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Stars indicate the most critically-acclaimed movies.

97
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35
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32
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62
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47
Bella
63
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71
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44
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32
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82
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46
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92
Diving Bell and the Butterfly, The
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Favor, The
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57
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87
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Honeydripper
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OSS 117: Cairo - Nest of Spies
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Penelope
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Persepolis
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XXY
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Year My Parents Went on Vacation, The
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Zombie Strippers
97
4 Months, 3 Weeks and 2 Days
92
Diving Bell and the Butterfly, The
91
Up the Yangtze
90
Persepolis
87
Flight of the Red Balloon, The
85
Savages, The
83
Paranoid Park
83
Alexandra
83
U2 3D
82
Chop Shop
82
Taxi to the Dark Side
80
Band's Visit, The
79
Visitor, The
78
Counterfeiters, The
76
Unforeseen, The
76
Stuff and Dough
75
Young@Heart
75
Shotgun Stories
74
Witnesses, The
73
Duchess of Langeais, The
72
Roman de gare
72
Priceless
72
Tuya's Marriage
72
Life of Reilly, The
71
My Brother Is an Only Child
71
Blindsight
71
Standard Operating Procedure
70
Caramel
69
Redbelt
69
Chicago 10
68
Honeydripper
67
Snow Angels
67
Praying with Lior
67
Year My Parents Went on Vacation, The
67
Jellyfish
66
George A. Romero's Diary of the Dead
66
Shelter
65
Married Life
64
Surfwise
64
Son of Rambow
64
Water Lilies
63
XXY
63
Miss Pettigrew Lives for a Day
63
Body of War
63
Blind Mountain
62
Planet B-Boy
62
Battle for Haditha
61
Dhamma Brothers, The
61
OSS 117: Cairo - Nest of Spies
61
Girls Rock!
59
Under the Same Moon
59
Fugitive Pieces
58
First Saturday in May, The
58
Fall, The
58
Hats Off
58
Bra Boys
57
Flawless
57
Teeth
57
Without the King
57
Grand, The
56
Turn the River
56
Then She Found Me
55
Vice
55
Tracey Fragments, The
55
Pathology
55
Glass: A Portrait of Philip in Twelve Parts
54
Cashback
54
Mister Lonely
52
Noise
52
My Blueberry Nights
50
Look
48
Run, Fat Boy, Run
48
Dark Matter
48
Penelope
47
Bella
47
Boarding Gate
46
CJ7
46
Previous Engagement, A
45
Where in the World Is Osama Bin Laden?
45
Zombie Strippers
44
Frontier(s)
44
Chaos Theory
43
Anamorph
43
Favor, The
41
Funny Games
40
Sleepwalking
37
Life Before Her Eyes, The
35
Meet Bill
35
Babysitters, The
35
Deal
32
Backseat
32
Chapter 27
30
Cover
24
Sex and Death 101
20
Expelled: No Intelligence Allowed
17
Prom Night
xx
Tashan
xx
Unsettled
xx
Plumm Summer, A
xx
Kiss the Bride
xx
Jack and Jill vs. the World
xx
From Within
Stars indicate the most critically-acclaimed movies.
|
Illusionist, The
Yari Film Group Releasing
FILM:
MPAA RATING: PG-13 for some sexuality and violence
Starring
Edward Norton,
Jessica Biel,
Paul Giamatti,
Rufus Sewell,
and
Eddie Marsan
Set in turn-of-the-centuy Vienna, this supernatural mystery combines romance, politics and magic. (Yari Film Group)
| GENRE(S): |
Adventure
|
Drama
|
Fantasy
|
Romance
|
| WRITTEN BY: |
Neil Burger
Steven Millhauser (short story Eisenheim the Illusionist)
|
| DIRECTED BY: |
Neil Burger
|
| RELEASE DATE: |
DVD: January 9, 2007
Theatrical: August 18, 2006
|
| RUNNING TIME: |
110 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Chicago Reader
Jonathan Rosenbaum
A lush piece of romanticism.

100
New York Post
Lou Lumenick
Deserved an end-of-the-year prestige release, is a true work of art in a marketplace filled with velvet paintings. It's positively magical, the reason we loved movies in the first place.

90
Village Voice
Bill Gallo
Beautifully acted and handsomely mounted, this gorgeous period piece is an intelligent and intriguing exploration of "the dark arts" -- less dependent on mere hocus-pocus than on the convincing journey of the soul undertaken by its hero.

88
Philadelphia Inquirer
Steven Rea
The less said about the twists and turns The Illusionist takes, the better. Suffice to say, Eisenheim's masterful deceptions do not stop when he exits the stage.

83
Entertainment Weekly
Lisa Schwarzbaum
The Illusionist looks rigorously styled and measured, and every one of Norton's postures feels chosen. Yet the interesting actor has chosen so thoughtfully that we're riveted.

80
The Hollywood Reporter
James Greenberg
Outstanding production values and mysterious subject matter give the film a surprisingly opulent feel for an independent Sundance entry.

80
Time
Richard Corliss
By the end, the canniest viewers may not be fooled, but--and you can believe this--they may be mesmerized.

80
The New York Times
Stephen Holden
This entertaining movie is content to be something a bit more modest: a pungent period folk tale that teases you until the very end.

80
Slate
Dana Stevens
It's an exquisitely crafted period picture that keeps promising more and more as it goes along--smarter ideas, richer themes, spookier plot twists--and keeps delivering on every promise, right up until the rug-pulling and overly hasty final sequence.

80
New York Magazine
David Edelstein
The ending dispels a lot of the magic, but the silent-movie palette is gorgeous, and the film is worth seeing for the inspired hamming of Paul Giamatti as Vienna’s chief inspector, whose plummy tones made me sure I could hear the ghost of James Mason cackling.

80
The New Republic
Stanley Kauffmann
What Burger and his colleagues have done is to entrance us with a richly acted, beautifully produced story.

75
TV Guide
Maitland McDonagh
This handsome, elegant and restrained fable about love, artifice and power in fin de siecle Vienna is lavishly imagined and yet oddly airless.

75
San Francisco Chronicle
Mick LaSalle
A rich and elegant film, full of sly, devious characters with complicated motives.

75
Baltimore Sun
Michael Sragow
This flight of fancy stays aloft on the power of its acting and its atmosphere.

75
Boston Globe
Ty Burr
Illusionist is like an overupholstered wing chair in the corner of a men's club -- you settle in only to be startled by how ridiculously comfy you are.

75
USA Today
Claudia Puig
The Illusionist casts an exquisitely bewitching spell with its dreamy atmosphere and pervasive sense of suspense.

75
Premiere
Jared Shimizu
A visual delight as well as an satisfying period drama.

75
Chicago Tribune
Michael Phillips
One of the strengths of The Illusionist: Everyone in it actually appears to be acting in the same era.

75
Rolling Stone
Peter Travers
Edward Norton is at his best here, chalking up another boundary-stretching performance this year in the wake of the unfairly overlooked "Down in the Valley."

75
ReelViews
James Berardinelli
An infectious mix of romance, mystery, and magic.

70
Variety
Todd McCarthy
A bizarre story of intrigue, magic and murder in turn-of-the-century Vienna casts a considerable spell in The Illusionist.

70
Wall Street Journal
Joanne Kaufman
It's important to keep in mind that little in The Illusionist is quite what it seems. That goes for the movie itself, fashioned from smoke, mirrors and, fortunately, Mr. Norton's magical performance.
70
Los Angeles Times
Carina Chocano
Sewell and Giamatti ham it up as the imperious pretender to the throne and his ambitious but conflicted minion in this uncheesy but entertainingly tricky mystery. There's more heat between the two of them than between the sappy lovers.

70
Salon.com
Stephanie Zacharek
So beautiful to look at that it practically feels like a drug.

67
Seattle Post-Intelligencer
William Arnold
The movie also is designed to be an actor's showcase for Norton and Giamatti, two of the best movie actors of their generation. Each has his moments of fire, but some element is missing from the script that would make this duel of the titans riveting.

67
Christian Science Monitor
Peter Rainer
An overly stately affair that often substitutes production values for imagination.

67
The Onion (A.V. Club)
Scott Tobias
The results are reasonably clever and impeccably executed, but one of these days, Burger is going to have to pull more from his hat than just the rabbit.

63
New York Daily News
Jack Mathews
Eisenheim's storybook romance with aristocrat Sophie (Jessica Biel), the childhood sweetheart now expected to become Leopold's princess, is the most compelling thing about a film that should dazzle the eye as much as stir the heart. It does not dazzle.

63
Charlotte Observer
Lawrence Toppman
The picture feels like an entertaining short story, competently executed at undue length, and that's its origin.

60
Empire
Olly Richards
It's not on a gasp-inducing making-the-Statue-Of-Liberty-disappear level, but with its opulent presentation and confident storytelling, The Illusionist has the power to keep an audience rapt like a good old-fashioned card trick.

58
Portland Oregonian
Shawn Levy
The Illusionist might trick some moviegoers into thinking it's clever, deft, old-fashioned fun. But I urge those folks to stay home with a real classic romantic thriller on DVD or cable to remember the difference. This film doesn't even manage to breathe old life into the forms it apes.

50
Miami Herald
Rene Rodriguez
The Illusionist is dogged by an inert, stale aura that overcomes everything and everyone in the movie.

50
The Globe and Mail (Toronto)
Rick Groen
For a film meant to float on a gossamer veil of mystery, The Illusionist falls -- make that flops -- with quite the heavy thud. It's an intended piece of magic that plays like a ponderous slab of melodrama, sleight of hand gone ham-handed.

50
Washington Post
Ann Hornaday
Rather than taking viewers on a twisty, provocative journey through a mazelike meditation on appearance and reality, The Illusionist finally just sits there, looking like a very well-produced pilot for PBS's "Mystery!" series. It's a sophisticated snooze.

40
LA Weekly
Scott Foundas
The movie is leaden and self-serious, with an unusually hollow performance from Norton, who's not for a moment convincing as a man of raging passion. Far better is Paul Giamatti.

40
Film Threat
Jeremy Mathews
While it might have made a good short, as a feature film The Illusionist comes across like a magician whose tricks are transparent.

40
Austin Chronicle
Marjorie Baumgarten
The film's moody, dark palette and soft, inchoate backgrounds tend to lull the senses rather than actively engage the viewer. The magic practiced by this illusionist does not extend to the screen.


The average user rating for this movie is 7.9 (out of 10) based on 149 User Votes
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