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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
House of Sand and Fog
DreamWorks Distribution LLC
FILM:
MPAA RATING: R for some violence/disturbing images, language and a scene of sexuality
Starring
Jennifer Connelly,
Ben Kingsley,
Ron Eldard,
Frances Fisher,
Kim Dickens,
Shohreh Aghdashloo,
Jonathan Ahdout,
and
Navi Rawat
A gripping exploration of the American Dream gone awry, House of Sand and Fog is the story of two people driven to desperate measures to claim ownership of a house. (DreamWorks Pictures)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Vadim Perelman
Shawn Lawrence Otto
Andre Dubus III (novel)
|
| DIRECTED BY: |
Vadim Perelman
|
| RELEASE DATE: |
DVD: March 30, 2004
Video: March 30, 2004
Theatrical: December 19, 2003
|
| RUNNING TIME: |
126 minutes, Color |
| ORIGIN: |
USA |
Outstanding Directorial Debut, 2003 National Board of Review; Nominated, Best First Feature, Best Male Lead (Kingsley) and Best Supporting Female (Aghdashloo), 2004 Independent Spirit Awards

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Time
Richard Schickel
As reversible misunderstandings grow into irreversible tragedy, it slowly dawns on you that this is a superior, heartbreaking film.

100
Los Angeles Times
Kenneth Turan
Its step-by-step tragedy is so ruthless in its unfolding, you may find yourself wishing it were less well done, that it left you some room to breathe. But House of Sand and Fog has a story to tell and it means to tell it, no matter what the cost.

100
Chicago Sun-Times
Roger Ebert
It stands with integrity and breaks our hearts.

90
Salon.com
Andrew O'Hehir
Features an astonishing pair of lead performances and one of this year's most impressive directing debuts. If this movie isn't quite the contempo-Greek tragedy it wants to be, it's still a powerful, unforgettable meditation on fate, cultural collision and the morality of renovating a house that isn't really yours.

90
Washington Post
Desson Thomson
The movie's intense watchability can be traced directly to superb performances by Jennifer Connelly and Ben Kingsley.

90
Washington Post
Desson Thomson
The movie's intense watchability can be traced directly to superb performances by Jennifer Connelly and Ben Kingsley.

90
Variety
Todd McCarthy
A faithful, powerful and superbly acted adaptation of Andre Dubus III's international bestseller.

90
Chicago Reader
Jonathan Rosenbaum
Responsibility for the ensuing tragedy is so finely calibrated that neither can be comprehensively blamed or exculpated.

88
Charlotte Observer
Lawrence Toppman
Perelman and Otto make auspicious, nearly flawless debuts.

88
ReelViews
James Berardinelli
This is a hard, challenging motion picture. It demands much from the audience, and repays that investment with powerful, engrossing drama that does not offer insulting, facile answers. House of Sand and Fog is gripping and unforgettable, one of the best movies of 2003.

88
USA Today
Claudia Puig
The clash over the house quickly escalates into a modern-day tragedy. It is a fascinating film, handsomely adapted from the book and well directed.

88
Premiere
Glenn Kenny
Ben Kingsley and Jennifer Connelly create characters that live and seethe with absolute credibility, and Ron Eldards Lester is a subtle portrait of a good man who lets himself go bad, first out of boredom, then out of erotic fixation.

88
New York Post
Lou Lumenick
A grim, challenging movie that will amply reward audiences willing to go along with its ride into the dark depths of its characters' souls.

83
Entertainment Weekly
Owen Gleiberman
Just because a scenario turns dark doesn't mean that it's convincing. House of Sand and Fog is artful until it lunges for Art.

80
The New York Times
Dana Stevens
The nearly flawless execution of a deeply flawed premise.

80
Newsweek
David Ansen
Novelist Andre Dubus's plotting may be too much for a two-hour movie. But the story's details feel fresh. The vivid clarity of the images, the compressed fury of the tale, are impossible to get out of your head.

80
Dallas Observer
Bill Gallo
This is not pleasant stuff, but it's important, and thoroughly heart-wrenching.

80
New York Magazine
Peter Rainer
The performances are amazing.

80
The New Republic
Stanley Kauffmann
The plot that follows, including the wretched young woman who lost the house, is of interest only insofar as Kingsley supports the structure with a powerful man.

75
Miami Herald
Rene Rodriguez
The movie's emotional impact is undeniable. It's a devastating portrait of smart, civilized people driven to behave in uncivilized ways, until it's too late.

75
Philadelphia Inquirer
Carrie Rickey
Remember the name Shohreh Aghdashloo. The heartbreakingly fine Iranian actress is only a subsidiary character in House of Sand and Fog...But she is the soul of this pungent film.

75
Baltimore Sun
Michael Sragow
What makes the movie potent, though, has nothing to do with metaphor or parable. It's that the story provides Connelly, Kingsley and Shohreh Aghdashloo as Kingsley's wife with all the tools they need to resurrect, flesh out, revamp and criticize outmoded male and female roles.

75
Rolling Stone
Peter Travers
Before it runs off course into excess, this brilliantly acted film version of the 1999 novel by Andre Dubus III moves with a stabbing urgency.

75
The Globe and Mail (Toronto)
Liam Lacey
There is both a sense of disappointment and relief when House of Sand and Fog crosses over into improbability, when the viewer can sit back, breathe easy again. All this trouble over the failure to open an envelope.

75
New York Daily News
Jami Bernard
It's a sad, rich story, full of misunderstandings, bad bargains, odd parallels.

70
Wall Street Journal
Joe Morgenstern
Though the film is somber, it certainly commands one's attention, and for a while one's respect.
70
Film Threat
David Grove
Might've been a great film without Lester, the Deputy, getting in the way of the key relationship between Behrani and Kathy.

70
The Hollywood Reporter
Sheri Linden
The carefully laid foundation of suspense and dread, with its symmetries and crisp dialogue, is squandered in a clumsy pileup of credulity-stretching cataclysmic events.

70
Film Threat
Rick Kisonak
Exceptional performances and unexpected twists of plot keep the story from descending into overwrought melodrama.

67
Austin Chronicle
Marrit Ingman
A sterling example of what Hollywood can accomplish when it puts its trust into an offbeat project whose creative team has a different perspective on American life.

63
Boston Globe
Wesley Morris
Exacting but disappointing thriller.

60
Empire
Angie Errigo
There's a desperately inevitable, powerfully tragic last reel, but getting there is absolute torture.

50
San Francisco Chronicle
Mick LaSalle
There's a dignity about it, and it's only later that we come to realize that this dignity is misplaced, born of a fatal reserve and a lack of complete investment.

50
The New Yorker
David Denby
The ineluctable downward pull of absolutely everything in this movie is more exasperating than moving. [12 January 2004, p. 86]
50
Seattle Post-Intelligencer
William Arnold
In the end, it's just a pointless downer.

50
Village Voice
Ed Park
The clunky manipulations of plot, and the sorry fate awaiting everyone in this foggy House is less wrenching than acted.

50
LA Weekly
Ella Taylor
Everything about the movie seems excessive to the material. What should have been a small, independent feature without marquee casting -- the story's protagonists, after all, are meant to be the kind of people nobody ever notices.

50
Christian Science Monitor
David Sterritt
The first hour is excellent, spinning an ethically and emotionally compelling tale. Narrative logic fades during the second half, though, reducing the movie's impact on every level.

42
Portland Oregonian
Shawn Levy
Grim, sordid and, as it progresses, increasingly dunderheaded.

40
The Onion (A.V. Club)
Scott Tobias
Folds like a house of cards, collapsing under its own flimsy foundation.

40
TV Guide
Ken Fox
Perleman has little control over his characters; they simply go to pieces in the most ludicrous ways. He has even less control over Kingsley, who soon slips into full-blown Yul Brynner mode.

30
Slate
David Edelstein
This is a movie that sends you out shuddering, chuckling nervously, wanting to tell the people in line for the next show, "It's the feel-bad movie of the year!"


The average user rating for this movie is 7.7 (out of 10) based on 67 User Votes
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