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28
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50
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50
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58
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72
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89
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52
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64
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81
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xx
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63
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73
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xx
How to Seduce Difficult Women
74
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94
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29
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16
If One Thing Matters: A Film About Wolfgang Tillmans
75
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83
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61
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42
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70
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46
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19
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41
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66
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34
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80
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83
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xx
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59
More Than a Game
67
Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, The
34
Motherhood
62
My One and Only
xx
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48
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73
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66
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47
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34
Other Man, The
xx
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54
Paper Heart
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68
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68
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44
Peter and Vandy
35
Play the Game
77
Precious: Based on the Novel by Sapphire
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65
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76
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69
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79
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40
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61
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77
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xx
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46
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39
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89
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50
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55
Storm
65
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70
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72
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61
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83
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66
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66
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70
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67
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69
We Live in Public
64
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64
Where is Where?
xx
White on Rice
74
Woman in Berlin, A
69
World's Greatest Dad
70
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69
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You, the Living
Stars indicate the most critically-acclaimed movies.
House of Sand, The
EMAILPRINTSony Pictures Classics

Generally favorable reviews
Based on 23 critic reviews
How did we calculate this?
Based on 8 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Drama | Foreign
Written by:
Elena Soarez (also story)
Luiz Carlos Barreto (story)
Andrucha Waddington (story)
Directed by: Andrucha Waddington
Release Date:
Theatrical: August 11, 2006
DVD: December 12, 2006
Running Time: 103 minutes, Color
Origin: Brazil
Language(s): Portuguese (with English subtitles)
Summary
RATING: R for some graphic sexuality
Starring Fernanda Montenegro, Fernanda Torres, Ruy Guerra, Seu Jorge, Stênio Garcia, Luiz Melodia, Enrique Díaz, and Emiliano Queiroz
Áurea's saga starts in 1910, when, in pursuing a dream she never shared, she arrives in a caravan at a labyrinth of sand in Maranhão, northern Brazil. Her husband, Vasco, believes this land to be prosperous and she is condemned to a life in this barren place, her only female company being her mother, Dona Maria. Pregnant and dissatisfied with her destiny, she tries everything to find a way out. (Sony Pictures Classics)
Also On Metacritic
FILM: Me You Them
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Seattle Post-Intelligencer Sean Axmaker
The story plays out in the sensuous textures and hypnotic rhythms as the rebellious youth Torres embodies eases into a serenity and acceptance that Montenegro brings so gently to her performance.
Read Full Review >Philadelphia Inquirer Steven Rea
Sensual, dreamlike, both intimate and epic, The House of Sand is a cinematic tour de force.
Read Full Review >Miami Herald Marta Barber
In House of Sand, shifting sands are not a cliché; they provide the essential emotional and visual elements that make this film memorable.
Read Full Review >Portland Oregonian Marc Mohan
Whether Waddington's film comes across as hypnotic or boring, mythic or pretentious, may depend on the viewer's mood or tolerance for quasi-allegorical storytelling. But, as the women in House of Sand learn, patience can sometimes be its own reward.
Read Full Review >Christian Science Monitor Peter Rainer
Montenegro, the star of "Central Station," and her daughter make a remarkable pair. They hold your attention even when the emptily portentous story does not.
Read Full Review >The New York Times Dana Stevens
At first House of Sand may seem like a stark tale of survival, but a surprisingly lush and colorful romance blossoms in its bleak and gorgeous desert setting.
Read Full Review >Film Threat Michael Ferraro
Full of looming symbolism, House of Sand is a brilliant tale following a family that brings a group of settlers into the middle of the desert to start a new life.
Read Full Review >Variety Robert Koehler
Magnificently renders a fresh view of life on planet Earth.
Read Full Review >Washington Post Ann Hornaday
Visually dazzling, epic in its sweep and deeply romantic in its sensibility, The House of Sand is one of those films whose images and ideas linger long after the lights come on, having been burned into the viewer's consciousness.
Read Full Review >Chicago Tribune Michael Phillips
Soarez isn't really saying much with House of Sand, beyond marveling at the quirks of fate brought on by time. But the acting keeps it from floating into the ether.
Read Full Review >Boston Globe Wesley Morris
It's a grand outdoor spectacle (the only real interiors are within tents, and those are hard to come by) and a perfectly juicy melodrama.
Read Full Review >New York Daily News Jack Mathews
This epic tale of survival, love and adjustment covers a 59-year period - from 1910, when a band of urban émigrés arrives to start a settlement, to 1969, when only one of them remains.
Read Full Review >New York Post V.A. Musetto
Ricardo Della Rosa's sumptuous, wide-screen cinematography takes full advantage of the sandy vista, complementing beautiful acting by Montenegro and Torres.
Read Full Review >LA Weekly Rob Nelson
Andrucha Waddington's admirably pretentious epic of woman in nature makes the rare attempt to impart a purely visual experience
Read Full Review >Salon.com Andrew O'Hehir
It's an impressive film, beautifully photographed and marvelously acted. But is it more than a set of undeniably gorgeous affectations?
Read Full Review >The Onion (A.V. Club) Tasha Robinson
House Of Sand is a gorgeous piece of cinema, but by the end, it just dries up and blows away.
Read Full Review >Austin Chronicle Marrit Ingman
The House of Sand is a more transparently ambitious, prestigious "woman's picture" than Waddington's previous feature, 2000's "Me You Them."
Read Full Review >TV Guide Ken Fox
After a positively thrilling first half, Brazilian director Andrucha Waddington's follow-up to his acclaimed 2000 debut "Me You Them" badly stumbles over an unfortunate casting strategy.
Read Full Review >The Globe and Mail (Toronto) Rick Groen
Whatever The House of Sand may lack in curb appeal, that view from the roof will have you gasping in wonderment.
Read Full Review >Entertainment Weekly Owen Gleiberman
The House of Sand's director, Andrucha Waddington, lays on the Awesome Visual Poetry and throws in a welter of story gimmicks, but it's all a bit too fancifully arid.
Read Full Review >Chicago Reader Jonathan Rosenbaum
This pretentious 2005 art movie is somewhat interesting for its wide-screen photography of the striking locale, but the storytelling is awkward and confusing.
Read Full Review >San Francisco Chronicle Mick LaSalle
Most viewers will have no more fun watching this story than the characters do living it.
Read Full Review >What Our Users Said
The average user rating for this movie is 8.5 (out of 10) based on 8 User Votes
Note: User votes are NOT included in the Metascore calculation.
Tania K. gave it a10:
This movie is brilliant, but I think you have to be in a particular frame of mind to see that it's more than beautiful cinematography, more than the brilliant performances, and more than the understated emotions flowing throught the movie. To me, it's about finding out that no matter where you go to start over, whether it's a physical place or a mental place, your contentment and peace of heart is inside of you and not determined by external forces.
John A. gave it an8:
Excellent cinematography and acting. A moving story.
Antonio J. gave it a10:
One of the best Brazilian movies ever!
Shirlee gave it an8:
A gorgeous movie in every sense.
Welington gave it an8:
Good movie. Wonderfully acted and beautiful cinematography with something to say.
