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Stars indicate the most critically-acclaimed movies.
67
$9.99
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Valentino: The Last Emperor
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What Goes Up
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Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Invincible
Fine Line Features
FILM:
MPAA RATING: PG-13 for some sexual content and thematic elements
Starring
Tim Roth,
Jouko Ahola,
Anna Gourari,
Max Raabe,
Jacob Wein,
Gustav-Peter Wöhler,
Udo Kier,
and
Herbert Golder
The true story of a simple man who is transported from his humble village roots to the giddy excesses of the 1930s Berlin and finds himself becoming the new Samson to protect the Jewish people. (Fine Line Features)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
E. Max Frye
Werner Herzog
|
| DIRECTED BY: |
Werner Herzog
|
| RELEASE DATE: |
DVD: June 3, 2003
Video: June 3, 2003
Theatrical: September 20, 2002
|
| RUNNING TIME: |
135 minutes, Color |
| ORIGIN: |
USA / UK / Germany |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Chicago Sun-Times
Roger Ebert
Watching Invincible was a singular experience for me, because it reminded me of the fundamental power that the cinema had for us when we were children. The film exercises the power that fable has for the believing.
80
Los Angeles Times
Kevin Thomas
The period is evoked with care and imagination, and the film glows with Peter Zeitlinger's cinematography. It has some bravura images and surreal moments typical of Herzog, and composers Hans Zimmer and Klaus Badelt have contributed a lovely score.
80
The New York Times
Stephen Holden
If Invincible is soft at the center, its visual grandeur and mostly full-blooded performances make it gripping, for this eminent German director has pulled off the tricky feat of elevating a true story into a larger-than-life allegory.
70
Chicago Reader
J. R. Jones
Though Ahola's acting is unschooled, to say the least, Herzog shrewdly uses his blunt sincerity to counterpoint Roth's spectacularly icy performance.
70
The Onion (A.V. Club)
Keith Phipps
An extraordinary story uniquely suited to Herzog's abilities, it eventually becomes easy to accept Ahola as a nearly mute witness to the obsessives around him, most immediately Tim Roth in a striking performance as Ahola's employer.
67
Entertainment Weekly
Owen Gleiberman
Half-baked Herzog, though it has twinkles of theatrical purity that remind you of when his vision was grand.
63
Boston Globe
Wesley Morris
Is a mellowed Herzog to be believed?
63
Philadelphia Inquirer
Steven Rea
Invincible works, simply but provocatively, as a parable about the oppressed and the oppressors, victimhood and fanaticism.
63
Chicago Tribune
Michael Wilmington
Erratically acted and, at times, clumsily written.
63
The Globe and Mail (Toronto)
Liam Lacey
Invincible lacks Herzog's usual visual and intellectual panache, and is afflicted by weak English-language acting, which makes it more of a career curio than a major work.
60
LA Weekly
Hazel-Dawn Dumpert
A wonderful movie. For every misstep there are the sublime expressions of agony and ecstasy of which Herzog is a master.
60
Film Threat
Richard Cline
There are some realistic, scary themes at work here that make it worth a look.
50
New York Daily News
Elizabeth Weitzman
Herzog has certainly found a fascinating subject, but he does surprisingly little with it, especially considering the 135- minute running time.
50
San Francisco Chronicle
Edward Guthmann
A strange but oddly memorable film.
40
TV Guide
Ken Fox
Steers clear of historical accuracy. Herzog is obviously looking for a moral to his fable, but the notion that a strong, unified showing among Germany and Eastern European Jews might have changed 20th-Century history is undermined by Ahola's inadequate performance.
40
Village Voice
Michael Atkinson
What's more disappointing is how filthy Invincible is with missed opportunities for Herzog to be Herzog.
40
Variety
David Stratton
This potentially intriguing story winds up being dull and at times faintly silly.
25
New York Post
V.A. Musetto
It's depressing to see how far Herzog has fallen.
20
New Times (L.A.)
Jean Oppenheimer
The predominantly amateur cast is painful to watch, so stilted and unconvincing are the performances. Poor Roth has nobody to play against and flounders in trying to keep the ship upright. Herzog aims for a kind of operatic sweep that he fails to achieve.
 The average user rating for this movie is 7.0 (out of 10) based on 2 User Votes
Note: User votes are NOT included in the Metascore calculation.
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