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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Jay and Silent Bob Strike Back
Dimension Films
FILM:
MPAA RATING: R for nonstop crude and sexual humor, pervasive strong language, and drug content
Starring
Kevin Smith,
Jason Mewes,
Jason Lee,
Ben Affleck,
and
Joey Lauren Adams
When Jay and Silent Bob learn that a "Bluntman and Chronic" movie is being made featuring their comic book counterparts, they drool at the thought of fat movie checks rolling in. But when the pair finds that there won't be any royalties coming their way, they set out to sabotage the flick at all costs. (News Askew)
| GENRE(S): |
Comedy
|
| WRITTEN BY: |
Kevin Smith
|
| DIRECTED BY: |
Kevin Smith
|
| RELEASE DATE: |
DVD: February 26, 2002
Video: February 26, 2002
Theatrical: August 24, 2001
|
| RUNNING TIME: |
99 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Portland Oregonian
Kim Morgan
The best-looking, best-scripted and funniest of Smith's pictures, it's also Smith's sharpest.

90
Washington Post
Desson Thomson
In keeping with the Smith rules, the movie is irreverent, self-referential, twisted, cheap and tasteless. And, of course, I mean that as the highest compliment.

80
Rolling Stone
Peter Travers
A blast of comic irreverence that serves as a starring vehicle for two stoner characters who had previously been relegated to the sidelines.

80
New York Magazine
Peter Rainer
As Jay and Silent Bob, Jason Mewes and Kevin Smith are the perfect comedy team for smart, dirty-minded 15-year-olds, which means just about all of us.

80
Slate
David Edelstein
Most of all, I enjoyed the picture's subtext, which is that Smith has become so sensitized to Internet abuse -- that the cathartic climax consists of tracking down bellicose posters (all of whom turn out to be adolescent dweebs) and pummeling the crap out of them.

75
San Francisco Chronicle
Wesley Morris
In addition to being his filthiest, this is his most free-associative movie. In spite of and because of its homemade look, it's also his funniest.

75
Boston Globe
Jay Carr
Sequels and fun don't often coincide, but this time they do.
75
Baltimore Sun
Chris Kaltenbach
It's deliciously warped, deceptively smart and undeniably funny. Isn't that enough?
75
Entertainment Weekly
Owen Gleiberman
A hit-or-miss affair that starts out wobbly and then gathers comic momentum.

75
USA Today
Mike Clark
It's gratifying to see a comedy can have no redeeming social value yet be full of hearty laughs.

75
Chicago Sun-Times
Roger Ebert
Whether you will like Jay and Silent Bob depends on who you are. Most movies are made for everybody. Kevin Smith's movies are either made specifically for you, or specifically not made for you.

63
New York Post
Jonathan Foreman
The originality and intelligence that made Smith's "Clerks" and "Chasing Amy" such refreshing pleasures are all but absent.

63
Philadelphia Inquirer
Carrie Rickey
Frisky, raunchy and frequently riotous.

60
Salon.com
Stephanie Zacharek
At times fun but mostly maddeningly uneven, Jay and Silent Bob Strike Back feels less like a full-fledged movie than a side project Smith took on to amuse himself and his buddies.

60
Washington Post
Rita Kempley
A raunchy parody that's hip-deep in the mainstream it aims to rip, and sometimes does despite a glut of smug inside jokes.

50
Austin Chronicle
Marc Savlov
It's hit-or-miss comedy of the very broadest sort, but those who groove on deciphering obscure film-geek in-jokes will find their work more than cut out for them.

50
Seattle Post-Intelligencer
Sean Axmaker
I can't imagine how Smith can capture a big enough audience to pay off this private joke, but the inner geek in me had too much fun to care.

50
The New York Times
A.O. Scott
This may be the greatest picture ever made for 14-year-old boys. Mr. Smith may have hit his target, but he aimed very low.

50
Miami Herald
Rene Rodriguez
The movie is sloppy and scattershot, and proud of it. It wears its slipshod, anything-for-a-laugh structure like a badge of honor: Smith is nothing if not self-deprecating.

50
Los Angeles Times
Kevin Thomas
There are lots of hilarious, off-the-wall incidents, and the film has a likable freewheeling spirit to go with its knockabout plot. But the film isn't as remotely funny as it means to be.

40
Variety
Scott Foundas
This represents at least as much of an artistic setback for Smith as "Chasing Amy" and "Dogma" were advances.

40
TV Guide
Maitland McDonagh
Smith's unrepentantly juvenile sense of humor leans heavily on elementary pop-culture parody, a particularly tiresome and parasitic form of humor that depends on an audience of smirking know-it-alls who can be trusted to snicker whenever they get the reference.

40
LA Weekly
Manohla Dargis
Only once, in a quick sketch of "Planet of the Apes" -- does the humor seem to spring from pure movie love. In nearly every other respect, the film is so lazy, solipsistic and overpleased with itself it's hard not to believe that this time the Evil Empire has won not just the battle, but the war.

38
New York Daily News
Jack Mathews
Typical of road comedies, it's a pastiche of sketches.

38
Chicago Tribune
Mark Caro
Now that Smith has gotten these characters and jokes out of his system, here's hoping he can turn to material that doesn't require winking at the audience.

38
Charlotte Observer
Lawrence Toppman
I don't know if the new movie is Smith's weakest. It's certainly his most disposable, a warmed-over hash of jokes that will have Mewes fans rolling with laughter and the rest of us rolling our eyes in disbelief.

30
Chicago Reader
Lisa Alspector
This kind of wheel spinning comes from having the desire to speak but nothing much to say, and Smith, who's made a slight movie about his being a slight filmmaker, seems to know this.

25
Christian Science Monitor
David Sterritt
Een fans of Jay and Silent Bob may find the story too slender and the jokes too repetitive to be much fun.

20
Mr. Showbiz
Kevin Maynard
This is nothing more than a bare-assed fart in the face of Smith's fans.
20
New Times (L.A.)
Robert Wilonsky
Who wants to pay to see a movie so bad the actors and writer-director feel the need to keep reminding us of how bad it is?

10
Village Voice
Michael Atkinson
Stunning in its guileless self-love, Smith's doodle-movie shows virtually no sign of being made for an audience. The 90-minute by-product of Smith's let's-shoot-a-movie pot party can be mystifying -- we've all stood soberly by as high friends guffaw at nothing in particular, but now we can pay for the privilege.


The average user rating for this movie is 8.2 (out of 10) based on 84 User Votes
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