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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
How to Lose a Guy in 10 Days
Paramount Pictures
FILM:
MPAA RATING: PG-13 for some sex-related material
Starring
Kate Hudson,
Matthew McConaughey,
Adam Goldberg,
Michael Michele,
Shalom Harlow,
Thomas Lennon,
Kathryn Hahn,
and
Bebe Neuwirth
A ladies man just bet his friends that he can make a woman fall in love with him in 10 days. In a twist of fate, his target is a magazine columnist writing about (and practicing) all the things women do to drive men away.
| GENRE(S): |
Romance
|
| WRITTEN BY: |
Kristen Buckley
Brian Regan
Burr Steers
Michele Alexander and Jeannie Long (book)
|
| DIRECTED BY: |
Donald Petrie
|
| RELEASE DATE: |
DVD: July 1, 2003
Video: July 1, 2003
Theatrical: February 7, 2003
|
| RUNNING TIME: |
100 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
75
Baltimore Sun
Chris Kaltenbach
McConaughey and (especially) Hudson manage to make it all work, maintaining their likability even in situations where they inevitably end up acting like jerks.

75
Boston Globe
Wesley Morris
Kate Hudson and Matthew McConaughey don't simply star in this movie; they tag-team it out of the Freddie Prinze Jr. --Julia Stiles puppy-love ghetto.

75
San Francisco Chronicle
Mick LaSalle
It's about as close to French farce as romantic comedies get, and the closer the better.

70
Washington Post
Michael O'Sullivan
At least it's a pleasant walk, with attractive people and nice conversation

67
Seattle Post-Intelligencer
Sean Axmaker
Playful, predictable and more than a little precious, this entertaining if slight romantic farce makes it's hard not to mourn the loss of the adult romantic comedy.

63
Miami Herald
Connie Ogle
Eventually loses its cheerful goofiness and its momentum, climaxing with a lengthy and embarrassing showdown scene at a big party. But it gets worse.

63
ReelViews
James Berardinelli
What's missing? Simple: the romance. This movie is so intent upon getting cheap laughs and putting the protagonists in uncomfortable situations that it forgets they're supposed to be falling in love.

63
The Globe and Mail (Toronto)
Rick Groen
The picture is actually watchable. What's more, as romance comedies go, it's something of a novelty.

60
Salon.com
Stephanie Zacharek
There's a pleasantly malevolent ridiculousness hovering around How to Lose a Guy. But the movie would have been so much better if it had jumped into its mean-spiritedness with gusto and passion, instead of just splashing around in it halfheartedly.

60
Chicago Reader
J.R. Jones
The plot contrivances that bring them together to torture each other are so deftly handled that I almost bought them, and the two leads are charming and funny enough to offset the characters' obnoxious motives.

60
The Onion (A.V. Club)
Scott Tobias
As her character resorts to increasingly cruel and devious pranks, Hudson only seems funnier and more endearing.

60
The New York Times
Dana Stevens
It does have its tart, fizzy moments.

60
Slate
David Edelstein
It's totally implausible, and yet it gets at something unnervingly real: the way that people can blow a budding relationship by being too honest with each other.

58
Entertainment Weekly
Owen Gleiberman
With its ungainly double-deception premise, How to Lose a Guy feels like it was made out of two connect-the-dots drawings laid haphazardly on top of one another.

50
Philadelphia Inquirer
Carrie Rickey
There is no shape or pacing to Daniel Petrie's movie. It's like a bottle of soda left uncapped. So thus a story that promised effervescence ends up being flat.

50
New York Daily News
Jami Bernard
Some of the scenarios are funny. But they're uniformly overplayed.

50
Washington Post
Ann Hornaday
Both lead players are appealing and attractive enough to make an otherwise tepid movie at least un-excruciating.

50
TV Guide
Maitland McDonagh
Though something less than a masterpiece of the genre, this good-natured skirmish in the war between men and women benefits from Hudson's thoroughly charming performance.

50
Village Voice
Laura Sinagra
With a premise this screwy, nobody has any choice but to follow the savvy lead of Bebe Neuwirth, who, as Hudson's "Composure" editor, hams her queen-bitch-mother-hen role to glazed perfection.

50
USA Today
Claudia Puig
How to lose an audience in 10 minutes: Cobble together a predictable and forced romantic comedy that should have been funnier.

42
Portland Oregonian
Shawn Levy
The few chuckles the film affords come early, and too often the script desperately tries to repeat them. By the end, it's not funny or happy -- just over. And you're glad for it, the one true emotion you feel in the whole two hours.

40
Austin Chronicle
Kimberley Jones
In the end, we know Andie and Ben will kiss and make up - how could too alliteratively aligned pretty people not? - but first we must wade through the protracted and wholly unwarranted period in which both huffs about the others deceptions.

40
Los Angeles Times
Kenneth Turan
A concept, no matter how promising, is not a movie, and this picture has the bad luck to illustrate the difference.

40
Wall Street Journal
Joe Morgenstern
The movie isn't all bad, and it's sure to succeed with its target audience.
38
Chicago Tribune
Michael Wilmington
I can't think of much that might happen on a date evening that could be more annoying than this movie.

38
Chicago Sun-Times
Roger Ebert
I am just about ready to write off movies in which people make bets about whether they will, or will not, fall in love.

38
New York Post
Jonathan Foreman
Large chunks of the film seem like a record played at the wrong speed: The tempo of the dialogue as delivered doesn't match the lines as written, and the filmmakers are too lazy or too inept to make their convoluted premise jibe with any recognizable idea of human nature.

30
Variety
Robert Koehler
This is the kind of movie that was doomed on the page, both by an inherently problematic premise and ill-conceived character motivations.

25
Rolling Stone
Peter Travers
When a chick flick goes wrong -- and this one hits a dead end in hell -- it's a wipeout.

20
LA Weekly
Hazel-Dawn Dumpert
Directed by Donald Petrie ("Miss Congeniality") with about as much substance and style as a ham sandwich. It's a heavy hand that damps down such airy creatures as Hudson and McConaughey.

0
Dallas Observer
Gregory Weinkauf
All in all, the only lesson here is how to irritate. This is a stupid movie for stupid people. If you're a stupid person, knock yourself out. Please


The average user rating for this movie is 7.0 (out of 10) based on 44 User Votes
Note: User votes are NOT included in the Metascore calculation.
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