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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
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Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Hunted, The
Paramount Pictures
MPAA RATING: R for strong bloody violence and some language
Starring
Tommy Lee Jones,
Benicio Del Toro,
Connie Nielsen,
Jenna Boyd,
and
Leslie Stefanson
An FBI deep-woods tracker (Jones) captures a trained assassin (Del Toro) who has made a sport of hunting humans.
| GENRE(S): |
Suspense/Thriller
|
| WRITTEN BY: |
David Griffiths
Peter Griffiths
Art Monterastelli
|
| DIRECTED BY: |
William Friedkin
|
| RELEASE DATE: |
DVD: August 12, 2003
Video: August 12, 2003
Theatrical: March 14, 2003
|
| RUNNING TIME: |
94 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
88
Chicago Sun-Times
Roger Ebert
Walking in, I thought I knew what to expect, but i didn't anticipate how William Friedkin would jolt me with the immediate urgency of the action. This is not an arm's-length chase picture, but a close physical duel between its two main characters.

80
Washington Post
Rita Kempley
It's a good ride, briskly paced, well played and vividly photographed by Caleb Deschanel.

75
Philadelphia Inquirer
Steven Rea
Isn't exactly fraught with psychological depth and nuance, but as a stalker-stalkee suspenser, the pic has some nice things going for it.

75
Chicago Tribune
Michael Wilmington
Engrossing as it is, The Hunted is more a showcase for formidable talent than anything else. It's a brainy, exciting but shallow show -- an expert's action movie that almost runs out of breath.

67
Portland Oregonian
Shawn Levy
While the plot of The Hunted is tiresome and the character development is phlegmatic, the picture holds fascination in its determination to trim away chat and guff and focus on tempo and filmic textures.

67
Seattle Post-Intelligencer
Sean Axmaker
All about the thrill of the chase, and Friedkin challenges the antiseptic spectacle and fantasy flamboyance of computer-enhanced blockbusters with a lean, mean manhunt thriller and gritty, hard-edged style.

63
Charlotte Observer
Lawrence Toppman
Few modern thrillers aspire to look this striking.

60
Los Angeles Times
Manohla Dargis
What keeps you watching isn't the story or the actors, none of whom are at the top of their form, but the relentlessness of Friedkin's vision. The film has great forward thrust -- Friedkin's a full-throttle guy -- and the director knows where to put the camera.

60
The Onion (A.V. Club)
Nathan Rabin
Aided by cinematographer Caleb Deschanel, Friedkin works economically, lending the film the mark of a master craftsman, albeit of the coldly efficient variety. The terseness and surplus of technical skill make The Hunted surprisingly engaging.

50
Variety
Todd McCarthy
Routine, superficial manhunt stuff.

50
Slate
David Edelstein
Brutally exciting and sometimes brutally inept.

50
Miami Herald
Rene Rodriguez
The Hunted is so openly, defiantly derivative of 1982's "First Blood," you figure there has to be a copyright lawsuit brewing right this very minute.

50
Rolling Stone
Peter Travers
Just a "Rambo" rehash.

50
The Globe and Mail (Toronto)
Rick Groen
Friedkin has huffed and puffed and blown up a single chase sequence into the whole damn movie. You got your hunted, you got your hunter, and away they go. And go and go.

50
Entertainment Weekly
Lisa Schwarzbaum
The Hunted stalks the masculine psyche with sharp knives, but it tracks its audience too noisily to bag us.

50
Chicago Reader
J.R. Jones
In one slack exchange, Del Toro intimates that the government wants to shut him up because he knows too much, but apparently someone decided that this thing was silly enough already and the matter was dropped.

50
Dallas Observer
Andy Klein
Jones seems to have trouble keeping up with the large amount of action he's required to participate in. And Del Toro seems ill-cast and ill-used.

50
ReelViews
James Berardinelli
This is schlock - by-the-numbers action that ignores character development to the point where we find it hard to care whether L.T. catches Hallam.

40
TV Guide
Ken Fox
If your idea of a good time at the movies is watching two grown men go at it with fists and shivs and nasty wilderness booby-traps, then you're in luck.

40
Wall Street Journal
Joe Morgenstern
Aspiring to pure action -- several very long passages are wordless -- the movie ends up teetering on the brink of self-parody.
40
Film Threat
Rick Kisonak
The bottom line is the movie's a mess. Friedkin would like one to believe there's more than meets the eye to his tale of two trackers.

38
Baltimore Sun
Chris Kaltenbach
To be fair, Friedkin does amp up the tension when called for. If only it were all for some purpose, or in service to a story that actually went somewhere.

38
Boston Globe
Ty Burr
Del Toro does remind you of Brando here; unfortunately, it's the Brando of ''Apocalypse Now,'' the one with the green face and puffy line readings. Jones fares better, even if he wears the same grieving-for-humanity expression throughout the film.

38
New York Daily News
Jami Bernard
As in "The Edge," in which Alec Baldwin and Anthony Hopkins were stranded in the wilds, you can earn a wildernesssurvival merit badge just from watching.

30
LA Weekly
Henry Sheehan
This superficial nonsense is easily ignored; that the movie runs out of gas at the midpoint isn't.

30
Village Voice
Michael Atkinson
Essentially a reheating of 1982's "First Blood" -- a psychologically wounded warrior-vet pits himself against civilized America -- but the fallout this time is simultaneously more ruthless, less emotional, and duller.

30
Washington Post
Desson Thomson
Has so little going for it, you wonder if you've missed something.

30
Film Threat
Robert Learner
The movie appears brutally cut which might explain its inability to develop a thought, much less any narrative momentum.

25
Christian Science Monitor
David Sterritt
It soon gets down to its real business: fights, face-offs, and showdowns mired in the shallowest sort of Hollywood machismo.

25
New York Post
Lou Lumenick
The only prize this shamelessly derivative schlock is likely to be in the running for is the year's dullest thriller.

25
San Francisco Chronicle
Mick LaSalle
Friedkin is steeped in gore, like some cinematic Macbeth, and it's obscuring his artistic vision.

25
USA Today
Mike Clark
You keep waiting for there to be more, but there never is -- other than the fact that it all gets gorier and uglier as the dyspeptic look on Jones' face progresses from a four- to a six-a-day scotch-and-peppermint schnapps hangover.

20
The New York Times
A.O. Scott
The stripped-down narrative is almost an apology for the ludicrous story -- but it's just not enough of one.

10
Salon.com
Charles Taylor
It's an A-list movie for the most brain-dead elements of the action-movie crowd.


The average user rating for this movie is 3.3 (out of 10) based on 16 User Votes
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