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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
I Am Legend
Warner Bros. Pictures
 |
|
FILM:
MPAA RATING: PG-13 for intense sequences of sci-fi action and violence
Starring
Will Smith,
Alice Braga,
Salli Richardson-Whitfield,
Willow Smith,
and
Charlie Tahan
Robert Neville is a brilliant scientist, but even he could not contain the terrible virus that was unstoppable, incurable...and manmade. Somehow immune, Neville is now the last human survivor in what is left of New York City...and maybe the world. But he is not alone. He is surrounded by "the infected"--victims of the plague who have mutated into carnivorous beings that can only exist in the dark and that will devour or infect anyone or anything in their path. For three years, Neville has spent his days scavenging for food and supplies and faithfully sending out radio messages, desperate to find any other survivors who might be out there. All the while, the infected lurk in the shadows, watching Neville's every move, waiting for him to make a fatal mistake. Perhaps mankind's last, best hope, Neville is driven by only one remaining mission: to find a way to reverse the effects of the virus using his own immune blood. But his blood is also what the infected hunt, and Neville knows he is outnumbered and quickly running out of time. (Warner Bros.)
| GENRE(S): |
Action
|
Drama
|
Fantasy
|
Horror
|
Sci-fi
|
Suspense/Thriller
|
| WRITTEN BY: |
Joyce Hooper Corrington (1971 screenplay)
John William Corrington (1971 screenplay)
Richard Matheson (novel)
Akiva Goldsman, Mark Protosevich
|
| DIRECTED BY: |
Francis Lawrence
|
| RELEASE DATE: |
DVD: March 18, 2008
Theatrical: December 14, 2007
|
| RUNNING TIME: |
100 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
90
Village Voice
Scott Foundas
In what has been a pretty remarkable career up to now, it's this performance that fully affirms Smith as one of the great leading men of his generation.

88
New York Daily News
Jack Mathews
The Manhattan movie of the year, Francis Lawrence's I Am Legend, offers a stunning glimpse into how the city - as we know it today - might look in 2012 if it were abandoned in 2009.

80
New York Magazine
David Edelstein
The first two thirds and change of I Am Legend is terrific mindless fun: crackerjack action with gnashing vampires barely glimpsed (and scarier for that) and how’d-they-do-that New York locations that retroactively justify the traffic jams.

75
New York Post
Kyle Smith
A scary, inventive, exciting and breathless adventure that combines the best elements of “Children of Men," “Escape from New York" and “The Road Warrior," but leaves out the worst stuff - such as the story-clogging despair and political allegory in “Children," a movie that made apocalypse look like kind of a downer.

75
Seattle Post-Intelligencer
William Arnold
The movie year's most expensive and ambitious sci-fi spectacular, I Am Legend, is three movies in one: a futuristic effects-o-rama, a zombie thriller and a survivalist parable. Each is better than average, and the experience is fairly gripping.

75
Entertainment Weekly
Owen Gleiberman
In spirit, I Am Legend is caught in some abstractly doom-laden sci-fi past. For what it is, though, the film is well-done, a case of suspenseful competence trumping questionable relevance.

75
ReelViews
James Berardinelli
As Tom Hanks did in "Cast Away," Will Smith pulls off this half-insane role perfectly.

75
Charlotte Observer
Lawrence Toppman
The first two-thirds are classic science fiction, technologically plausible and emotionally resonant. It's only when God enters the picture that things slide downhill.

75
Chicago Tribune
Michael Phillips
Smith carries it, even after the story loses its nerve. This film is the opposite of “Transformers”: It’s all about the unsettling silence, not the noise.

75
The Onion (A.V. Club)
Tasha Robinson
While I Am Legend is reasonably absorbing, it can be difficult to focus on the film that actually made it to the screen, instead of the many versions that didn't.

75
Chicago Sun-Times
Roger Ebert
If it is true that mankind has 100 years to live before we destroy our planet, it provides an enlightening vision of how Manhattan will look when it lives on without us. The movie works well while it's running, although it raises questions that later only mutate in our minds.

75
Rolling Stone
Peter Travers
Trouble enters only when the script overcomplicates things in the end. Until then, especially in a growling dogfight, director Francis Lawrence (Constantine) keeps you squirming.

75
Boston Globe
Wesley Morris
It's neither a neat little allegory about faith nor a transcendently entertaining one. I Am Legend is actually about the last man on earth played by one of the last real movie stars on earth. To be honest, Smith was all I was thinking about while I sat through I Am Legend.

75
Miami Herald
Rene Rodriguez
For horror fans, Halloween came a little later than usual this year, but it was worth the wait.

70
Chicago Reader
J.R. Jones
The popcorn elements are well handled, but what lingers is the sense of urban despair: watching old videotapes of the Today show, carrying on friendships with mannequins, Smith turns out to be no legend at all, just another New Yorker slowly dying of loneliness.

70
Salon.com
Stephanie Zacharek
I Am Legend is a blockbuster like no other, one that finds its grandness in modesty. It's a star vehicle with a star who knows his place in the universe.

70
Los Angeles Times
Carina Chocano
Slick, adrenaline-fueled fun.

70
Washington Post
Desson Thomson
Instead of maintaining its edgy sense of constant discomfort, the movie is compelled to make Neville as fuzzily adorable and messianic as possible.

70
The Hollywood Reporter
Kirk Honeycutt
Smith, sporting a newly buffed physique, delivers an extraordinary performance as a man slowly coming unglued under the strain of no human contact and a constantly alternating role of hunter and prey.

70
Variety
Todd McCarthy
Remarkably eerie yet annoyingly larded with cheap horror-film shock effects, I Am Legend stands as an effective but also irksome adaptation of Richard Matheson's classic 1954 sci-fi novel.

70
The New York Times
A.O. Scott
There is something graceful and effortless about this performance (Mr. Smith's), which not only shows what it might feel like to be the last man on earth, but also demonstrates what it is to be a movie star.

67
Christian Science Monitor
Peter Rainer
Smith, it should be noted, has compared Neville in interviews to Job. Tone down the highfalutin references. In the end, this is a sci-fi zombie movie, folks.

63
TV Guide
Maitland McDonagh
Matheson's bitterly ironic ending -- which pivots on the nature of Neville's legend -- is gutted and turned into formulaic pap.

63
USA Today
Claudia Puig
A little more than halfway in, Legend, based on the book by Richard Matheson (which also spawned 1971's Omega Man and 1964's TheLast Man on Earth), deteriorates into a schlocky zombie horror flick and loses its steam.

63
Philadelphia Inquirer
Steven Rea
I Am Legend is essentially "28 Days Later" . . ., or "28 Weeks Later" . . ., only with millions more for special effects, and with nothing approaching the heart-pounding, bloodcurdling power and smarts of the two British-made yarns.

63
The Globe and Mail (Toronto)
Liam Lacey
After its promising opening, I Am Legend devolves into a generic zombie slaughterfest.

60
Slate
Dana Stevens
A big part of the reason for this movie's nose dive around the one-hour mark is that, seen up close, the Infected just aren't that scary.

60
Film Threat
Michael Ferraro
Instead of being the science fiction masterpiece Matheson fans have been salivating for since the 80s (when Schwarzenegger was once attached), it’s just another average Hollywood popcorn flick.

60
Time
Richard Corliss
The word "mixed" isn't mixed enough to fit my response to this film.

60
Newsweek
David Ansen
I Am Legend can't seem to make up its mind just what kind of movie it wants to be.

60
Empire
Dan Jolin
While the sun shines, it’s a four-star thriller with a superb turn from Smith. When the moon rises, it’s a two-star horror cartoon with some of the worst FX we’ve seen all year. So, really, it has to average out at…

58
Portland Oregonian
Shawn Levy
I Am Legend has one undeniably cool thing about it, namely the vision of Manhattan as a semi-feral wasteland.

50
San Francisco Chronicle
Walter Addiego
If you want lots of Will Smith and industrial-strength special effects, the movie delivers.

50
Baltimore Sun
Michael Sragow
The credits list a couple of dozen medical and scientific consultants. What this film really needed was a script doctor.

50
Wall Street Journal
Joe Morgenstern
The star, as solo practitioner, does a terrific job of holding our attention when we're not taking in surreal vistas of a deserted Manhattan that are fascinating in their own right. Still, zombies are zombies, and this nasty lot, mostly digital creations of variable quality, keep draining the distinction that the movie seeks and occasionally finds.

38
Premiere
Eric Alt
Overall, I Am Legend is a wasted opportunity -- a rickety, weather-beaten framework around an otherwise strong central performance from Smith.

30
Austin Chronicle
Josh Rosenblatt
Unfortunately, after those first 10 minutes it’s all downhill for I Am Legend, as the film descends into a monster-movie malaise starring a horde of balding CGI monsters that look like refugees from a video game and that will scare absolutely no one, save those who worry that green-screening is ruining the movies.


The average user rating for this movie is 6.9 (out of 10) based on 340 User Votes
Note: User votes are NOT included in the Metascore calculation.
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