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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
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Beaches of Agnes, The
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Boys: The Sherman Brothers' Story, The
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Brothers Bloom, The
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Cherry Blossoms
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Easy Virtue
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End of the Line, The
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Examined Life
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Gigantic
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Girl from Monaco, The
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89
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40
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New York
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Paris 36
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Pontypool
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Pressure Cooker
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Revanche
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Rudo y Cursi
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Seraphine
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Sex Positive
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Shall We Kiss?
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Sin Nombre
59
Sleep Dealer
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Song of Sparrows, The
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Sugar
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Summer Hours
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Sunshine Cleaning
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Tokyo Sonata
63
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88
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74
Two Lovers
83
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83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
How She Move
Paramount Vantage
 |
|
MPAA RATING: PG-13 for some drug content, suggestive material and language
Starring
Tracey Armstrong,
Clé Bennett,
Nina Dobrey,
Romina D'Ugo,
Kevin Duhaney,
Shawn Fernandez,
Brennan Gademans,
and
Jason Harrow
Bursting with raw talent and intelligence, Raya Green, the daughter of Jamaican immigrants, has always been the family’s one great hope. She won the rare chance to break out of their drug and crime-infested neighborhood when she was accepted into the exclusive Seaton Academy. But when her sister dies of an overdose, the family is shattered and Raya is forced to return to the place she tried so hard to escape.
It’s not easy to go back – especially when one-time friends, including the tough minded Michelle, see Raya as a stuck-up traitor who left the community behind. Feeling trapped and looking for a way out, Raya learns about a step competition with a $50,000 cash prize that could change her fate. Most of the crews that win the big money are all male, forcing Raya to fight her way in as the sole female member of the Jane Street Junta, led by the reining champ of the local steppin’ scene Bishop. As sparks begin to fly between Raya and Bishop, a false move by Raya leaves her without a crew, and she finds herself in a battle between her loyalty, her determination, her family’s ambitions and her heart. As the big contest approaches, she realizes it’s no longer just about the money or the opportunity, but also the one thing that she’s been missing in her life: a sense of self. (Paramount Vantage)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Annmarie Morais
|
| DIRECTED BY: |
Ian Iqbal Rashid
|
| RELEASE DATE: |
DVD: April 29, 2008
Theatrical: January 25, 2008
|
| RUNNING TIME: |
minutes, Color |
| ORIGIN: |
Canada |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
88
Chicago Tribune
Michael Phillips
Mainly it’s a very solid dance picture, which is the point.

83
Entertainment Weekly
Lisa Schwarzbaum
Rutina Wesley glowers with just the right touch of sweetness as a brainy student (and stellar after-school stepper).

75
Charlotte Observer
Lawrence Toppman
Choreographer Hi Hat and director Ian Iqbal Rashid kick the film into high gear every so often with dance sequences, climaxing with a dance-off in Detroit that seems too short.

70
Washington Post
John Anderson
The movie, which is burdened by a rather mediocre script by Annmarie Morais but boasts some terrific performances -- is not just a sports movie. It's a girls-can't-do-it/girls-can-do-it/girls-do-it/girls-beat-the-boys-at-it movie.

70
Variety
Justin Chang
Title refers not only to its heroine's physical gyrations but also her moral maneuverings as she strives to break out of her lower-class surroundings in this moody, intelligent take on conventional material.

70
Village Voice
Jim Ridley
Especially good are Wesley, whose expressions are a study in shifting thought, and Tre Armstrong as her street-hardened but good-hearted rival, a stock role that Armstrong fills with unmediated feeling.

70
The New York Times
Matt Zoller Seitz
There’s nary a twist you don’t see coming. But the film’s strong acting, spectacular dance routines and culturally specific details turn clichés into catharsis. It’s the sort of film that sends you home with a spring in your step.

70
The New Yorker
David Denby
A rudimentary but thoroughly enjoyable step musical.

67
Baltimore Sun
Chris Kaltenbach
There's tremendous energy in How She Move, so much that the audience can't help but be swept up.

67
Seattle Post-Intelligencer
Sean Axmaker
How She Move is the latest urban music drama from MTV Films, and it manages to give a familiar story a vivid jolt of character.

67
Austin Chronicle
Kimberley Jones
This kind of a dance film lives and dies by the routines, and this one wins: Mixing elements of gymnastics, karate, and break with the almighty step – an exceedingly polite term for what is really an awesome stomp.

63
USA Today
Claudia Puig
How She Move has two key assets: powerful dance sequences and an emphasis on education.

63
TV Guide
Maitland McDonagh
Formulaic but well-acted variation on the theme of pursuing your dreams through dance.

63
The Globe and Mail (Toronto)
Jason McBride
Dialogue isn't Morais's strength, and it's only when the actors stop trading “Just give me a chance” chestnuts that the film really takes off. The deftly shot dance sequences are entirely satisfying, thrillingly choreographed by Hihat (most famous for her work with Missy Elliott) to music by the likes of Lil Mama and Toronto's Tha Smugglaz.

63
New York Post
Kyle Smith
The atmosphere is convincing - there is an "Eight Mile" desperation to Raya's plight - but nothing makes sense.

63
Boston Globe
Ty Burr
When the cast starts clomping atop a car, their synchronized bodies joining with the booming cross-rhythms, we're sold.

60
The Hollywood Reporter
Frank Scheck
How She Move doesn't exactly break any new ground. But the terrific dance numbers on display should please its teenage target audience.

50
The Onion (A.V. Club)
Nathan Rabin
The film's good intentions gradually get lost in a sea of overwrought contrivances, stock characters, awkward cameos from B- and C-listers (R&B singer Keyshia Cole and not-so-funnyman DeRay Davis) and warmed-over family issues.

50
New York Daily News
Elizabeth Weitzman
Gets it right in every dance sequence, but stumbles badly whenever the characters step offstage.

50
Chicago Reader
J.R. Jones
Produced by MTV Films, this step-dancing drama is mired in cliche, but with its dingy ghetto settings and hardened, despondent young characters, it's marginally more interesting than "Stomp the Yard," the 2007 movie that inaugurated the subgenre.

50
San Francisco Chronicle
David Wiegand
Movie cliches are supposed to be bad things because they make the movie too predictable. But you know, there are times when they actually work in a film's favor.


The average user rating for this movie is 4.1 (out of 10) based on 8 User Votes
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