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Stars indicate the most critically-acclaimed movies.

67
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Goodbye Solo
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Tulpan
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Seraphine
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Summer Hours
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U2 3D
83
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83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
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74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
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62
Not Forgotten
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Sunshine Cleaning
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Sleep Dealer
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58
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Away We Go
57
Merry Gentleman, The
57
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56
Girl from Monaco, The
56
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54
Is Anybody There?
54
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54
Stoning of Soraya M., The
52
Quiet Chaos
50
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48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Interpreter, The
Universal Pictures
FILM:
MPAA RATING: PG-13 for violence, some sexual content and brief strong language
Starring
Nicole Kidman,
Sean Penn,
Catherine Keener,
Jesper Christensen,
Yvan Attal,
Earl Cameron,
George Harris,
and
Michael Wright
A suspenseful thriller of international intrigue set inside the political corridors of the United Nations and on the streets of New York. (Universal)
| GENRE(S): |
Drama
|
Suspense/Thriller
|
| WRITTEN BY: |
Charles Randolph
Scott Frank
Steven Zaillian
Martin Stellman & Brian Ward (story)
|
| DIRECTED BY: |
Sydney Pollack
|
| RELEASE DATE: |
DVD: October 4, 2005
Video: October 4, 2005
Theatrical: April 22, 2005
|
| RUNNING TIME: |
128 minutes, Color |
| ORIGIN: |
UK/USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
91
Seattle Post-Intelligencer
William Arnold
Very much a '70s-style paranoid thriller, with a mood, tone and cascade of plot twists that are highly reminiscent of his 1975 classic, "Three Days of the Condor."

90
The Hollywood Reporter
Kirk Honeycutt
Thrillers don't get much smarter than The Interpreter.

88
Chicago Tribune
Michael Wilmington
As beautifully designed, swift and sleek as a classic sports car, throbbing with emotion and intelligence, it's a neat suspense film that's also dramatically and sociologically potent, with two supremely talented stars, Nicole Kidman and Sean Penn, delivering beyond the emotional call of duty.

83
Entertainment Weekly
Lisa Schwarzbaum
An elegant adventure of a different kind.

80
Variety
Todd McCarthy
Coolly absorbing without being pulse-quickening.

75
Rolling Stone
Peter Travers
The Interpreter bristles with the smart, steadily engrossing tension that marked such 1970s goodies as "All the President's Men," "The Parallax View" and Pollack's own "Three Days of the Condor."

75
Premiere
Peter Debruge
Slick, well-acted, and smarter than it has to be.

75
Christian Science Monitor
David Sterritt
A swiftly told, smartly acted yarn, and it even has an idea or two on its mind.

75
Miami Herald
Rene Rodriguez
Watching these coolly precise, methodical actors spar with each other at the top of their game is half the show.

75
New York Daily News
Jami Bernard
An intelligent, old-fashioned nail-biter.

75
ReelViews
James Berardinelli
A cut above the average politically-based thriller.

75
Chicago Sun-Times
Roger Ebert
What I admire most about the film is the way it enters the terms of this world -- of international politics, security procedures, shifting motives -- and observes the details of all-night stakeouts, shop talk, and interlocking motives and strategies.

75
San Francisco Chronicle
Mick LaSalle
A suspense thriller of rare intelligence.

75
Baltimore Sun
Michael Sragow
The movie's main strengths are its use of the real United Nations as its prime location and Pollack's ability to stud this movie (as he also did "The Firm") with players who do supporting-character equivalents of star turns.

70
Washington Post
Desson Thomson
As a straight-ahead thriller, the movie is enjoyable and stirring much of the time.

70
Los Angeles Times
Kenneth Turan
Yes, this could be a better film, but the good qualities it does have are rare enough to hold our interest on screen and off.

70
Wall Street Journal
Joe Morgenstern
In the absence of internal logic, external style and emotional intelligence carry the day.
70
Village Voice
J. Hoberman
The Kidman character is an exotic--and even unlikely--creature, usefully fueling Penn's annoyed but fascinated incredulity.

70
New York Magazine
Ken Tucker
Penn is terrific in his low-key doggedness.

70
The Onion (A.V. Club)
Scott Tobias
Made with an intelligence and craft that's increasingly rare in Hollywood thrillers.

67
Austin Chronicle
Marjorie Baumgarten
The Interpreter is ultimately fluent in many things, but an out-and-out thriller it is not.

67
Portland Oregonian
Shawn Levy
It's a thriller, and a large one, and it's got a couple of terrific performers in the center.

63
USA Today
Mike Clark
With major stars, a name director and grown-up subject matter, this middling drama is less a movie to recommend with vigor than to covet on general principles.

63
New York Post
Lou Lumenick
But at the risk of sounding ungrateful, Sydney Pollack's latest film should have been a lot better.

63
Charlotte Observer
Lawrence Toppman
An old-fashioned suspense drama with an old-fashioned belief at its core: Justice can be done in the world, and the United Nations is the global organization to do it.

60
Empire
Ian Nathan
Solid, mature and finely acted, but intermittently daft.

60
The New Yorker
Anthony Lane
The Interpreter is long and tangled, the score is yet another drownout from the thundering James Newton Howard, and the avowed thoughtfulness--about sub-Saharan politics, about the clashing commitments to peace and justice, about the kinship of damaged souls--is at once laudable and vaporous.

60
Time
Richard Corliss
There's enough narrative for three fine films.
But not enough for The Interpreter. The thriller pieces feel assembled rather than organic.

60
Film Threat
Pete Vonder Haar
In the end, nothing about The Interpreter strikes us as very original.

50
Chicago Reader
Staff (Not credited)
Five people worked on the script; if there was ever any inspiration behind it, there isn't now.

50
Washington Post
Stephen Hunter
Gets more and more complex until it's almost laughable; it has too many beats, too many reverses, and in the end seems unbelievable.

50
Boston Globe
Wesley Morris
A righteous but wrongheaded thriller, chokes on its well-meant outrage and leaves a moth-eaten plot and handful of nonsense characters on its way to a dopey finish.

50
Salon.com
Stephanie Zacharek
The Interpreter is so intent on reminding us that it's a QUALITY piece of work that it forgets to give us the very thing we thought we came in for: a story.

50
The Globe and Mail (Toronto)
Rick Groen
The ideal: It hopes to be a suspenseful political yarn carrying a lofty message of peace and understanding. The reality: It's just a flabby thriller that gets completely lost in translation.

50
Dallas Observer
Robert Wilonsky
The Interpreter dashes the suspense by talking the audience to death.

50
LA Weekly
Ella Taylor
When it comes to the United Nations, though, the movie turns to Jell-O. Whether Pollack was softened up by his meetings with U.N. brass (all the way up to Kofi Annan), or by his own gentlemanly Midwestern liberalism, he is alarmingly circumspect about that august body.

50
TV Guide
Maitland McDonagh
Its talky, sluggish script is so bereft of thrills -- intellectual or otherwise -- that even the film's one masterfully staged sequence... falls flat.

50
Philadelphia Inquirer
Steven Rea
The film feels long, the editing is choppy, and the plot strands are at once convoluted and cliched.

50
The New York Times
Dana Stevens
Conventionally described as a political thriller, but The Interpreter is as apolitical as it is unthrilling.

40
Slate
David Edelstein
Too bloated with its own significance to deliver the requisite thrills.

40
The New Republic
Stanley Kauffmann
The director, Sydney Pollack, who appears briefly in the film, has done his experienced best with this Scotch-taped script. But his two stars are insuperable handicaps.


The average user rating for this movie is 6.8 (out of 10) based on 104 User Votes
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