|

Now Playing
Critics & Publications
Archives: A-Z Index
Advanced Search
Upcoming Release Calendar
Weekend Box Office
Film Awards & Top 10s By Year
All-Time High Scores
All-Time Low Scores
How Metascores Are Calculated
Discuss Film In Our Forums

Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Kill Bill: Volume 1
Miramax Films
FILM:
BOOKS:
MPAA RATING: R for strong bloody violence, language and some sexual content
Starring
Uma Thurman,
David Carradine,
Daryl Hannah,
Michael Madsen,
Vivica A. Fox,
Lucy Liu,
Michael Jai White,
and
Chia Hui Liu
An epic tale of one woman's quest for justice presented in two installments. (Miramax)
| GENRE(S): |
Action
|
Comedy
|
Crime
|
Drama
|
Suspense/Thriller
|
| WRITTEN BY: |
Quentin Tarantino
|
| DIRECTED BY: |
Quentin Tarantino
|
| RELEASE DATE: |
DVD: April 13, 2004
Video: April 13, 2004
Theatrical: October 10, 2003
|
| RUNNING TIME: |
96 minutes, Color |
| ORIGIN: |
USA |
| LANGUAGE(S): |
English / Japanese |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Chicago Sun-Times
Roger Ebert
Kill Bill: Volume 1 shows Quentin Tarantino so effortlessly and brilliantly in command of his technique that he reminds me of a virtuoso violinist racing through "Flight of the Bumble Bee" -- or maybe an accordion prodigy setting a speed record for "Lady of Spain."

100
Boston Globe
Wesley Morris
The worst thing about the first Quentin Tarantino picture in five years is that after 93 minutes of some of the most luscious violence and spellbinding storytelling you're likely to see this year, Kill Bill ends.

100
Washington Post
Stephen Hunter
Delivered with such high panache and brio, it's mesmerizing.

100
Premiere
Glenn Kenny
Although this installment is a beautiful stand-alone thang (check out how its chronology-juggling storyline creates a perfect circle, structure-wise).

100
Time
Richard Corliss
By next semester, some grad student will be writing a thesis on the B-movie influences on this A+ film.

100
Baltimore Sun
Chris Kaltenbach
"His eye is incredibly sharp and amazing, in regard to visceral cinema," says Uma Thurman, who has worked with Tarantino on both Pulp Fiction and Kill Bill. "He's a great storyteller. He's very seductive as a filmmaker."

91
Entertainment Weekly
Owen Gleiberman
The film may be bloody, but it's also bloody gorgeous: a grandly fetishized epic of cinematic aggression. It's a tale of vengeance that hinges on Tarantino's love of ferocity as spectacle -- his immersion in action and exploitation, his addiction to the jazzy catharsis of junk-film kicks.

90
Washington Post
Desson Thomson
Reconfirms Tarantino's status as the master of pop cinema and puts a sense of excitement into the year. He has matched, if not eclipsed, the power and scope of 1994's "Pulp Fiction," though not its human charm.
89
Austin Chronicle
Marc Savlov
Don’t leave until the final credits finish rolling or you’ll miss what many are considering Kill Bill: Vol. 1’s best bit. Trust us on this one.

88
USA Today
Mike Clark
Bill re-establishes that Tarantino ranks with "Boogie Nights'" Paul Thomas Anderson as one of the few Hollywood filmmakers of the past 25 years with the stuff to win a lifetime achievement award.

88
The Globe and Mail (Toronto)
Rick Groen
Simultaneously a spectacular act of movie-making and a slight movie. Or is that impossible: When the means are so gloriously abundant, can the end ever be merely trivial?

88
Rolling Stone
Peter Travers
In Kill Bill, Tarantino brings delicious sin back to movies -- the thrill you get from something down, dirty and dangerous.

80
LA Weekly
John Powers
At once an astonishing piece of filmmaking and, quite possibly, an Olympian folly.

80
The Onion (A.V. Club)
Scott Tobias
It remains to be seen whether Kill Bill is merely a skilled slice of juvenilia or a pastiche with real emotional and thematic underpinnings, but based on Tarantino's storytelling command in the first half, it's worth giving him the benefit of the doubt.

80
Empire
Colin Kennedy
There is much to admire in Vol. 1, not least a performance from Uma Thurman as steely as the plate in her character’s head and a knowing soundtrack that effortlessly smears the boundaries between east and west.

75
Portland Oregonian
Shawn Levy
What we've got is a mixed though certainly entertaining bag.

75
Miami Herald
Rene Rodriguez
Self-indulgent, overwrought, shallow and ridiculous. It is also brilliant, a blast of cinematic lunacy and as much of a guilty pleasure as the schlocky movies Tarantino adores, which was probably the point. Sometimes, only a Big Mac will do.

75
Chicago Tribune
Mark Caro
There's no question that Quentin Tarantino's Kill Bill, Vol. 1 is a virtuoso piece of filmmaking. What's questionable is whether it's more than that.

75
Christian Science Monitor
David Sterritt
One of the most violent films this year, it's no more so than many of the Asian kung fu flicks it pays homage to. Don't be surprised if it slaughters its action-film competition in this overcrowded movie season.

75
New York Post
Lou Lumenick
An overstuffed menu from a master chef who's trying way too hard to please himself.

70
TV Guide
Maitland McDonagh
His epic reworking of their lurid conventions proved so long that it was divided into two parts, and this one ends on a hell of a cliff-hanger.

70
Film Threat
Michael Dequina
Without a doubt, making the most substantial impact is Thurman. While she has proven her versatility over the years, her work as The Bride shows that her talent is matched by her fearlessness.

70
Los Angeles Times
Manohla Dargis
The movie love can make it hard to hear the human pulse beneath the noise (it's there, if faint), much less see if there's anything new going on.

70
The New York Times
Dana Stevens
Mr. Tarantino is an irrepressible showoff, recklessly flaunting his formal skills as a choreographer of high-concept violence, but he is also an unabashed cinephile, and the sincerity of his enthusiasm gives this messy, uneven spectacle an odd, feverish integrity.

70
Dallas Observer
Robert Wilonsky
Though it's a blast to watch, it becomes tiresome over the long haul--25 minutes of Thurman hacking her way through the crowd to get to a woman whose fate we're informed of early on. It's the most climactic anti-climax in recent film history, a no-d'uh coda awaiting the ending it really deserves but never gets. Not this year, anyway.

70
Newsweek
David Ansen
Brilliant, but shallow.

70
Film Threat
Jim Agnew
A hyper-violent, hyper-gory, kung-fu grindhouse flick. And there’s nothing at all wrong with that.

70
The Hollywood Reporter
Kirk Honeycutt
Is Kill Bill a homage to great Asian action movies? Yes. Is Tarantino trying to outdo his cherished masters (on a budget that dwarfs their films)? Of course. Is there any other point of any of this? Let's see "Vol. 2."

70
Variety
Todd McCarthy
A strange, fun and densely textured work that gets better as it goes along.

67
Seattle Post-Intelligencer
William Arnold
It's bound to be the love-it-or-hate-it movie of 2003.

63
New York Daily News
Jami Bernard
This long-awaited movie has been unwisely chopped into two pieces -- the second is due in February -- when it really needed to be one long, delirious ride.

63
ReelViews
James Berardinelli
An incomplete movie, artlessly cleft in the middle. Cinema interruptus.

60
Village Voice
J. Hoberman
Fun and smart, but undeniably thin, the first installment of Tarantino's action epic is a fanboy fever dream. The clichés are out in maximum force, tempting any critic fool enough to go one-on-one with the master. (The prize: a Ph.D. in Tarantinology.)

60
Salon.com
Stephanie Zacharek
As visually arresting as Kill Bill often is, there's a stultifying blankness about it. Despite Tarantino's obvious enthusiasms, he comes off jaded and cynical: He's seen plenty of movies, and this is his proof.

60
Slate
David Edelstein
Kill Bill is about nothing more (or less) than its director's passion for the mindless action pictures that got him through adolescence. It isn't sex without love: It's an orgy with just enough love.

60
Chicago Reader
Jonathan Rosenbaum
Quentin Tarantino's lively and show-offy tribute to Asian martial-arts flicks, bloody anime, and spaghetti westerns he soaked up as a teenager is even more gory and adolescent than its models, which explains both the fun and the unpleasantness of this globe-trotting romp.

50
New York Magazine
Peter Rainer
When French New Wave directors like Truffaut and Godard paid tribute to Hollywood pulp, they poeticized it and gave it an infusion of feeling. Tarantino’s tributes are, for the most part, far less complicated: He’s a fan, and Kill Bill is his mash note.

50
Philadelphia Inquirer
Carrie Rickey
Structurally and narratively amputated, Volume 1 retains head and guts but loses its heart and gams to the second installment. Maybe Tarantino figured that Thurman's legs, as long as the Mississippi, were sufficient to carry this half of a movie.

38
Charlotte Observer
Lawrence Toppman
The problem isn't that Tarantino's in love with death; it's that he's deadly dull. Even "Natural Born Killers" made a stab at social commentary and satire of America?s celebrity-mad media. Kill Bill merely giggles through gore and asks you to smile at its style.

30
The New Yorker
David Denby
Kill Bill is what’s formally known as decadence and commonly known as crap...Coming out of this dazzling, whirling movie, I felt nothing--not anger, not dismay, not amusement. Nothing. [13 October 2003, p. 113]
30
Wall Street Journal
Joe Morgenstern
Quentin Tarantino's Kill Bill inflicts intolerable cruelty on its characters, and on its audience -- though I'd like to believe that there is no mainstream audience for what has already been described, quite correctly, as the most violent movie ever released by an American studio.
30
The New Republic
Stanley Kauffmann
The really relevant defect of this thriller is that it isn't scary.

25
San Francisco Chronicle
Mick LaSalle
It boggles the mind that after six years of silence, all Tarantino has to offer is this garbage.


The average user rating for this movie is 6.2 (out of 10) based on 394 User Votes
Note: User votes are NOT included in the Metascore calculation.
Read more user comments...
Discuss this movie in our forums |
|