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Hunting Party, The
The Weinstein Company

Hunting Party, The reviews
Critic Score
Metascore: 54 Metascore out of 100
User Score  
6.3 out of 10
based on 22 reviews
Read critic reviews
How did we calculate this?
based on 6 votes
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MPAA RATING: R for strong language and some violent content

Starring Goran Kostic, Diane Kruger, Terrence Howard, Richard Gere, James Brolin, and Jesse Eisenberg

TV News reporter Simon Hunt and cameraman Duck have worked in the world's hottest war zones: from Bosnia to Iraq, from Somalia to El Salvador. Together they have dodged bullets, filed incisive reports and collected Emmy awards. Then one terrible day in a Bosnian village everything changes. During a live broadcast on national television, Simon has a meltdown. After that, Duck is promoted and Simon just disappears. Five years later Duck returns to Sarajevo with rookie reporter Benjamin to cover the fifth anniversary of the end of the war. Simon shows up, a ghost from the past, with the promise of a world exclusive. He convinces Duck that he knows the whereabouts of Bosnia’s most wanted war criminal “The Fox.” Armed with only spurious information Simon, Duck and Benjamin embark on a dark and dangerous mission that takes them deep into hostile territory. (The Weinstein Company)


GENRE(S): Action  |  Adventure  |  Comedy  |  Drama  |  Suspense/Thriller  
WRITTEN BY: Richard Shepard  
DIRECTED BY: Richard Shepard  
RELEASE DATE: DVD: January 22, 2008 
Theatrical: September 7, 2007 
RUNNING TIME: 103 minutes, Color 
ORIGIN: USA / Croatia / Bosnia-Herzegovina 
LANGUAGE(S): Serbo-Croatian / English 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

90
Village Voice Robert Wilonsky
Like many of the best movies about war and its lingering echo, The Hunting Party is full of dark humor. Writer-director Richard Shepard, maker of 2005's "The Matador," is becoming a master at finding the right tone, balancing the seriousness of his characters' purpose with the madness of their intentions.
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83
Entertainment Weekly Owen Gleiberman
What makes The Hunting Party an original, gonzo treat is the way that Shepard plants the movie's tone somewhere between hair-trigger investigative danger and the from-the-frying-pan-into-the-fire glee of a Hope/Crosby picture.
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83
The Onion (A.V. Club) Scott Tobias
It's a hilariously half-baked scheme, one that quickly turns them from hunters to hunted, but the strength of The Hunting Party is its shaggy-dog quality.
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75
The Globe and Mail (Toronto) Stephen Cole
The Hunting Party does a good job of illustrating Winston Churchill's observation, "There is nothing more exhilarating than to be shot at without result."
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75
USA Today Claudia Puig
When a movie is a hybrid of this sort, it can be tough to strike just the right tone. Mostly, The Hunting Party manages.
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75
Philadelphia Inquirer Steven Rea
Throw in some business with the CIA, add a small army of Serbian thugs and a mysterious Croatian beauty, and The Hunting Party picks up speed, careening through the forests where the Fox may or may not be hiding out. Whatever fate awaits, it can't be good. But it can be fun.
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70
The Hollywood Reporter Kirk Honeycutt
Writer-director Richard Shepard assembles all the elements for a dark suspense comedy only to lose his way in a surfeit of plot mechanics and unlikely behavior.
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70
Variety Robert Koehler
Alternately glib, superficial and amusing, pic vainly attempts to absorb some degree of Serbian irony into a story that's unavoidably lessened by its privileged American vantage point.
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67
Seattle Post-Intelligencer William Arnold
As energetic and irreverent as it is -- the movie never finds the inspired blend of edgy black comedy and gleeful journalistic adventure that it's after.
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67
Portland Oregonian Marc Mohan
The characters are flat, too: Richard Gere plays your typical desperate, embittered war reporter; Terrence Howard is your typical cameraman/sidekick/narrator; and Jesse Eisenberg rounds out the standard-issue trio as your typical nervous rookie, in over his head.
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63
Chicago Tribune Michael Phillips
The title of The Hunting Party doesn’t evoke much in particular. “War Correspondents Gone WILD!” would be more like it if the film itself--messy, but fairly stimulating--had more of the scamp in its soul.
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63
New York Daily News Jack Mathews
Everything about this political thriller is ridiculous.
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50
Miami Herald Rene Rodriguez
By the time the end credits roll, you're still not sure what kind of movie The Hunting Party is supposed to be, other than just queasy.
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50
Boston Globe Ty Burr
Genocide is hard to decorate with the trimmings of dark farce. The Hunting Party wants to get at political truths through audaciousness, but it keeps bumping into that problem of taste, only to back down.
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50
Washington Post Desson Thomson
Truth be told, none of it is actual living, and all of it is secondhand re-spinning of such better movies as "The Year of Living Dangerously" and "Welcome to Sarajevo." To use an antiquated newsman's cliche: Get me rewrite.
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50
New York Post Lou Lumenick
Shepard, who directed "The Matador" and the pilot for "Ugly Betty," can't quite get the disparate elements of The Hunting Party to mesh into a satisfying whole.
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50
TV Guide Maitland McDonagh
A dismal misfire that attempts to make black comedy out of the adventures of war correspondents and the dirty business of international politics.
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40
The New York Times Manohla Dargis
A misfired, misguided would-be satire.
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40
Los Angeles Times Carina Chocano
Black comedy becomes funnier as the action becomes darker and more perilous, but The Hunting Party fails to locate the absurdity in the central situations and goes for midget jokes instead. In the end, you're not sure if you're supposed to be watching "The Three Amigos" or "Hotel Rwanda."
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33
Christian Science Monitor Peter Rainer
The movie often seems glib in the face of tragedy. And when, near the end, Shepard tries to pour on the hearts and flowers by showing us just what made Simon crack up on camera, the bathos is icky. The whole movie is icky.
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30
Chicago Reader J.R. Jones
The action plot is lousy with cliched suspense scenes of back-road executions halted at the last possible instant.
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25
San Francisco Chronicle Mick LaSalle
A complete bust, but the ways in which it fails are interesting.
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What Our Users Said

Vote Now!The average user rating for this movie is 6.3 (out of 10) based on 6 User Votes
Note: User votes are NOT included in the Metascore calculation.

Foasjiano S. gave it a9:
Excellent, good story, good cast, none of this randomness and subplot metaphoric bull, that ncfom, and twbb had. Go and see it.

mike g gave it a9:
very well done movie. suspenseful from beginning to end. it's a much better movie than most of the crap Hollywood's turning out.If you want to watch a few dvd rentals this year, this movie has to be one of them. Only criticism is that the story isn't that accurate and they cast the cia in a bad light for having the fox step down form power instead of killing him. How many times has the CIA tried to kill Castro? over 100.

Chad S. gave it a7:
Once you go black, you can never go back; black, as in comedy, not...never mind. At the outset, "The Hunting Party" establishes Simon(Richard Gere) as the sort of narcissistic television journalist who covers wars for his own glory, rather than preserve the journalistic notion that the public has a right to know. Simon is an adrenaline junkie; the near-death experience is his fix. He loves the spotlight; Duck(Terrence Howard), his cameraman, is a junkie, too, who gets high on whizzing bullets and the afterglow of Simon's fame. The less we know about these men's personal lives, the better. "The Hunting Party" is a rollicking good time when the three C.I.A. poseurs(Benjamin, played by Jesse Eisenberg, is like the virgin you see in teen sex-comedies who pops his cherry by the third reel) keep an emotional distance from the mayhem and heartbreak that ethnic cleansing creates, by cracking wise in a protective bubble of fearless obliviousness. Clearly, this filmmaker wants to be a maverick like the late-Robert Altman, but "The Hunting Party" loses some of its verve and "M*A*S*H"-like spirit, in a scene that explains why Simon committed career suicide during a live feed from Bosnia. This display of Simon's humanity doesn't derail "The Hunting Party"; the film quickly finds its footing with its precarious balancing act of absurdism and reflexiveness(pertaining to the action-movie genre), but it hurts the film's agenda, I think, to portray contemporary television journalists as being transparent and insincere fame-mongerers, who get into the reporting racket, solely, for the self-promotion and accolades it affords them.

Alen O. gave it a10:
Great movie. People should go and see it. It is worth the money.

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