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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
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Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
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Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
I'm Not There
The Weinstein Company
FILM:
MPAA RATING: R for language, some sexuality and nudity
Starring
Cate Blanchett,
Richard Gere,
Heath Ledger,
Christian Bale,
Michelle Williams,
Julianne Moore,
Ben Whishaw,
and
Marcus Carl Franklin
I'm Not There is a film that dramatizes the life and music of Bob Dylan as a series of shifting personae, each performed by a different actor—poet, prophet, outlaw, fake, star of electricity, rock and roll, martyr born-again Christian—seven identities braided together, seven organs pumping through one life story, as dense and vibrant as the era it inspired. (The Weinstein Company)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Oren Moverman
Todd Haynes
|
| DIRECTED BY: |
Todd Haynes
|
| RELEASE DATE: |
DVD: May 6, 2008
Theatrical: November 21, 2007
|
| RUNNING TIME: |
135 minutes, Color |
| ORIGIN: |
USA / Germany |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Entertainment Weekly
Owen Gleiberman
I'm Not There lets you hear it again, more majestically than ever.

100
Village Voice
J. Hoberman
I'm Not There is the movie of the year.

100
Boston Globe
Ty Burr
The strangest thing about Todd Haynes's new movie isn't that he cast six actors to play the various faces and phases of Bob Dylan. It's that he needed only six.

100
Film Threat
Jeff Beresford-Howe
What Haynes has essentially done is create a film that is a Bob Dylan song, one of his best.

91
Portland Oregonian
Shawn Levy
This film insists on being taken on its own terms -- the sort of demand, in other words, that defines the best art.

91
Seattle Post-Intelligencer
Sean Axmaker
Faced with an artist defined more by his lyrics than his life story, Haynes delivers a song-cycle of a movie: vivid, exaggerated, contradictory impressions of a man who confounds a culture still looking to define him.

90
Salon.com
Stephanie Zacharek
One of the most inventive and joyous movies of the year.

90
Newsweek
David Gates
Brilliantly strange, often funny and ultimately heartbreaking film.

90
The New York Times
A.O. Scott
Among its many achievements, Todd Haynes’s I’m Not There hurls a Molotov cocktail through the facade of the Hollywood biopic factory.

88
Philadelphia Inquirer
Steven Rea
A loopy, surreal, beguiling collage of a film, the writer-director's meta-biopic embraces its subject.

88
Premiere
Glenn Kenny
Haynes's picture may not be perfect -- hell, I'm not even sure that perfection is a state it even aspires to -- but it's bold and individualistic and accomplished. A reason to take heart for the state of current American moviemaking.

88
Rolling Stone
Peter Travers
So what if nothing is revealed. Todd Haynes is a mischievous visionary who puts the music and the myth of Bob Dylan before us in I'm Not There and dares us not to revel in the troubadour's poetic, contentious, ever-changing essence. It's a feast for the eyes, the ears and the Dylanologist scratching around our minds and hearts.

88
Chicago Sun-Times
Roger Ebert
What Haynes does is take away the reassuring segues that argue everything flows and makes sense, and to show what's really chaos under the skin of the film.

88
Charlotte Observer
Lawrence Toppman
A lot of chaotic fun.

83
The Onion (A.V. Club)
Keith Phipps
An ingenious, maddening film inspired by the "many lives of Bob Dylan."

80
Los Angeles Times
Carina Chocano
A challenging film, one that I suspect can only benefit from multiple viewings. The success of its approaches varies, but its intent is unfailingly interesting.

80
Washington Post
Ann Hornaday
A fascinating experiment that, if the viewer is willing to surrender to Haynes's sometimes hermetic meditations on Dylan's life, heartily rewards the investment.

80
Empire
Staff (Not credited)
An extraordinary attempt to encapsulate the many faces of Bob Dylan that plays better to the convert than the sceptic. Like the nasal twang of the man in question, the film finally beguiles more than it irritates.

78
Austin Chronicle
Kimberley Jones
There’s an undeniable thrill to watching something so experimental and yet totally accessible to those of us who speak only layman’s Dylanese, and it’s Haynes’ warmest film yet.

75
Chicago Tribune
Michael Phillips
I appreciate Haynes’ craft and ambition. I love the Ledger/Gainsbourg scenes, which are sweet and sad and delicately shaded. And Blanchett’s inspired not-quite-impersonation of Dylan is reason enough to tussle with the rest of it.

75
New York Post
Staff (Not credited)
Bob Dylan would probably love I'm Not There, which may be all a Dylanist needs to know before seeing it. Non-devotees are in for puzzlement, if not exasperation.

75
TV Guide
Ken Fox
In the end it remains an academic exercise, though a dazzlingly ambitious one that’s well worth seeing.

75
The Globe and Mail (Toronto)
Liam Lacey
Even with new information provided in the film, however, his personality remains not so much elusive as cantankerous, particularly in contrast with the expansiveness of his songs. That gap gives I'm Not There something of a hollow centre.

70
Chicago Reader
Jonathan Rosenbaum
What emerges is a speculative, critical essay about the 60s, weighted down in spots by political correctness and a conflicted desire to mock Dylan's denseness while catering to his hardcore fans, but otherwise lively, fluid, and watchable.

70
Slate
Dana Stevens
Like the singer's gnomic comments to the press, the movie can be maddeningly slippery; like his music, it's fierce, thrilling, and unapologetically itself.

70
The Hollywood Reporter
Ray Bennett
The star of the show is undoubtedly Blanchett, who has great fun playing Dylan as a showboat who quite knowingly goes about creating his reputation for rebellious independence.

63
Miami Herald
Rene Rodriguez
Only devout Dylan fans will be able to derive much sense out of it. Dylan novices can only sit back and surrender to the ride Haynes offers: It's a strange, surreal trip.

63
New York Daily News
Jack Mathews
Some of it is brilliant, some is tedious and some is just plain incoherent.

50
Baltimore Sun
Michael Sragow
If any man should be more than the sum of his parts, it's an artist. But Todd Haynes' I'm Not There makes Bob Dylan less than the sum of his parts. It's like a tony art-school parlor game.

50
Variety
Todd McCarthy
Stylistically audacious in the way it employs six different actors and assorted visual styles to depict various aspects of the troubadour's life and career, the film nevertheless lacks a narrative and a center, much like the "ghost" at its core.

50
USA Today
Claudia Puig
It's not nearly as enjoyable as one of his rambling, meditative songs, though perhaps it is aspiring to be the cinematic equivalent. Give me "Tangled Up in Blue" any day over this incoherent, tangled trip.

50
New York Magazine
David Edelstein
Too often, it’s the MOVIE that isn’t there. What’s meant to be archetypal comes across as superficial.

40
The New Yorker
Anthony Lane
It makes “Yellow Submarine” look like a miracle of sober narrative.

40
Time
Richard Schickel
It doesn't work. It is just a mess -- though the sound track, full of Dylan songs is, of course, good to hear. But it is not better than the track on Martin Scorsese's "No Direction Home" documentary of two years ago.

25
San Francisco Chronicle
Mick LaSalle
Anyone can make a bad movie, but it takes a good filmmaker to make one as bad as I'm Not There.


The average user rating for this movie is 6.1 (out of 10) based on 75 User Votes
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